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The Night We Met

The Night We Met #Lord Huron #Brian Streckfus #The Night We Met #Brian Streckfus #SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.1486610 By Lord Huron. By Ben Schnieder. Arranged by Brian Streckfus. Contemporary,Country,Folk,Pop. Chords/L...(+)

Guitar - Level 2 - Digital Download SKU: A0.1486610 By Lord Huron. By Ben Schnieder. Arranged by Brian Streckfus. Contemporary,Country,Folk,Pop. Chords/Lyrics. 10 pages. Brian Streckfus #1063675. Published by Brian Streckfus (A0.1486610). Key: F# minor Concert pitch (Fake E minor capo key) Pages: 5 + 5 (Two versions, with and without capo)Features:1. Chord diagrams2. Harmony takes in to consideration difficulty, main melody, style, and part writing.3. Guitar TAB4. Section markers5. Transposed to an easier guitar keyHistory:1. **Release Date**: The Night We Met was released on April 7, 2015, as part of Lord Huron's second studio album, *Strange Trails*.2. **Album**: *Strange Trails* features a mix of folk, rock, and indie sounds. The album was well-received for its cohesive narrative and cinematic quality.3. **Song Theme**: The Night We Met is a melancholic song about longing, regret, and the pain of lost love. The lyrics reflect a desire to return to a pivotal moment in the past.4. **Popular Culture**: The song gained widespread recognition after being featured in the Netflix series *13 Reasons Why* in 2017. It played during a significant dance scene in the series, which helped boost its popularity.5. **Chart Performance**: Following its feature in *13 Reasons Why*, The Night We Met saw a surge in popularity, charting on the Billboard Hot 100 and reaching high positions on various streaming platforms.6. **Live Performances**: The Night We Met is a staple in Lord Huron's live performances. The band often plays it as a highlight of their concerts, with fans responding strongly to its emotional impact.7. **Critical Acclaim**: Critics have praised the song for its emotional depth, haunting melody, and Schneider's evocative vocals. It is considered one of Lord Huron's standout tracks.Thoughts:1. I wonder which version people like better? The capo version seems to be easier to make sophisticated.2. I wonder if this site will ever allow me to offer .midi and .xml? It's nice how some sites offer the ability to transpose to any key.Social Media:https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.

$2.99 ≈ 2.68€

Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.

Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed. #Classical #Classical #Wolfgang Amadeus Mozart #Nicole Elyse DiPaolo #Ah, scostati!...Smanie implaca #Nicole Elyse DiPaolo #SheetMusicPlus

Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classi...(+)

Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,â€ Dorabellaâ€™s first aria from Mozartâ€™s CosÃ¬ fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, Iâ€™ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative â€œAh, scostati!â€ is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition thatâ€™s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who donâ€™t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know â€œSmanieâ€ well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â€œfudgedâ€ with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ€™ve provided.2. Iâ€™ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â€œsink or swimâ€ accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ€™s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible.Â 5. When known, Iâ€™ve noted alternate cuts that singers might like to take within certain arias.6. Iâ€™ve also replaced text â€œcresc.â€ and â€œdim.â€ markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula.Â For more information, please visit http://ndipaolo.musicaneo.com .

$8.95 ≈ 8.02€

Sammartini: Sonata Op. 1 No. 2 for English Horn Duo

Sammartini: Sonata Op. 1 No. 2 for English Horn Duo #Giuseppe Sammartini #James M #Sammartini: Sonata Op. 1 No. 2 #jmsgu3 #SheetMusicPlus

English Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1082622 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Ba...(+)

English Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1082622 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. 12 pages. Jmsgu3 #686830. Published by jmsgu3 (A0.1082622). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini's Sonatas Op. 1 was composed in the early 18th century. Sammartini, an Italian composer, was known for his instrumental works, particularly for the flute, recorder, and oboe. He dedicated his 12 sonatas Op. 1 to Frederick, indicating his attachment to the family he worked for. Most of Sammartini's chamber music was regularly performed and republished during his lifetime, highlighting the significance of his works in the Baroque era. The historical context of these sonatas is rooted in the Baroque period, during which the sonata form and chamber music flourished.Sammartini is considered a formative influence on the preclassical symphony and the development of the Classical style. His approach to symphonic composition was unique, drawing influence from the trio sonata and deviating from the Italian overture model. His symphonies were driven by rhythm and more precise forms, reflecting a mixture of Baroque and Preclassical forms and anticipating the direction of classical music, such as the Sturm und Drang style. He composed around 70 symphonies and is praised for his innovations in the development of the symphony, which have contributed to the development of the Classical style.

$27.95 ≈ 25.05€