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You've selected:
Up to the Sky Orchestra
Sheetmusic to print
7 sheet music found
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1
Divergence by The Khromatiks, for Electric Violin & Loop Station
Divergence by The Khromatiks, for Electric Violin & Loop Station
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The Khromatiks
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Divergence by The Khromatiks,
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ViolinVagabond Music
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SheetMusicPlus
Small Ensemble Cello,Electric Violin,Viola - Level 5 - Digital Download SKU: A0.845980 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromat...
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Small Ensemble Cello,Electric Violin,Viola - Level 5 - Digital Download SKU: A0.845980 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. Contemporary,Jazz,New Age,Rock. Score and parts. 25 pages. ViolinVagabond Music #5742365. Published by ViolinVagabond Music (A0.845980). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boss RC-30, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you transpose the bass stave up one octave and use an octave pedal for the pizzicato bass lines. A standard 4-string can also work, although most phrases will have to be transposed 8va.A little about this tune: there are 2 distinct sections. The first is a latin groove with a a highly syncopated chopping groove and a simple, soaring melodic head. This section can be opened up for a variety of solo ideas from jazz to Latin to funk, before it transitions using a common tone into the bridge, which is more of an epilogue. This section has much more of a heavy rock bent, with a thick stack of string overdubs that mimic an orchestra sitting over an overdriven rhythm groove, and a breakdown where aggressive drum fills are accompanied by rhythmic chugging in the violin. Finally, all of these ideas culminate as the A section melody is re-introduced over the rock groove, building to an ultimate climax.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. I usually add additional percussive loops when I perform this solo.I have also included three auxiliary string parts, which can be used to perform this piece with a string section or an orchestra. The parts line up with the second section of the tune and replace some of the loops with live parts. You can see an example of this arrangement in the following video: https://youtu.be/IO30qF2WlR8?t=230The sky is the limit for electric violinists, so feel free to get creative with this chart and make it your own!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99 ≈
¥57.09
Mr. Blue Sky
Mr. Blue Sky
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Rock
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Electric Light Orchestra
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Guy Bunce
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Mr. Blue Sky
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Enigma Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Choir,Drums,Electric Guitar,Piano - Level 3 - Digital Download SKU: A0.903249 By Electric Light Orchestra. By Jeff Lynne. Arra...
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Small Ensemble Bass Guitar,Choir,Drums,Electric Guitar,Piano - Level 3 - Digital Download SKU: A0.903249 By Electric Light Orchestra. By Jeff Lynne. Arranged by Guy Bunce. Pop,Rock. Score and parts. 37 pages. Enigma Music #509442. Published by Enigma Music (A0.903249). Arranged for SATB and band by Guy Bunce (April 2022) ​A new choral arrangement (SATB) of this Electric Light Orchestra classic. Suitable for community and professional choir alike. The version of the arrangement on offer here is a set of parts meaning one purchase will give you: 1) a copy of the full score 2) a single copy of the choir part with the piano accompaniment (same as the published choral arrangement) 3) a copy of the piano part (with chords symbols above) 4) a copy of the drum part, 5) a copy of the bass part If you need more than one choral score, please purchase the separate choral arrangement listed at the following link up to the number of score you require. www.guybunce.co.uk/mr-blue-sky.html Performance - https://youtu.be/UyNTnRC9X0Q.
$25.00 ≈
¥178.62
Mr. Blue Sky
Mr. Blue Sky
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Electric Light Orchestra
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Liz Garnett
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Mr. Blue Sky
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Liz Garnett
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.856172 By Electric Light Orchestra. By Jeff Lynne. Arranged by Liz Garnett. A Cappella,Pop. Oc...
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.856172 By Electric Light Orchestra. By Jeff Lynne. Arranged by Liz Garnett. A Cappella,Pop. Octavo. 8 pages. Liz Garnett #3910643. Published by Liz Garnett (A0.856172). It is a crazy project to take a song from a rock group whose very name evokes both the extravagance of their instrumentation and their use of technological interventions, and render it into a 4-part a cappella texture, isn't it? And yet, the Electric Light Orchestra's optimistic and uplifting tune works its cheerful magic just as happily in this version.Originally written for male voices, this version is transposed up a major 3rd for use by mixed barbershop ensembles. It is notated using the clefs for male barbershop rather than SATB in the assumption that a mixed barbershop group may have both male and female voices on either of the inner parts.Vocal ranges:Tenor: D4 - E5Lead: F#3 - A#4Baritone: E3 - B4Bass: B3 - E4www.HelpingYouHarmonise.com
$2.99 ≈
¥21.36
Waiting in Woomera for string orchestra (mp3)
Waiting in Woomera for string orchestra (mp3)
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David Warin Solomons
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Waiting in Woomera for string
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David Warin Solomons
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SheetMusicPlus
Digital Download SKU: A0.1059318 Composed by David Warin Solomons. 20th Century,Children. Full Performance. Duration 332. David Warin Solomons #2039191. ...
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Digital Download SKU: A0.1059318 Composed by David Warin Solomons. 20th Century,Children. Full Performance. Duration 332. David Warin Solomons #2039191. Published by David Warin Solomons (A0.1059318). Written originally for a school orchestra. The music describes a school excursion to the Woomera rocket range, where the children wait for a rocket to take off. Finally, as the music moves into a jolly three four movement, the waiting is over. as the rocket waltzes up into the sky.Score:https://www.sheetmusicplus.com/title/20063076?aff_id=175705
$3.00 ≈
¥21.43
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Conce...
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
¥142.54
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Con...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
¥142.54
Gallo: 3 Mvts. - Trio Sonatas "Pulcinella Suite" III. Scherzino - double reed trio (Ob.,C.A.,Bsn.)
Gallo: 3 Mvts. - Trio Sonatas "Pulcinella Suite" III. Scherzino - double reed trio (Ob.,C.A.,Bsn.)
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Igor Steavinsky
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Ray Thompson
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Gallo: 3 Mvts. - Trio Sonatas
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Trio,English Horn,Oboe - Level 3 - Digital Download SKU: A0.553795 By Igor Steavinsky. By Domenico Gallo. Arranged ...
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Woodwind Ensemble Bassoon,Double Reed Trio,English Horn,Oboe - Level 3 - Digital Download SKU: A0.553795 By Igor Steavinsky. By Domenico Gallo. Arranged by Ray Thompson. Baroque,Holiday,Wedding. 14 pages. RayThompsonMusic #4621431. Published by RayThompsonMusic (A0.553795). This music was originally attributed to Giovanni Pergolesi, as they were in a Mr R. Bremner's original 1780 London publication and also arranged by Hugo Riemann, and again wrongly attributed to Giovanni Pergolesi.It is actually made up of 3 different pieces: Gallo's 2nd Trio Sonata in Bb. Mvts I and III, and Trio Sonata No 8 in EbAll 3 Gallo mvts were used by Igor Stravinsky in the 3rd mvt. Scherzinoof his Neo Classical Pulcinella Suite. The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. But even though Stravinsky used Pergolesi's(which were in this case Gallo's) melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.These are transcriptions of the original pieces,They are interesting to play and  do not sound too dissimilar to Stravinsky's final work.
$14.95 ≈
¥106.81
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