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Prélude A minor
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You've selected:
Prélude A minor
Sheetmusic to print
8 sheet music found
<
1
Chopin Prelude in E minor - Guitar Trio
Chopin Prelude in E minor - Guitar Trio
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Classical
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Frederic Chopin
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Sean Atkinson
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Chopin Prelude in E minor - Gu
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Sean James Atkinson
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.876622 Composed by Frederic Chopin. Arranged by Sean Atkinson. 20th Century,Classical,Romanti...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.876622 Composed by Frederic Chopin. Arranged by Sean Atkinson. 20th Century,Classical,Romantic Period. Score and parts. 5 pages. Sean James Atkinson #6230631. Published by Sean James Atkinson (A0.876622). Originally published in 1839, this very famous Prélude is a favorite among classical music enthusiasts, and is now available to be performed by a classical guitar trio. The texture of the original piece, of course composed for the piano, while somewhat simple for Chopin, is extremely consistent, making it a great piece for a guitar ensemble at any level.
$9.99 ≈
9.00€
Debussy: Piano Preludes Bk.1 No.6 "Des pas sur la neige" - symphonic wind
Debussy: Piano Preludes Bk.1 No.6 "Des pas sur la neige" - symphonic wind
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Classical
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Claude Debussy
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Ray Thompson
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Debussy: Piano Preludes Bk.1 N
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553813 Composed by Claude Debussy. Arranged by Ray Thomp...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553813 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Christmas,Concert. Score and parts. 15 pages. RayThompsonMusic #4783551. Published by RayThompsonMusic (A0.553813). Des pas sur la neige is a musical composition by French composer Claude Debussy. It is the sixth piece in the composer's first book of Préludes, written between late 1909 and early 1910. The title is in French and translates to Footprints in the Snow The piece is 36 measures long and takes approximately three and a half to four and a half minutes to play. It is in the key of D minor.Arranged double wind quintet and bass.
$9.95 ≈
8.96€
Prélude in c minor
Prélude in c minor
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J
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Prélude in c minor
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J. Randolph Hall
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SheetMusicPlus
Instrumental Solo - Level 3 - Interactive Download SKU: A0.1141405 Composed by J. Randolph Hall. This edition: Interactive Download. Classical,Contest,Wo...
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Instrumental Solo - Level 3 - Interactive Download SKU: A0.1141405 Composed by J. Randolph Hall. This edition: Interactive Download. Classical,Contest,World. Individual part. 2 pages. Duration 126. J. Randolph Hall #4ut5EVepoVi1tGVFvamdF2. Published by J. Randolph Hall (A0.1141405). Key: Eb major.While my high school band director believed that minor keys sounded bad, my music theory prof said that minor keys afforded him more opportunity for harmonic colors. I was in a Baroque mood and I decided to experiment but you can be the judge of who is right. This can be played on harpsichord or piano.
$5.00 ≈
4.50€
Präludium h-Moll / Prelude b minor BWV 855a Bach / Siloti
Präludium h-Moll / Prelude b minor BWV 855a Bach / Siloti
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Sacred music
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Johann Sebstian Bach / Alexand
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Uwe Rössler Roessler Rassle
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Präludium h-Moll / Prelude b
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Uwe Roessler
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SheetMusicPlus
Piano Trio Cello,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.1229325 Composed by Johann Sebstian Bach / Alexander Siloti. Arranged by U...
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Piano Trio Cello,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.1229325 Composed by Johann Sebstian Bach / Alexander Siloti. Arranged by Uwe Rössler Roessler Rassler. Baroque,Instructional,Praise & Worship,Religious,Wedding. 9 pages. Uwe Roessler #825231. Published by Uwe Roessler (A0.1229325). Originally written for piano solo (hence the video link) here comes our arrangement for piano trio/quartet/quintet. Two iterations: In the first one the emphasis is put on the 16th-passages in the piano while all strings play pizzicato. In the second iteration violin1 and cello change to arco for the theme while the piano plays pp and with sostenuto pedal. A very rewarding effect.Minimum instrumentation: violin1, piano. Can be enlarged to piano trio / quartet / quintet.Comes with full score an all individual parts. Professional sheet material!
$20.00 ≈
18.01€
Suite No. 1
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à -dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95 ≈
9.86€
Ravel: Le Tombeau de Couperin No.II Forlane - symphonic wind
Ravel: Le Tombeau de Couperin No.II Forlane - symphonic wind
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Maurice Ravel
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Ray Thompson
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Ravel: Le Tombeau de Couperin
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1496456 Composed by Maurice Ravel. Arranged by...
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Large Ensemble A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1496456 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century. 38 pages. RayThompsonMusic #1072981. Published by RayThompsonMusic (A0.1496456). Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I.The six movements are:Prélude. Vif (E minor)Fugue. Allegro moderato (E minor)Forlane. Allegretto (E minor)Rigaudon. Assez vif (C major)Menuet. Allegro moderato (G major)Toccata. Vif (E minor) Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements.The movements used were Nos.1, 3, 5 and 4 in that order.The word tombeau in the title is a musical term popular from the 17th century, meaning a piece written as a memorial. The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin the Great (1668–1733).Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the piece's structure, which imitates a Baroque dance suite.Arranged double wind quintet/bass:Oboe 2 is mostly cor anglais, some bars of oboe.Clarinet parts are for Clarinet in A.
$14.95 ≈
13.46€
Debussy: Suite Bergamasque Mvt.4 Passepied - wind dectet/bass
Debussy: Suite Bergamasque Mvt.4 Passepied - wind dectet/bass
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Classical
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Claude Debussy
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Ray Thompson
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Debussy: Suite Bergamasque Mvt
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553783 Composed by Claude Debussy. Arranged by Ray Thomp...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553783 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Concert,Graduation. Score and parts. 36 pages. RayThompsonMusic #4359127. Published by RayThompsonMusic (A0.553783). The Suite Bergamasque is a piano suite composed by Claude Debussy. It was first composed around 1890, at the age of 28, but was significantly revised just before its publication in 1905.The third and most famous movement of Suite bergamasque is Clair de lune.The Suite bergamasque consists of four movements:Prélude (Moderato, F major, Menuet (Andantino, A minor,Clair de lune (Andante très expressif, D♠major, Passepied (Allegretto ma non troppo, F♯ minor, This arrangement for double wind quintet/bass of the last movement.A passepied is a type of dance which originated in Brittany. Debussy's Passepied is a happy, strangely medieval piece, which is surprisingly faster than its Baroque counterparts. Throughout most of its duration, on the piano, the piece is played with staccato arpeggios in the left hand.The Other 3 movements are available arranged for symphonic wind.
$14.95 ≈
13.46€
Debussy: Suite Bergamasques - wind dectet
Debussy: Suite Bergamasques - wind dectet
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Classical
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Claude Debussy
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Ray Thompson
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Debussy: Suite Bergamasques -
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 5 - Digital Download SKU: A0.553884 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Wedding. Score and parts. 9...
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Large Ensemble - Level 5 - Digital Download SKU: A0.553884 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Wedding. Score and parts. 93 pages. RayThompsonMusic #5888443. Published by RayThompsonMusic (A0.553884). Suite bergamasque is a piano suite by Claude Debussy, and one of the composer's most famous works for the instrument.Suite bergamasque consists of four movements:1.Prélude (Moderato tempo rubato, F major, 2.Menuet (Andante, A minor, 3.Clair de lune (Andante très expressif, D♠major, 4.Passepied (Allegretto ma non troppo, F♯ minor, Arranged double wind quintet and bass. (Alt parts for tuba/comtrabassoon).
$24.95 ≈
22.47€
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