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You've selected:
Playing on the Marimba
Sheetmusic to print
24 sheet music found
<
1
Lean On Me
Lean On Me
#
Soul/R&B
#
Club Nouveau
#
Michael Charles Smith
#
Lean On Me
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Michael Smith
#
SheetMusicPlus
Instrumental Duet Hand Percussion,Instrumental Duet,Marimba - Level 1 - Digital Download SKU: A0.929940 By Club Nouveau. By Bill Withers. Arranged by Mic...
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Instrumental Duet Hand Percussion,Instrumental Duet,Marimba - Level 1 - Digital Download SKU: A0.929940 By Club Nouveau. By Bill Withers. Arranged by Michael Charles Smith. Soul. Score and parts. 3 pages. Michael Smith #5335191. Published by Michael Smith (A0.929940). This arrangement of Lean On Me was written for the MarimbaLab Virtual 1.0 Project. Each player will individually record a video of themselves playing one of the parts and then upload to a Dropbox Folder.
$4.99
Jivin on the Marimba - Sheet Music
Jivin on the Marimba -
#
BluEleTunes
#
Jivin on the Marimba -
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Diane Taim
#
SheetMusicPlus
Small Ensemble Marimba,Multi-Percussion,Orff Instrument,Vibraphone,Xylophone - Digital Download SKU: A0.1000418 Composed by BluEleTunes. Children,Concert...
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Small Ensemble Marimba,Multi-Percussion,Orff Instrument,Vibraphone,Xylophone - Digital Download SKU: A0.1000418 Composed by BluEleTunes. Children,Concert,Instructional,Standards. Score and parts. 2 pages. Diane Taim #6866349. Published by Diane Taim (A0.1000418). Marimba Sheet Music - Great for school. Easy beginner marimba 3 part piece of music. Gets children playing immediately.
$1.99
Hop-Scotch on a Merry-Go-Round, Galop and Waltz in Oom-pah style, marimba duet
Hop-Scotch on a Merry-Go-Round, Galop and Waltz in Oom-pah style, marimba duet
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Phil Beaman
#
Hop-Scotch on a Merry-Go-Round
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Phil Beaman
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.1126894 Composed by Phil Beaman. Classical,Holiday. Score and parts. 4 p...
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Instrumental Duet Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.1126894 Composed by Phil Beaman. Classical,Holiday. Score and parts. 4 pages. Phil Beaman #727540. Published by Phil Beaman (A0.1126894). Pure fun !! This Galop and Waltz in Oom-pah style is in AABA form. The A theme is a Vivace 2/4 Galop, then a slower 4/4 bridge to repeat the Galop. Then the B theme is a brisk 3/4 Waltz, right back to the 2/4 Galop. This catchy tune is a rousing crowd pleaser for any concert or recital. Perfect for Oktoberfest ! Advanced Intermediate because of the always Vivace/brisk tempo and the need for controlled playing of the articulation which always varies from staccato to normal to marcato to slurred. Duet can be played on one 4 octave marimba, using the full range. Part 1 melody can be played with 2 mallets, Part 2 requires 3 mallets. 2 page score, 1 page @ part 2 minutes.
$4.99
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Pitch Only - Bass Clef (Sight Reading Exercise Book)
#
Instructional
#
Nathan Petitpas - Dots and Bea
#
Pitch Only - Bass Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Pitch Only - Treble Clef (Sight Reading Exercise Book)
#
Instructional
#
Nathan Petitpas - Dots and Bea
#
Pitch Only - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
Diamond Dance for Clarinet and Bass Marimba
Diamond Dance for Clarinet and Bass Marimba
#
Celtic/Irish
#
Bill Douglas
#
Bill Douglas
#
Diamond Dance for Clarinet and
#
Ziji Music
#
SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.1033537 By Bill Douglas. By Bill Douglas. Arranged by Bill Douglas. Celtic,Irish...
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Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.1033537 By Bill Douglas. By Bill Douglas. Arranged by Bill Douglas. Celtic,Irish. Score and parts. 10 pages. Ziji Music #638844. Published by Ziji Music (A0.1033537). A Celtic-inspired lively piece composed for Richard Stoltzman, clarinet and Mika Stoltzman, marimba. They may be heard playing it on YouTube and on their album 'Duo Cantando'.
$15.00
Ragtime Rain Cloud - Xylophone Solo with Marimba Duo Accompaniment
Ragtime Rain Cloud - Xylophone Solo with Marimba Duo Accompaniment
#
Harvey Minchin
#
Ragtime Rain Cloud - Xylophone
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Harvey Minchin
#
SheetMusicPlus
Percussion Ensemble Xylotone - Level 3 - Digital Download SKU: A0.881327 Composed by Harvey Minchin. Standards. Score and parts. 14 pages. Harvey Minchin...
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Percussion Ensemble Xylotone - Level 3 - Digital Download SKU: A0.881327 Composed by Harvey Minchin. Standards. Score and parts. 14 pages. Harvey Minchin #6366313. Published by Harvey Minchin (A0.881327). Ragtime Rain Cloud is a xylophone solo with a marimba duo accompaniment. This is an intermediate level piece that is perfect for middle school, junior high school or high school percussionists that have been playing mallets for a while. Both marimba parts can be played on the same 4 octave marimba. The xylophone part, while intended to be played on a xylophone, may also be played on a second marimba, played one octave higher. The marimba 2 part is written in the bass clef and an optional treble clef version is also included for groups that do not have a percussionist comfortable reading bass clef. This is a fun and challenging piece that students enjoy playing and will certainly be entertaining to the audience.
$9.95
Nfl On Fox Theme
Nfl On Fox Theme
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Film/TV
#
Phil Garrod, Reed Hays, and Sc
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Caleb Christensen
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Nfl On Fox Theme
#
Caleb Christensen
#
SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Chimes,Drum Set,Flute,Horn,Marimba,Percussion,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Interactive Down...
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Chimes,Drum Set,Flute,Horn,Marimba,Percussion,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1251260 Composed by Phil Garrod, Reed Hays, and Scott Schreer. Arranged by Caleb Christensen. This edition: Interactive Download. Film/TV. 29 pages. Duration 72. Caleb Christensen #40ymF3Ww9pfqsInLAukykg. Published by Caleb Christensen (A0.1251260). Key: Eb major.Fun arrangement of the NFL on Fox theme, great for playing for pep band at football games!
$24.99
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
#
Instructional
#
Nathan Petitpas - Dots and Bea
#
Rhythm Only - Book 1 - Eighths
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Reveille, for instruments in six parts - Score and Parts
Reveille, for instruments in six parts - Score and Parts
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Paul Burnell
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Reveille, for instruments in s
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Paul Burnell
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1426124 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 41 pages. Paul Burnell #1006920. Published by P...
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Level 4 - Digital Download SKU: A0.1426124 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 41 pages. Paul Burnell #1006920. Published by Paul Burnell (A0.1426124). Reveille by Paul Burnell.Composed 2002, with minor revisions to the score in 2023.For instruments in six parts, reading treble clef.Optional: percussion (2 low drums, agogo bells, marimba or piano), six voices, drone on EDuration 7:00 approx.Score in CThe instrumental parts may be played with multiple performers on each part 1-6. Octave transpositions are allowed optionally at any point, in addition to those bars marked with ‘opt. 8’. If there are multiple performers on each part then have solo performers from rehearsal letter E to the end. The technique instructions in brackets (pizz., arco, con sord.) are not meant to indicate specific instruments, they are applicable only to those appropriate instruments who may be performing.Optional - Percussion instruments. Two low drums, agogo bells, marimba or piano.Optional - Voices. In the opening section, each voice in turn speaks the name of the subsequent instrumental performer at the beginning of the indicated bar (or any person if there are multiple players within the part). The subsequent rhythms are a guide and can be interpreted freely.The voices may characterise their delivery so that each person is distinguished from the other. For example - angry, loving, curious, frightened, strict, cynical.Optional - Drone on low E. The drone may be played on any instruments, taking breath or rests as necessary. The drone ends in the bar before rehearsal letter E. The drone may be doubled one or two octaves higher and/or an octave lower than written. If multiple instruments are playing the drone, the players may fade in and out of the drone texture ad lib.Any of the following also optional: Voices enter, three with folded bed sheets who unfold and shake them open; others recite list of night birds. Hang sheets to make a screen. Instrumentalists enter. Bird flying silhouettes or bird hand-shapes projected. Intermittent recorded sounds of flapping wings. At end voices fold sheets, exit with instrumentalists, flapping wings sound fades. Other instruments sustain low e from beginning to letter E.Bird names: barn owl, stone curlew, nightjar, long-eared owl, whip-poor-will, Japanese night heron, tawny owl, northern mockingbird, hermit thrush, black crowned night heron, great horned owl, shearwater, woodcock, common nighthawk, chuck-will’s-widow, Jerdon’s courser, corncrake.
$3.99
Farewell 2017 - Vocals. Flute, Marimba - Búcsú 2017 - Ének, Fuvola, Marimba
Farewell 2017 - Vocals. Flute, Marimba - Búcsú 2017 - Ének, Fuvola, Marimba
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Béla Ugró
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Farewell 2017 - Vocals. Flute,
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Bela Ugro
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SheetMusicPlus
Flute,Marimba,Voice - Level 2 - Digital Download SKU: A0.1422728 Composed by Béla Ugró. Classical,Contemporary,Contest,Festival,Singer/Songwriter,Tradi...
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Flute,Marimba,Voice - Level 2 - Digital Download SKU: A0.1422728 Composed by Béla Ugró. Classical,Contemporary,Contest,Festival,Singer/Songwriter,Traditional. 15 pages. Bela Ugro #1004079. Published by Bela Ugro (A0.1422728). BÚCSÚ 2017, ÉNEK. FUVOLA, MARIMBA is a heartfelt and melodic music sheet composed by the talented Béla Ugró. Designed for beginners, this 15-page document features a beautiful composition for voice, flute, and marimba, creating a harmonious blend of sounds.Melodic Journey: Embark on a musical journey with this original composition, exploring the interplay of voice, flute, and marimba.Voice and Instruments: Experience the magic of vocal melodies intertwined with the soothing tones of the flute and the resonant notes of the marimba.15 Pages: The 15-page document provides ample material to practice and master the piece, allowing for a comprehensive learning experience.Expressive and Emotional: BÚCSÚ 2017 evokes emotions and tells a musical story, making it a captivating piece for performers and audiences alike.Whether you're a beginner vocalist, flutist, or marimba player, this music sheet offers an accessible and rewarding piece to learn and perform. Let the music of Béla Ugró guide you through a harmonious and expressive musical farewell.Keywords:Béla Ugró compositionVocal and instrumental ensembleBeginner music sheetVoice, flute, marimba trioMelodic compositionMusical farewellExpressive ensemble pieceHarmonious blendGentle introduction to ensemble playingEmotional music journey.
$10.00
A Night In Tunisia
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and...
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
Schnoodles 32 Easy Flex Duets for Band (C Flute, Oboe, Var. Keyboards)
Schnoodles 32 Easy Flex Duets for Band (C Flute, Oboe, Var. Keyboards)
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Brad Carman
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Schnoodles 32 Easy Flex Duets
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Brad Carman
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SheetMusicPlus
Small Ensemble Flute,Marimba,Oboe,Vibraphone,Xylophone - Digital Download SKU: A0.799954 Composed by Brad Carman. Contemporary,Folk,Standards. Score and ...
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Small Ensemble Flute,Marimba,Oboe,Vibraphone,Xylophone - Digital Download SKU: A0.799954 Composed by Brad Carman. Contemporary,Folk,Standards. Score and parts. 55 pages. Brad Carman #5988523. Published by Brad Carman (A0.799954). Schnoodles Flex Duet Repertoire for Band is a collection of 32 easy duets that can be played by any two wind or keyboard players or group of players; including full band! Following in the footsteps of Schnibbles for Two, these duets offer variety, fun, and encourage creative expression and musical experimentation. This duet book asks the student to consider multiple interpretations, and making connections to other art forms, such as visual art, creative writing, and dance. Used as a compliment to any band method, this collection helps to bridge the gap between unison playing and the more ambitious ensemble repertoire that requires both independence and sometimes extreme patience, especially for those that do not carry the melody. With Schnoodles, each part takes turns carrying and supporting the melody giving each player the opportunity to experience both roles simultaneously. While Schnoodles give each player a lot to play, they also give players some creative choices. None come with a prescribed tempo, and most allow students to determine the appropriate articulations and dynamics for the piece based on their abilities, preferences, and interpretations - and hopefully - guidance from a teacher! Players are encouraged to consult teachers and more experienced musicians as they ponder the possibilities of each petit little piece.
$8.99
And She Flew
And She Flew
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Contemporary
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Paul Burnell
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And She Flew
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Paul Burnell
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SheetMusicPlus
Small Ensemble Hand Percussion,Voice - Level 3 - Digital Download SKU: A0.835774 Composed by Paul Burnell. Contemporary. Score and parts. 3 pages. Paul B...
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Small Ensemble Hand Percussion,Voice - Level 3 - Digital Download SKU: A0.835774 Composed by Paul Burnell. Contemporary. Score and parts. 3 pages. Paul Burnell #3214065. Published by Paul Burnell (A0.835774). For voice and hands (optional percussion/instruments) The performer speaks rhythmically and at the same time rubs together the palms of their hands, or sandpaper blocks, with the same spoken rhythm and also where marked in the text with dashes (- - - - -). The bracketed direction (open hands) is not spoken, but is an indication to the performer to open their hands wide as a dramatic gesture. Examples of optional instruments - all playing a very quiet tremolo: Three players on low drums with soft sticksAny three low notes on marimba or vibraphoneThree groups of strings quite drumming fingers on the instrument bodies. The three players/groups enter as indicated in relation to the text - [1], [2], [3] - and stop, fade, crescendo where indicated. Programme note: ‘And She Flew’ was composed by Paul Burnell in 2006 and was first performed by percussionist Chris Brannick. The piece can be performed as a solo or together with accompanying instruments playing a quiet tremolo.
$1.99
Probe
Probe
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Dan Cook
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Probe
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Pecan Valley Music
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SheetMusicPlus
Percussion Octet - Level 5 - Digital Download SKU: A0.1185106 Composed by Dan Cook. Chamber,Classical,Contemporary,Contest,Festival,Instructional. 86 pag...
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Percussion Octet - Level 5 - Digital Download SKU: A0.1185106 Composed by Dan Cook. Chamber,Classical,Contemporary,Contest,Festival,Instructional. 86 pages. Pecan Valley Music #784785. Published by Pecan Valley Music (A0.1185106). For percussion octetduration; 11:05crotales / handbells / vibraphone / marimba(4) timpani / roto-toms / sand blocks / (3) flower potsrainstick / claves / (2) bongosboomwhackers (C maj. diatonic set, chromatics set, treble extension set)Dragonfly, Perseverance, and Alvin: three probes exploring very different environments to learn more about our place in the universe.Dragonfly is a rotorcraft expected to perform vertical take-offs and landings on the surface of Saturn's moon Titan in 2034. Titan is a world like our own with oceans, rivers, and lakes. On Titan though, our water cycle is replaced with hydrocarbons, it rains liquid methane, and the surface temperature averages -179 degrees Celsius. The first section of Probe features contrapuntal melodies with a set of roto-toms representing the probe, flower pots representing the possibility of something growing in such a frigid place, and a rainstick representing the potential food source for a hypothetical methanogen. Perseverance will roam the dry, dusty surface of Mars beginning in 2021 drilling and preparing samples that will, for the first time, be returned to Earth. Perseverance will also carry with it a small rotorcraft to prove the ability of flight within Mars’ thin atmosphere. In the second section, tonal harmony is replaced with sandpaper blocks, claves, and bongos with the roto-toms now playing the role of both the secondary rotorcraft and the Martian wind. Alvin has been ferrying explorers to the deepest parts of Earth's oceans and providing insights into the origins of life since the 1970s. The discovery of large tubeworms living in an environment without sunlight, thriving on the energy provided to them by hydrothermal vents on the ocean floor, changed our understanding of how life might thrive in many environments across the universe. The conclusion of Probe features Boomwhackers appearing as tubeworms.
$14.00
One
One
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Metallica
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David Oosse
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One
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David Oosse
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SheetMusicPlus
Instrumental Solo,Percussion - Level 5 - Interactive Download SKU: A0.1144838 By Metallica. By James Hetfield and Lars Ulrich. Arranged by David Oosse. T...
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Instrumental Solo,Percussion - Level 5 - Interactive Download SKU: A0.1144838 By Metallica. By James Hetfield and Lars Ulrich. Arranged by David Oosse. This edition: Interactive Download. Contest,Rock. Individual part. 7 pages. Duration 428. David Oosse #3B8VfaKu94vDmyZecDoRrX. Published by David Oosse (A0.1144838). Key: D major.One - Metallica Marimba arrangement for a soloist. All due credit given to the legends themselves - the members of Metallica. --- One day I thought to myself, How cool would it be to play a Metallica song on a marimba, for a solo and ensemble event? then I thought, What would be a good song? One with a slower, more lyrical part, and a crazy solo and a heavy ending? ... What about One? Then I sat down for some time, and started listening and writing, listening and editing, then playing and editing, until everything felt possible to play, with no weird transitions or stickings or anything else weird. Even with what little chops I had at the time, I learned the piece, made edits on the way to minimize awkward transitions, and now I am sharing the final product.
$19.95
Speaking Drums
Speaking Drums
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Peter Eotvos
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Speaking Drums
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Schott Music - Digital
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SheetMusicPlus
Percussion and orchestra - difficult - Digital Download SKU: S9.Q49877 Four poems for percussion solo and orchestra. Composed by Peter Eotvos. Thi...
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Percussion and orchestra - difficult - Digital Download SKU: S9.Q49877 Four poems for percussion solo and orchestra. Composed by Peter Eotvos. This edition: solo part. A battere. Downloadable, Solo part. Duration 23 minutes. Schott Music - Digital #Q49877. Published by Schott Music - Digital (S9.Q49877). Artificial language.'Talking whilst playing the drum is not something unique. We can find it in traditional Indian percussion, and in jazz when musicians accompany their play with 'Sprechgesang'. This piece goes the opposite way: It begins with the percussionist speaking nonsensically, the emphasis on the rhythm, which he then passes on to his instrument. Like the pure, childish joy of repeating the same word in a different tune, the soloist teaches his instrument to speak until the drums start to talk themselves. Several poems form the basis; in the first two movements it are three poems by Sándor Weöres, and in the third movement it is a poem by Jayadeva. Each sentence has a more complex form than the one before. Rhythms form words, words form sentences, and sentences create a narrative.' (Ann-yi Bingöl)2 (2. auch Picc.) · 1 (auch Engl. Hr.) · 1 · Bassklar. · 1 - 2 · 1 · 1 · 0 - S. (I: Glsp. · Crot. · Vibr. · 3 Beck. · Nietenbeck. · 5 Kuhgl. · 2 Bong. · Vibraslap · Grelots · 2 Kieselsteine; II: Vibr. [von Spieler 1] · Trgl. · 5 Gong · Tamt. [t.] · Schellen-Tamb. · 2 Bong. · gr. Tr. · Vibraslap · 2 hg. koreanische Steinplatten) (2 Spieler) - Hfe. · Cel. - Str. (6 · 6 · 6 · 4 · 2) - S. solo (Bassp. · Marimba · Röhrengl. · Cowbell · Trgl. · 8 Beck. · kl. Crash-Beck. · gr. chin. Beck. mit Filzgleitern · 3 kl. Flachgongs · 2 Tamt. · kl. Tr. · Feldtr. · 4 Tomt. · 5-6 gr. Holztr. [Mokugyo oder Salatschüssel] · Hi-Hat · 2 Woodbl. · 2 Löwengebrüll · 4 frei wählbare Instrumente: z.B. Tomt. · Tamt. · Operngong · Beckenplatte [Der Solist rezitiert auch Laut-Gedichte von Sándor Weöres und Jayadeva.]).
$23.99
Finding Time To Dance - Percussion
Finding Time To Dance - Percussion
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Dane Anthony Madrigal
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Finding Time To Dance - Percus
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Dane Anthony Madrigal
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SheetMusicPlus
Bass Drum,Bongos,Marimba,Shaker,Tambourine,Timbales,Wind Chimes,Woodblock - Level 5 - Digital Download SKU: A0.1015090 Composed by Dane Anthony Madrigal....
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Bass Drum,Bongos,Marimba,Shaker,Tambourine,Timbales,Wind Chimes,Woodblock - Level 5 - Digital Download SKU: A0.1015090 Composed by Dane Anthony Madrigal. 20th Century,Contemporary,Standards. 8 pages. Dane Anthony Madrigal #6207807. Published by Dane Anthony Madrigal (A0.1015090). COMPOSER’S NOTESFinding Time To Dance is a piece that is dedicated to the Department of Dance at Chapman University. The piece is found in a world of high rhythmical contrast and virtuosic playing, especially on the part of the percussionist. The idea for this piece comes from wanting to fade varied rhythmic groups with a Klezmer style of violin playing. After working through the piece, what I found most exciting is the absolute wonkiness that it has in every section. As the piece develops in time, the sense of meter becomes less concrete.
$5.50
Finding Time To Dance - Full Score
Finding Time To Dance - Full Score
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Dane Anthony Madrigal
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Finding Time To Dance - Full S
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Dane Anthony Madrigal
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SheetMusicPlus
Bass Drum,Bongos,Marimba,Shaker,Tambourine,Timbales,Violin,Wind Chimes,Woodblock - Level 5 - Digital Download SKU: A0.1015092 Composed by Dane Anthony Ma...
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Bass Drum,Bongos,Marimba,Shaker,Tambourine,Timbales,Violin,Wind Chimes,Woodblock - Level 5 - Digital Download SKU: A0.1015092 Composed by Dane Anthony Madrigal. 20th Century,Contemporary,Standards. 10 pages. Dane Anthony Madrigal #6207801. Published by Dane Anthony Madrigal (A0.1015092). COMPOSER’S NOTESFinding Time To Dance is a piece that is dedicated to the Department of Dance at Chapman University. The piece is found in a world of high rhythmical contrast and virtuosic playing, especially on the part of the percussionist. The idea for this piece comes from wanting to fade varied rhythmic groups with a Klezmer style of violin playing. After working through the piece, what I found most exciting is the absolute wonkiness that it has in every section. As the piece develops in time, the sense of meter becomes less concrete.
$11.00
Green Green Grass
Green Green Grass
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George Ezra
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Iona Crosby
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Green Green Grass
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Iona Crosby
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Drum Set,Glockenspiel,Suspended Cymbal,Tambourine,Vibraphone,Xylophone - Level 2 - Digital Download SKU: A0.1489970 By G...
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Percussion Ensemble Bass Marimba,Drum Set,Glockenspiel,Suspended Cymbal,Tambourine,Vibraphone,Xylophone - Level 2 - Digital Download SKU: A0.1489970 By George Ezra. By George Barnett, Joel Pott, and Stuart Price. Arranged by Iona Crosby. 21st Century,Children,Pop,Singer/Songwriter. 15 pages. Iona Crosby #1066834. Published by Iona Crosby (A0.1489970). This percussion ensemble arrangement of George Ezra's hit song Green Green Grass has been arranged for beginner - intermediate percussion players. Green Green Grass shot into the music world in 2022, and peaked at number 3 in the UK official chart. Since it's success it's been a well loved single by many! The xylophone carries the main melody, while the glockenspiel takes over in the pre-chorus. The arrangement carries various levels of percussion playing. With a simple groove on the drum kit and a beginner's timpani part, this piece is sure to have your audience clapping and singing along!
$19.99
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Playing on the Marimba 
