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You've selected:
Theme and variations on Flute
Sheetmusic to print
41 sheet music found
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1
26
Theme and Variations on an Irish Melody
Theme and Variations on an Irish Melody
Horn|Flute
Intermediate level
#
Mike Keegan
#
Theme and Variations on an Iri
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Imagine Music - Digital
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SheetMusicPlus
By Mike Keegan. For flute & horn. Level 3. Playing score. Duration 4 minutes. Published by Imagine Music - Digital ...
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By Mike Keegan. For flute & horn. Level 3. Playing score. Duration 4 minutes. Published by Imagine Music - Digital
$8.00 ≈
7.19€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.54€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.54€
Greensleeves to a Ground - recorder or flute trio
Greensleeves to a Ground - recorder or flute trio
#
Traditional
#
C
#
Greensleeves to a Ground - rec
#
Carrie Burdzinski
#
SheetMusicPlus
Small Ensemble Flute,Oboe,Soprano Recorder - Level 4 - Digital Download SKU: A0.891995 Composed by Traditional. Arranged by C. Burdzinski. Children,Class...
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Small Ensemble Flute,Oboe,Soprano Recorder - Level 4 - Digital Download SKU: A0.891995 Composed by Traditional. Arranged by C. Burdzinski. Children,Classical,Folk,Renaissance,Standards. Score and parts. 15 pages. Carrie Burdzinski #3478599. Published by Carrie Burdzinski (A0.891995). This full arrangement of the classic Greensleeves is intended for three soprano recorders or other C-instruments (flutes, oboes, etc.). It incorporates the classic theme with added harmonies and variations on the melody (the ground). The melody is distributed among each of the three voices so that every player has something interesting and challenging to play! It is set at a high intermediate level. Run time is approximately 4:05. Sheet music includes conductor's score plus the three individual parts.2018 Chamber Music Contest Entry
$4.99 ≈
4.48€
Just a Closer Walk with Thee - Theme and Variations
Just a Closer Walk with Thee - Theme and Variations
#
Contemporary
#
Don Bowyer (Sunway University)
#
Just a Closer Walk with Thee -
#
Dolphin Don's Music School
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Flute,Oboe,Trombone,Tuba,Violin - Digital Download SKU: A0.990155 Arranged by Don Bowyer (Sunway University). Contemporar...
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Large Ensemble Bassoon,Clarinet,Flute,Oboe,Trombone,Tuba,Violin - Digital Download SKU: A0.990155 Arranged by Don Bowyer (Sunway University). Contemporary. Score and parts. 48 pages. Dolphin Don's Music School #6437925. Published by Dolphin Don's Music School (A0.990155). This piece was written in memory of my father, John Franklin Bowyer, who passed away on September 25, 2012. The work opens with a trombone statement of the melody, followed by an ensemble variation. Each of the seven members of the ensemble is the featured soloist on one the next seven variations, followed by a restatement of the ensemble variation. The piece closes with a vocal refrain accompanied by tuba, clarinet, and an improvised jazz trombone obbligato. The audience is encouraged to join the performers in singing.Just a closer walk with Thee,Grant it, Jesus, is my plea,Daily walking close to Thee,Let it be, dear Lord…
$18.99 ≈
17.07€
The First Noel Variations for Woodwind Quintet MP3
The First Noel Variations for Woodwind Quintet MP3
#
Christmas
#
Traditional
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Nick Raspa
#
The First Noel Variations for
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NJR Music
#
SheetMusicPlus
Digital Download SKU: A0.1068222 Composed by Traditional. Arranged by Nick Raspa. Christmas. Full Performance. Duration 155. NJR Music #3879885. Publishe...
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Digital Download SKU: A0.1068222 Composed by Traditional. Arranged by Nick Raspa. Christmas. Full Performance. Duration 155. NJR Music #3879885. Published by NJR Music (A0.1068222). This is a theme and variations setting for Woodwind Quintet (Flute, English Horn, B Flat Clarinet, Horn in F, Bassoon). This arrangement starts with a traditional setting followed by three variations. The first variation is in the Major, the second is minor and the third is a lively gigue. The score and parts are also available on Sheet Music Plus.
$3.99 ≈
3.59€
Holst: First Suite in Eb | Flute Choir
Holst: First Suite in Eb | Flute Choir
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Contemporary
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Gustav Holst
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Michael Barrera
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Holst: First Suite in Eb | Flu
#
Michael Barrera
#
SheetMusicPlus
Woodwind Ensemble Alto Flute,Piccolo - Digital Download SKU: A0.998575 Composed by Gustav Holst. Arranged by Michael Barrera. 20th Century. 67 pages. Mic...
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Woodwind Ensemble Alto Flute,Piccolo - Digital Download SKU: A0.998575 Composed by Gustav Holst. Arranged by Michael Barrera. 20th Century. 67 pages. Michael Barrera #6114133. Published by Michael Barrera (A0.998575). Https://www.michaelbarreraflute.com/shop/p/first-suite-eb-flute Program Notes First Suite in E-flat by Gustav Holst is widely considered one of the masterworks of band literature and it is one of the earliest pieces written for wind ensemble. Completed in 1909, the suite did not premiere until 11 years later in 1920. Each of the three movements Chaconne, Intermezzo, and March is based on the same motif, seen at the beginning of each movement. The Chaconne begins with a ground bass stating the theme and follows with a set of 15 variations over it. The Intermezzo is brisk, making use of the agility of the winds. Last, the March is more lighthearted but then becomes more regal like a typical British march. Instrumentation 1 Piccolo 4 Flutes 1 Alto Flute 1 Bass Flute Parts may be doubled with more players as desired.
$39.99 ≈
35.94€
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
#
Thomas Oboe Lee
#
Septet, opus 77 ... Variations
#
Thomas Oboe Lee
#
SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99 ≈
8.98€
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th C...
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99 ≈
8.98€
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. P...
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Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99 ≈
8.98€
Variations on a Theme by Henry VIII
Variations on a Theme by Henry VIII
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David Thompson
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Variations on a Theme by Henry
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David M Thompson
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SheetMusicPlus
Cello,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1466986 Composed by David Thompson. 20th Century,Renaissance. 30 pages. David M Thompson #10455...
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Cello,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1466986 Composed by David Thompson. 20th Century,Renaissance. 30 pages. David M Thompson #1045550. Published by David M Thompson (A0.1466986). The Tudor King Henry VIII of England was, among other things, an enthusiastic musician. Here are a set of variations on his delightful song Trolly Lolly Lo, for flute (or violin), clarinet (or viola), and 'cello (or bassoon). Includes score and parts, including viola).
$4.95 ≈
4.45€
Paul Wehage : Concert Fantasy on Jingle Bells: theme and five variations on the carol by Pierpont f
Paul Wehage : Concert Fantasy on Jingle Bells: theme and five variations on the carol by Pierpont f
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Christmas
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Paul Wehage
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Paul Wehage : Concert Fantasy
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.532890 Composed by Paul Wehage. Christmas,Contemporary,Instructional,Standards. Score and parts. 91 p...
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Small Ensemble - Level 4 - Digital Download SKU: A0.532890 Composed by Paul Wehage. Christmas,Contemporary,Instructional,Standards. Score and parts. 91 pages. Musik Fabrik Music Publishing #416507. Published by Musik Fabrik Music Publishing (A0.532890). Starting from James Pierpont’s classic holiday song, this piece is a irreverental set of five variations which present the well-known in several unusual contexts: an exotic dance in a South American style, a Yiddish Waltz, a burlesque number which features a quartet of soloists. After a much more tame “Chorale-Préludeâ€, the fughetta on the verse (“Dashing Through the Snowâ€) leads to a finial exposition of the theme in a Toccata style. Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Trumpet I, II and III F Horn I, II, III, and IV Trombone I, II and III Baritone I and II Tuba Timpani Percussion 1: snare drum, hit hat cymbal, suspended cymbal, triangle Percussion II: two temple blocks, Bass drum, crash cymbals, three toms, triangle Percussion III: chimes, xylophone This set contains all of the woodwind parts. The full score and the brass and percussion parts are available seperately. The individual parts are also available seperately.
$49.95 ≈
44.89€
Nimrod, from the Enigma Variations by Elgar, Flute and Viola Duet
Nimrod, from the Enigma Variations by Elgar, Flute and Viola Duet
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Classical
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Edward Elgar
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David McKeown
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Nimrod, from the Enigma Variat
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.587719 Composed by Edward Elgar. Arranged by David McKeown. Concert,...
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.587719 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Period,Standards,Wedding. Score and parts. 3 pages. David McKeown #4822967. Published by David McKeown (A0.587719). Nimrod, is the ninth of the Enigma Variations composed by Edward Elgar in 1899. Here, the music is arranged for Flute and Viola Duet, directly from the orchestral score. Elgar wrote fourteen variations on a theme, each one depicting close friends and family. Nimrod represents his publisher and friend Augustus Jaeger. The biblical character of Nimrod is described as a mighty hunter, and jaeger means hunter in German.Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts require dramatic dynamic contrasts and lyrical legato playing. The overall performance time is around three minutes. The linked full performance on youtube is the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.13€
"Litany" for alto flute solo
"Litany" for alto flute solo
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PanagiotisTheodossiou
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"Litany" for alto flute solo
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Panagiotis Theodossiou
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SheetMusicPlus
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.886692 Composed by PanagiotisTheodossiou. Christian,Concert,Contemporary,Standards. 7 pages. Panag...
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.886692 Composed by PanagiotisTheodossiou. Christian,Concert,Contemporary,Standards. 7 pages. Panagiotis Theodossiou #3574285. Published by Panagiotis Theodossiou (A0.886692). Litany Seven Variations on a Theme, for alto flute solo (2015) The parts:Theme:God's WordVar. I:The Heart is Questioning Var. II:The Soul is DancingVar. III: The Mind is a PoetVar. IV:The Flesh is Singing and CryingVar. V:The Body keeps Walkin'Var. VI: The Saint is Listening...(and the bird is singing!)Var. VII: God's Fullfiled PresenceThe religion experience of a pilgrim in a Saint's litany (St. Dionysios of Zakynthos, Greece) in the Eastern Orthodox ritual. The work is dedicated to oboist Isidora Kopsida. There are transcriptions available or clarinet solo (dedicated to clarinetist and musicologist Giannis Sabrovalakis) and for english horn solo (dedicated to flutist Nikos Katritzidakis).Flutist Iwona Glincka performed alto flute version work's premier at An Art Artistry Hall at Plaka, Athens, on Febrouary 2016 and at MiMoDa Studio, Los Angeles on August, same year... She also recorded the work for a double cd on Greek Composers Works for flute, under Sarton cd company.
$10.00 ≈
8.99€
Sonata for Flutes
Sonata for Flutes
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Tony Bridgewater
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Sonata for Flutes
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Forton Music - Digital
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SheetMusicPlus
Picc. 5 Fl. Afl. Bfl. (Cbfl) - Intermediate-Advanced - Digital Download SKU: F2.FM532 Composed by Tony Bridgewater. Flute Ensemble. Score and Parts. 138 ...
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Picc. 5 Fl. Afl. Bfl. (Cbfl) - Intermediate-Advanced - Digital Download SKU: F2.FM532 Composed by Tony Bridgewater. Flute Ensemble. Score and Parts. 138 pages. Forton Music - Digital #FM532. Published by Forton Music - Digital (F2.FM532). ISBN 9790570484317.Tony Bridgewater's 'Sonata for Flutes' was written in 2014-2015 for the UK based National Flute Orchestra, founded by Margaret Lowe in 2008, and was performed in Birmingham, England, conducted by the composer. It is in three movements. The first is based around lively, dancing 7/8 rhythms, with playful changes in metre, and ideas thrown between the instruments in a busy texture. There is a slow, reflective middle section, much more serious in tone, featuring various flute solos. This gradually returns to the opening ideas of the movement in an abbreviated reprise, before the music ends, fading away into the distance, on the dancing rhythm of the opening. The second movement is slow, and suggests a misty dawn landscape with its spare, calm texture. This is followed by a series of lonely solo flute melodies which gradually combine and build up into a rich, imitative texture. Tension and dissonance builds, but at the climax a solemn, low melody on bass and alto flute returns the music to a reprise of the first section, which ends very quietly and mysteriously. The rousing final movement returns to the joyful dancing rhythms of the first, now based around 10/8 time. It is a rondo, with many playful variations of the returning theme shared between all of the flutes at each appearance, while contrasting episodes are a little more relaxed and lyrical. A final coda briefly reprises motifs from earlier in the piece, before building to an exciting conclusion.
$31.95 ≈
28.72€
Variations for a small chamber quartet
Variations for a small chamber quartet
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Contemporary
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Brian Henderson-Sellers
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Variations for a small chamber
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Brian Henderson-Sellers
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Flute,Piano Accompaniment,Violin - Digital Download SKU: A0.980324 Composed by Brian Henderson-Sellers. Contemporar...
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Small Ensemble Bassoon,Cello,Clarinet,Flute,Piano Accompaniment,Violin - Digital Download SKU: A0.980324 Composed by Brian Henderson-Sellers. Contemporary. Score and parts. 94 pages. Brian Henderson-Sellers #5986861. Published by Brian Henderson-Sellers (A0.980324). A set of six variations on a double theme i.e. 2 alternating themes throughout exploring the various forms of the key of G.
$12.00 ≈
10.79€
Nimrod, from the Enigma Variations by Elgar, for Wind Quartet
Nimrod, from the Enigma Variations by Elgar, for Wind Quartet
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Classical
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Edward Elgar
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David McKeown
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Nimrod, from the Enigma Variat
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David McKeown
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 3 - Digital Download SKU: A0.587734 Composed by Edward Elgar. Arrange...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 3 - Digital Download SKU: A0.587734 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Period,Standards,Wedding. 11 pages. David McKeown #4830657. Published by David McKeown (A0.587734). Nimrod, is the ninth of the Enigma Variations composed by Edward Elgar in 1899. Here, the music is arranged for Wind Quartet, directly from the orchestral score. Elgar wrote fourteen variations on a theme, each one depicting close friends and family. Nimrod represents his publisher and friend Augustus Jaeger. The biblical character of Nimrod is described as a mighty hunter, and jaeger means hunter in German.The single pdf file contains the full score plus individual parts for Flute, Oboe, Clarinet and Bassoon. There are additional alternative parts included for another Clarinet, Cor Anglais and Bass Clarinet. The linked youtube performance is the Clarinet version of this Quartet. Musicians at an intermediate level and above will find this ideal for formal and informal performances. All parts require dramatic dynamic contrasts and lyrical legato playing. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.13€
Variations on Eliahu, a Passover Theme (for solo cello and orchestra)
Variations on Eliahu, a Passover Theme (for solo cello and orchestra)
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Gary Friedman
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Variations on Eliahu, a Passov
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Gary Friedman
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SheetMusicPlus
Large Ensemble Cello,Tuba - Level 4 - Digital Download SKU: A0.889878 Composed by Gary Friedman. Contemporary,Jewish,Romantic Period. Score and parts. 66...
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Large Ensemble Cello,Tuba - Level 4 - Digital Download SKU: A0.889878 Composed by Gary Friedman. Contemporary,Jewish,Romantic Period. Score and parts. 66 pages. Gary Friedman #11999. Published by Gary Friedman (A0.889878). The original version for cello and piano was my first formal composition when I started composing in 1998. When my brother, Ralph, heard it, he cried and said that he wished that my parents could have heard it, too. The form and harmonies of this piece are mostly traditional, but there are a few surprises. There is a cantorial cello cadenza. A trumpet and tuba are added to the usual chamber orchestra with piano, just to play an Oh My Darling Clementine counter-melody in one variation but flute and bassoon have cues and can do this nicely. The recording of the beautifully expressive performance by Ken Hoppe and the College of Marin Symphony conducted by Tara Flandreau (who edited the string parts) is of such poor sound quality that I have uploaded the computer playback as the sound clip, which is of course quite mechanical sounding. However, if you would like to hear the live performance the YouTube link is ?v=6RHrLVqTyZg The cello and piano duet version is included in this package but is also sold separately for $5.00. Duration: 8 minutes Year: 1998.
$40.00 ≈
35.95€
Variations on a Theme by Handel
Variations on a Theme by Handel
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Classical
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Johannes Brahms
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Paul Morgan
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Variations on a Theme by Hande
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Cimarron Music Press - Digital
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SheetMusicPlus
Flute solo with piano - Grade 5 - Digital Download SKU: CX.CM0012 Composed by Johannes Brahms. Arranged by Paul Morgan. Solo music. 15 pages. Published b...
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Flute solo with piano - Grade 5 - Digital Download SKU: CX.CM0012 Composed by Johannes Brahms. Arranged by Paul Morgan. Solo music. 15 pages. Published by Cimarron Music Press - Digital (CX.CM0012).
$16.00 ≈
14.38€
Maria durch ein Dornwald ging (Variations for saxophone and organ)
Maria durch ein Dornwald ging (Variations for saxophone and organ)
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Folklore
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Thomas Groh
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Maria durch ein Dornwald ging
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Thomas Groh
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SheetMusicPlus
Alto Saxophone,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.1268609 Composed by Folklore. Arranged by Thomas Groh. 21st Century,Advent,Ch...
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Alto Saxophone,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.1268609 Composed by Folklore. Arranged by Thomas Groh. 21st Century,Advent,Christian,Contemporary. 24 pages. Thomas Groh #861129. Published by Thomas Groh (A0.1268609). „Maria durch ein Dornwald ging“ (Maria walks amid the thorns) is a wonderful German Advent hymn originating from the Eichsfeld region north of Eisenach in Thuringia. Its quite simple yet expressive melody thrills me already for a while. As my daughter learned to play the flute a few years ago, I decided to compose some variations for flute and piano on this hymn (with a quite easy part notably for the flute). The first sketch of the variations comprised the theme and simple versions of variations no. 1, 2, 5, 8 and 9. In summer 2016, I revised the initial variations and added the other ones; in autumn 2022, I adapted them to the instrumentation of alto saxophone and organ.
$15.00 ≈
13.48€
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Theme and variations on Flute
