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Top Hat Cast
Sheetmusic to print
30 sheet music found
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1
26
Castle On The Hill
Castle On The Hill
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Pop music
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Ed Sheeran
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Laura Chegwidden
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violin, viola, and cello
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Castle On The Hill
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Laura Chegwidden
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SheetMusicPlus
String Trio - Level 3 - Digital Download SKU: A0.812122 By Ed Sheeran. By Benjamin Levin and Ed Sheeran. Arranged by Laura Chegwidden. Pop. 15 pages. Lau...
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String Trio - Level 3 - Digital Download SKU: A0.812122 By Ed Sheeran. By Benjamin Levin and Ed Sheeran. Arranged by Laura Chegwidden. Pop. 15 pages. Laura Chegwidden #3692485. Published by Laura Chegwidden (A0.812122). Castle on the Hill is one of the lead singles for Ed Sheeran's 2017 album Divide, and became one of the two songs to take out the top two spots on the charts in the UK, Australia and Germany, along with Shape of You. It's a catchy tune reminiscing about Sheeran's upbringing in Framlingham, and while the main guitar ostinato can be repetitive, the song rumbles along at a fast enough pace to not be boring. This upbeat arrangement is perfect for weddings, schools, churches and any other performance opportunities that arise for the professional or amateur musician.The arrangement goes for approx. 4 min. This purchase includes a score and parts for all performers; violin, viola, and cello. It would work best for players of an intermediate level. It is set in the key of D major, which while is the original key the song was recorded in.Laura Chegwidden is a pianist, cellist, double bassist and singer from Toowoomba Australia. She recently graduated with distinction from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page or website: www.facebook.com/lchegmusic/lchegmusic.com
$12.99
What Is Hip: Vibraphone
What Is Hip: Vibraphone
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Instructional
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David Garibaldi, Emilio Castil
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Victor López
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What Is Hip: Vibraphone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016290_V Vibraphone. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by ...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016290_V Vibraphone. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016290_V. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016290_V). UPC: 038081481012.If you are looking for easy yet hip, this is it. A funky Tower of Power hit, this chart is accessible at 166 BPM with no solos and trumpet 1 range is to F top line. Fun to play. (2:35).
$3.00
What Is Hip: Auxiliary Percussion
What Is Hip: Auxiliary Percussion
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Instructional
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David Garibaldi, Emilio Castil
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Victor López
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What Is Hip: Auxiliary Percuss
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016290_APC Auxiliary Percussion. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. ...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016290_APC Auxiliary Percussion. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016290_APC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016290_APC). UPC: 038081481012.If you are looking for easy yet hip, this is it. A funky Tower of Power hit, this chart is accessible at 166 BPM with no solos and trumpet 1 range is to F top line. Fun to play. (2:35).
$3.00
What Is Hip: 2nd Baritone T.C.
What Is Hip: 2nd Baritone T.C.
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Instructional
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David Garibaldi, Emilio Castil
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Victor López
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What Is Hip: 2nd Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016290_BTC2 2nd Baritone T.C.. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Ar...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016290_BTC2 2nd Baritone T.C.. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016290_BTC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016290_BTC2). UPC: 038081481012.If you are looking for easy yet hip, this is it. A funky Tower of Power hit, this chart is accessible at 166 BPM with no solos and trumpet 1 range is to F top line. Fun to play. (2:35).
$3.00
St. Nick's on the Housetop
St. Nick's on the Housetop
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Christmas
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Sandy Feldstein & John O'Reill
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Sandy Feldstein & John O'Reill
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St. Nick's on the Housetop
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Jace Castillo
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Drum Set,Horn,Percussion,Tenor Saxophone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1398376 By...
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Drum Set,Horn,Percussion,Tenor Saxophone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1398376 By Sandy Feldstein & John O'Reilly. By Arranged by Sandy Feldstein & John O'Reilly. This edition: Interactive Download. Christmas. 22 pages. Duration 88. Jace Castillo #1fVIfXpz5Aa8mXqfAy4bho. Published by Jace Castillo (A0.1398376). Key: C major.Using only 6 notes, this arrangement of two holiday favorites will be perfect for that very first Christmas concert. !!! This song is not mine, this a republished version as the original was discontinued, and some changes made !!!
$35.00
The Harp That Once Through Tara's Halls for voice and classical guitar
The Harp That Once Through Tara's Halls for voice and classical guitar
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Thomas Moore
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John Pinno
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The Harp That Once Through Tar
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John Pinno
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SheetMusicPlus
Small Ensemble Guitar,High Voice,Low Voice - Level 4 - Digital Download SKU: A0.775407 Composed by Thomas Moore (1779-1852). Arranged by John Pinno. Clas...
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Small Ensemble Guitar,High Voice,Low Voice - Level 4 - Digital Download SKU: A0.775407 Composed by Thomas Moore (1779-1852). Arranged by John Pinno. Classical,Concert,Holiday. Score and parts. 4 pages. John Pinno #2551071. Published by John Pinno (A0.775407). An arrangement for solo voice and classical guitar of the song composed by Thomas Moore in the early 19th century. The song evokes the spirit of the hilltop castle home of the ancient Irish kings, through the symbol of the harp, the traditional instrument of the Irish people. The vocal part could be taken by soprano, alto, or tenor voice ranges, and if the pitch is too low for a particular voice, the guitarist could use a capo to raise the pitch of the guitar. This arrangement was done in honor of Paul Coates, who was the yoga teacher for my wife and I from 1993-2011, and he of Irish heritage, would often humorously say as he had the class up in a shoulder stand, and now we'll all sing a verse of The Harp That Once Through Tara's Halls! For any questions or concerns email John Pinno at jpinno093@hotmail.com. Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745
$8.00
Anything You Can Do . . . for violin and vibraphone
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contempor...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00
Concert and Contest Collection for Bb Tenor Saxophone
Concert and Contest Collection for Bb Tenor Saxophone
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Concert and Contest Collection
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Rubank Publications
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SheetMusicPlus
Book with Online Media Tenor Saxophone - Grade 3-4 SKU: HL.4002516 Solo Book with Online Media. Edited by H. Voxman. Concert Band Method. Rubank B...
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Book with Online Media Tenor Saxophone - Grade 3-4 SKU: HL.4002516 Solo Book with Online Media. Edited by H. Voxman. Concert Band Method. Rubank Book/Audio Products. Classical, Contest, Solos. Softcover Media Online. 24 pages. Published by Rubank Publications (HL.4002516). ISBN 9781423477204. UPC: 884088111113. 9.0x12.0x0.13 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. In addition to the solo book, this item includes online access to: • Full-performance and accompaniment-only audio tracks • PDF piano accompaniment - download and print only what you need • PLAYBACK+ A multi-function audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Online audio/media is accessed at halleonard.com/mylibrary Contents: Adagio and Allegro (from Sonata No. 6 – Handel) • Allegretto (Arensky) • Contradance (Mozart) • First Concertino (Guilhaud) • Gigue (from Partita III – Bach) • Menuetto and Presto (from Trio V – Haydn) • Novelette (Sporck) • The Old Castle (from Pictures at an Exhibition – Mussorgsky) • Pièce in G Minor (Pierné) • Prelude and Allegro (Ostransky) • Première Étude de Concours (Petit) • Sinfonia (Arioso) (from Cantata No. 156 – Bach) • Two Little Tales (Desportes) • Valse Nouvelle (from Album for the Young – Tchaikovsky). Also available: • Solo Book (HL04471710) • Piano Accompaniment Book (HL04471720).
Song List
: Old Castle, The (Mussorgsky) Sinfonia (Arioso-Cantata 156) Bach First Concertino (Guilhaud) Allegretto (Arensky) Contradance (Mozart) Gigue (Partita Iii) Bach Menuetto & Presto (Trio V) (Haydn) Novelette (Sporck) Piece In G Min. (Pierne) Prem. Etude De Concours(Petit) Two Little Tales (Desportes) Prelude And Allegro Valse Nouvelle (Tchaikovsky) Adagio And Allegro
$16.99
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
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Classical
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Contemporary
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitat
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - Digital Download SKU: A0.1300657 Composed by Erik Satie. Arran...
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - Digital Download SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
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Classical
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Contemporary
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Erik Satie
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Ray Thompson
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Satie: Parade III.Acrobates
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1296860 Composed by Erik Sat...
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Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
Satie: Parade - II. Petite Fille Americaine - wind dectet
Satie: Parade - II. Petite Fille Americaine - wind dectet
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Classical
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Contemporary
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Erik Satie
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Ray Thompson
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Satie: Parade - II. Petite Fil
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
$14.95
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
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Classical
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Contemporary
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Erik Satie
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Ray Thompson
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Satie: Parade - Final & Suite
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
$14.95
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
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Classical
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Contemporary
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Erik Satie
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Ray Thompson
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Satie: Parade - Choral & Prél
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743). Arranged wind dectet/bass (double wind quintet)A taster of the opening music for Erik Satie's Ballet Parade.Choral and Prelude of the red curtainOther scores to follow.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
$4.99
Concert and Contest Collection for Bb Tenor Saxophone
Concert and Contest Collection for Bb Tenor Saxophone
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Concert and Contest Collection
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Rubank Publications
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SheetMusicPlus
Tenor Saxophone - Grade 3-4 SKU: HL.4002515 Accompaniment CD. Edited by H. Voxman. Concert Band Method. Rubank CD. Classical, Contest, Solos. CD-R...
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Tenor Saxophone - Grade 3-4 SKU: HL.4002515 Accompaniment CD. Edited by H. Voxman. Concert Band Method. Rubank CD. Classical, Contest, Solos. CD-ROM. Published by Rubank Publications (HL.4002515). UPC: 884088111106. 9x12 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. This item (performance/accompaniment CD) includes full performance and accompaniment only tracks (all pieces) and tempo adjustment software (most pieces).Also available:• Solo Book (HL04471710)• Piano Accompaniment Book (HL04471720)• Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) (HL04002516)Contents: Adagio and Allegro (from Sonata No. 6 – Handel) • Allegretto (Arensky) • Contradance (Mozart) • First Concertino (Guilhaud) • Gigue (from Partita III – Bach) • Menuetto and Presto (from Trio V – Haydn) • Novelette (Sporck) • The Old Castle (from Pictures at an Exhibition – Mussorgsky) • Pièce in G Minor (Pierné) • Prelude and Allegro (Ostransky) • Première Étude de Concours (Petit) • Sinfonia (Arioso) (from Cantata No. 156 – Bach) • Two Little Tales (Desportes) • Valse Nouvelle (from Album for the Young – Tchaikovsky).
Song List
: Old Castle, The (Mussorgsky) Sinfonia (Arioso-Cantata 156) Bach First Concertino (Guilhaud) Allegretto (Arensky) Contradance (Mozart) Gigue (Partita Iii) Bach Menuetto & Presto (Trio V) (Haydn) Novelette (Sporck) Piece In G Min. (Pierne) Prem. Etude De Concours(Petit) Two Little Tales (Desportes) Valse Nouvelle (Tchaikovsky) Prelude And Allegro
$9.95
It's A Sin
It's A Sin
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Pet Shop Boys
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John Ivor Holland
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It's A Sin
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John Ivor Holland
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1487167 By Pet Shop Boys. By Chris Lowe and Neil Tennant. Arranged by John Ivor Holland. 20th Century,Film/TV,Pop,Rock. Brass Band. 56 pages. John Ivor Holland #1064138. Published by John Ivor Holland (A0.1487167). It's A Sin is taken from Pet Shop Boys' second studio album, 'Actually', released in June 1987 as the lead single. It became their second number-one in the UK, spending three weeks at the top. Additionally, the single topped the charts in Austria, Denmark, Finland, Germany, Ireland, Norway, Portugal, Spain, Sweden and Switzerland, reaching number nine on the US Billboard Hot 100. In the song, Tennant describes some impressions he took from his time at a Catholic high school in Newcastle upon Tyne. He ended up feeling that everything he had done or was going to do was a sin. Directed by Derek Jarman, the It's A Sin video marked the director's first of several collaborations with the band; it extended the lyrical themes of the song by showing Tennant under arrest by an inquisition with Lowe as his jailer and Ron Moody ('Fagin' in the musical, 'Oliver!') in the role of his judge, interspersed with brief clips of personifications of the seven deadly sins. This arrangement for brass band opens with the fanfare used in the orchestral Overture to the Pet Shop Boys' 'Performance' tour, segueing into the song and featuring, in the middle, a half-time feel, riffing off Tennant's own suggestion that It's A Sin, at its heart, is a heavy metal record. Your players and audience are sure to love this stone-cold pop classic and have fun with the 'thunder' sound effects to ramp up the dramatic effect!
$49.99
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Top Hat Cast
