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String Quartet No. 2 in D Major
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You've selected:
String Quartet No. 2 in D Major
Sheetmusic to print
7 sheet music found
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1
SCHWINDL: DIVERTIMENTO IN D MAJOR OPUS 7 No. 6 for flute, violin, viola & cello
SCHWINDL: DIVERTIMENTO IN D MAJOR OPUS 7 No. 6 for flute, violin, viola & cello
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Friedrich Schwindl
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editor Pat Spence
#
H
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SCHWINDL: DIVERTIMENTO IN D MA
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Piper Publications
#
SheetMusicPlus
Small Ensemble Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.811820 Composed by Friedrich Schwindl (1737 - 1786). Arranged by editor Pat ...
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Small Ensemble Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.811820 Composed by Friedrich Schwindl (1737 - 1786). Arranged by editor Pat Spence. Classical,Concert,Graduation,Standards,Wedding. Score and parts. 40 pages. Piper Publications #6563273. Published by Piper Publications (A0.811820). The set of six Divertimenti were first published c. 1775 by B. Hummel et fils. They were obviously very popular - as was most of Schwindl’s music during his life - and widely copied by other musicians. This led to this Divertimento and No. 5 in G major later being widely attributed to C. P. E. Bach and catalogued as H.641 and H. 642 respectively.Schwindl was a virtuoso violinist, flute player and keyboard player and wrote well for these instruments. The Divertimenti were written for flute or violin, violin 2, viola and cello continuo, though by the 1770s the keyboard was becoming surplus to requirements as the string quartet and the flute quartet became recognised as stand alone ensembles.Each Divertimento has three movements, here they are Largo, Allegro and Rondeau - tempo di men(uetto). Players of intermediate standard and above will enjoy this piece.This edition has been prepared from the c. 1775 Hummel edition. Editings are clearly shown using parentheses ( ) or dashed lines. Eighteenth century players would have added additional ornaments and dynamics during their performances and contemporary players should feel free to do the same.
$20.00 ≈
£15.55
Two Movements from String Quartet No. 1 for Trombone Quintet from iTromboni
Two Movements from String Quartet No. 1 for Trombone Quintet from iTromboni
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Classical
#
Pytor Ilyich Tchaikovsky
#
Andrew Poirier
#
Two Movements from String Quar
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Gordon Cherry
#
SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811175 Composed by Pytor Ilyich Tchaikovsky. Arranged by Andrew Poirier. Classical,Romantic ...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811175 Composed by Pytor Ilyich Tchaikovsky. Arranged by Andrew Poirier. Classical,Romantic Period. Score and parts. 55 pages. Gordon Cherry #5850175. Published by Gordon Cherry (A0.811175). For trombonists, mentioning the great Russian composer Peter Ilyich Tchaikovsky usually conjures up thoughts of great orchestral works and grandiose symphonic playing. Here though, iTromboni’s Andrew Poirier has crafted a beautiful trombone quintet arrangement of two movements from one of Tchaikovsky’s more intimate chamber works, his: String Quartet No. 1 in D major, Op. 11. 1. Andante Cantabile 2. Scherzo The original second movement, Andante Cantabile, is one of the most famous pieces Tchaikovsky ever wrote and its marvelous melodic lines are delicately passed between each trombone voice. This is followed by the third movement which is an upbeat Scherzo, full of energy, rhythmic drive and syncopation. Each movement can be performed on its own or together as this beautiful 10-minute suite. This arrangement has been created to showcase each member of the quintet with both beautiful lyrical solos and demanding technical passages.
$37.50 ≈
£29.16
Allegro (from "Sonata for Trumpet") (Bb) (Trumpet Solo with String Quartet - 2 Violins, 1 Viola, 1 C
Allegro (from "Sonata for Trumpet") (Bb) (Trumpet Solo with String Quartet - 2 Violins, 1 Viola, 1 C
#
Henry Purcell
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Regis Bookshar
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Allegro
#
Regis Bookshar
#
SheetMusicPlus
Small Ensemble Cello,Trumpet,Viola,Violin - Level 4 - Digital Download SKU: A0.813632 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Inst...
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Small Ensemble Cello,Trumpet,Viola,Violin - Level 4 - Digital Download SKU: A0.813632 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 8 pages. Regis Bookshar #6434245. Published by Regis Bookshar (A0.813632). Trumpet Solo with String Quartet - Advanced/Intermediate - Digital Download. This arrangement of the Allegro movement from Henry Purcell's Sonata for Trumpet would be a fabulous addition to any music library and could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. This selection is one of the arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library, many of which are being made available for the first time. They have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions. The original composition was written in D Major but Regis Bookshar has transposed it to Bb Major, making it a little easier for many modern musicians. Included are a score and a complete set of parts (8 pages). The 17th century composer, Henry Purcell, is generally considered to be one of the greatest English composers of his generation. His Sonata for Trumpet and Strings in D Major, composed in 1694, was probably written for the London Theatre, where a fine tradition of trumpet playing had developed. Purcell almost certainly had in mind either John Shore or his brother, William, the most renowned trumpet players in England at the time. The trumpets of the time were normally tuned in D and there were no valves on the Baroque trumpets, so they were limited in the number of notes that they could play. The term Sonata here probably means no more than a piece of incidental music and looks forward to the style that would become the solo concerto where soloist and strings are pitted against each other but also looks back to an older type of instrumental music which emphasized equality between members of the ensemble. The music is in three movements and looks forward to the fast-slow-fast plan popularized by Vivaldi's concertos. Regis Bookshar thought that it would be wonderful if other instrumentalists, besides trumpet players, could also have the opportunity to play the Allegro movement from Purcell's Sonata for Trumpet, so he has created other arrangements of this selection. However, this particular arrangement is for a Trumpet Solo with a String Quartet, consisting of 2 Violins, 1 Viola and 1 Violoncello, but there are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this piece. You may find something else that may suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a wide variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are added as often as possible. I'm certain that this exciting arrangement of Purcell's Allegro from his Sonata for Trumpet will continue to entertain both performers and audiences alike for years to come.
$10.00 ≈
£7.78
Allegro (from "Sonata for Trumpet") (Bb) (String Quartet - 2 Violins, 1 Viola, 1 Cello with Trumpet
Allegro (from "Sonata for Trumpet") (Bb) (String Quartet - 2 Violins, 1 Viola, 1 Cello with Trumpet
#
Henry Purcell
#
Regis Bookshar
#
Allegro
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Regis Bookshar
#
SheetMusicPlus
Small Ensemble Cello,Trumpet,Violin - Level 4 - Digital Download SKU: A0.813612 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructio...
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Small Ensemble Cello,Trumpet,Violin - Level 4 - Digital Download SKU: A0.813612 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 8 pages. Regis Bookshar #6431445. Published by Regis Bookshar (A0.813612). String Quartet with a Trumpet Solo - Advanced/Intermediate - Digital Download. This arrangement of the Allegro movement from Henry Purcell's Sonata for Trumpet would be a fabulous addition to any music library and could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. This selection is one of the arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library, many of which are being made available for the first time. They have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions. The original composition was written in D Major but Regis Bookshar has transposed it to Bb Major, making it a little easier for many modern musicians. Included are a score and a complete set of parts (8 pages). The 17th century composer, Henry Purcell, is generally considered to be one of the greatest English composers of his generation. His Sonata for Trumpet and Strings in D Major, composed in 1694, was probably written for the London Theatre, where a fine tradition of trumpet playing had developed. Purcell almost certainly had in mind either John Shore or his brother, William, the most renowned trumpet players in England at the time. The trumpets of the time were normally tuned in D and there were no valves on the Baroque trumpets, so they were limited in the number of notes that they could play. The term Sonata here probably means no more than a piece of incidental music and looks forward to the style that would become the solo concerto where soloist and strings are pitted against each other but also looks back to an older type of instrumental music which emphasized equality between members of the ensemble. The music is in three movements and looks forward to the fast-slow-fast plan popularized by Vivaldi's concertos. Regis Bookshar thought that it would be wonderful if other instrumentalists, besides trumpet players, could also have the opportunity to play the Allegro movement from Purcell's Sonata for Trumpet, so he has created other arrangements of this selection. However, this particular arrangement does feature a Trumpet Solo and has been arranged for a String Quartet, consisting of 2 Violins, 1 Viola and 1 Violoncello and features the Trumpet on the melody, but there are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this piece. You may find something else that may suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a wide variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are added as often as possible. I'm certain that this exciting arrangement of Purcell's Allegro from his Sonata for Trumpet will continue to entertain both performers and audiences alike for years to come.
$10.00 ≈
£7.78
Serenade No. 11
Serenade No. 11
#
Classical
#
Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
#
SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classic...
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String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00 ≈
£11.66
Haydn: Divertimento No. 25 Trio for Oboe d'Amore, Viola & Cello
Haydn: Divertimento No. 25 Trio for Oboe d'Amore, Viola & Cello
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Classical
#
Franz Joseph Haydn
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James M
#
Cello
#
Haydn: Divertimento No. 25 Tri
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jmsgu3
#
SheetMusicPlus
Small Ensemble Cello,Oboe d'Amore,Viola - Level 3 - Digital Download SKU: A0.552754 Composed by Franz Joseph Haydn. Arranged by James M. Guthrie. Classic...
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Small Ensemble Cello,Oboe d'Amore,Viola - Level 3 - Digital Download SKU: A0.552754 Composed by Franz Joseph Haydn. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Score and parts. 20 pages. Jmsgu3 #6137569. Published by jmsgu3 (A0.552754). Divertimento in three movements in G major. Originally scored for Baryton, Viola & Cello.1. Moderato2. Menuetto3. Finale: Allegro assaiDuration: 8:30Score: 10 pagesFranz Josef Haydn was an Austrian composer who is best known for his work in the field of chamber music. He composed in a variety of musical forms, including divertimenti, trios and string quartets. He was a prolific composer who wrote over 100 pieces of chamber music and is believed to have been a major influence on the music of his students and contemporaries, including Mozart and Beethoven. Haydn's music is known for its balance and clarity in structure. His chamber works were known for their accessibility and elegance, with melodies that were often lighthearted and charming. His symphonies were well-crafted and often featured balanced melodic elements. Haydn composed many well-known divertimenti and trios, but his string quartets are what he is most celebrated for. He wrote some sixty to eighty string quartets, and these works were historically significant for expanding the limits of the genre and for their influence on the composers and musicians who followed him.
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Oscillation
Oscillation
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Contemporary
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contrast, the string quartet h
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Jeremy Hart
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Oscillation
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Jeremy Graham Hart
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score ...
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
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