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Violin and Viola Percussion Ensemble
Not classified
556
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You've selected:
Violin and Viola Percussion Ensemble
Sheetmusic to print
556 sheet music found
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October Impressions (percussion part – mandolin, guitar, percussion)
October Impressions (percussion part – mandolin, guitar, percussion)
#
Mark O'Connor
#
October Impressions
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Mark O'Connor Musik International
#
SheetMusicPlus
Small Ensemble Guitar,Mandolin,Percussion - Level 3 - Digital Download SKU: A0.861916 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and par...
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Small Ensemble Guitar,Mandolin,Percussion - Level 3 - Digital Download SKU: A0.861916 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 6 pages. Mark O'Connor Musik International #6207239. Published by Mark O'Connor Musik International (A0.861916). October Impressions (percussion part – mandolin, guitar, percussion) MO157DPercussion Part (score and parts available)Music by Mark O’Connor2 pages - 5:30 minutes in length From the Thirty-Year Retrospective album notes; I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... Pickin’ in the Wind, the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed by Mark O’ConnorCan be heard on Thirty-Year Retrospective OMAC RecordsMark O’Connor – Violin, Chris Thile - Mandolin Catalogue Number MO157DCopyright © 1983 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$3.00 ≈
2.76€
October Impressions (mandolin part – mandolin, guitar, percussion)
October Impressions (mandolin part – mandolin, guitar, percussion)
#
Mark O'Connor
#
October Impressions
#
Mark O'Connor Musik International
#
SheetMusicPlus
Small Ensemble Guitar,Mandolin,Percussion - Level 4 - Digital Download SKU: A0.861913 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and par...
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Small Ensemble Guitar,Mandolin,Percussion - Level 4 - Digital Download SKU: A0.861913 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 7 pages. Mark O'Connor Musik International #6207233. Published by Mark O'Connor Musik International (A0.861913). October Impressions (mandolin part – mandolin, guitar, percussion) MO157BMandolin Part (score and parts available)Music by Mark O’Connor3 pages - 5:30 minutes in length From the Thirty-Year Retrospective album notes; I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... Pickin’ in the Wind, the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed by Mark O’ConnorCan be heard on Thirty-Year Retrospective OMAC RecordsMark O’Connor – Violin, Chris Thile - Mandolin Catalogue Number MO157BCopyright © 1983 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00 ≈
5.52€
October Impressions (guitar part – mandolin, guitar, percussion)
October Impressions (guitar part – mandolin, guitar, percussion)
#
Mark O'Connor
#
October Impressions
#
Mark O'Connor Musik International
#
SheetMusicPlus
Small Ensemble Guitar,Mandolin,Percussion - Level 4 - Digital Download SKU: A0.861915 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and par...
(+)
Small Ensemble Guitar,Mandolin,Percussion - Level 4 - Digital Download SKU: A0.861915 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6207237. Published by Mark O'Connor Musik International (A0.861915). October Impressions (guitar – mandolin, guitar, percussion) MO157CGuitar Part (score and parts available)Music by Mark O’Connor4 pages - 5:30 minutes in length From the Thirty-Year Retrospective album notes; I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... Pickin’ in the Wind, the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed by Mark O’ConnorCan be heard on Thirty-Year Retrospective OMAC RecordsMark O’Connor – Violin, Chris Thile - Mandolin Catalogue Number MO157CCopyright © 1983 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00 ≈
5.52€
October Impressions (score – mandolin, guitar, percussion)
October Impressions (score – mandolin, guitar, percussion)
#
Mark O'Connor
#
October Impressions
#
Mark O'Connor Musik International
#
SheetMusicPlus
Small Ensemble Guitar,Mandolin,Percussion - Level 4 - Digital Download SKU: A0.861910 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and par...
(+)
Small Ensemble Guitar,Mandolin,Percussion - Level 4 - Digital Download SKU: A0.861910 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6207231. Published by Mark O'Connor Musik International (A0.861910). October Impressions (score – mandolin, guitar, percussion) MO157AScore (parts available)Music by Mark O’Connor8 pages - 5:30 minutes in length From the Thirty-Year Retrospective album notes; I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... Pickin’ in the Wind, the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed by Mark O’ConnorCan be heard on Thirty-Year Retrospective OMAC RecordsMark O’Connor – Violin, Chris Thile - Mandolin Catalogue Number MO157ACopyright © 1983 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$9.00 ≈
8.29€
Concert Piece for String Orchestra and Percussion
Concert Piece for String Orchestra and Percussion
#
Classical
#
Ivan H
#
Concert Piece for String Orche
#
Ivan Howard
#
SheetMusicPlus
Large Ensemble Cello,Double Bass,Drum Set,Percussion,Viola - Level 5 - Interactive Download SKU: A0.484898 Composed by Ivan H. Kurcz. This edition: Inter...
(+)
Large Ensemble Cello,Double Bass,Drum Set,Percussion,Viola - Level 5 - Interactive Download SKU: A0.484898 Composed by Ivan H. Kurcz. This edition: Interactive Download. Classical. Score and parts. Duration 210. Ivan Howard #6a81xPENwbs5YndgEXuaW0. Published by Ivan Howard (A0.484898). Key: C major.All is in the name. With added percussion this is sure to be a festive Concert Piece for your students. While providing various sectional solis, various higher positions in the strings, playful pizzicato sections, jaunting melodies. Concert Piece for String Orchestra and Percussion is sure to be a new favorite among your students and audience members alike. Performance Notes: mm 3 & 4.- the pizzicato for the violas should not be too loud, even it's marked with an accent. Should blend in with the orchestra. Percussion should blend in. Be careful not to overpower orchestra. mm 7.- Even though this is a full 4 beat measure rest. This measure is to be counted as 1 beat. A slight Grand Pause (G.P.) mm 8-12.- Cello and Bass are soli here. Be careful no to overbear the violins and violas. mm. 33- Cellos have the counter melody and should slightly be heard over the orchestra. mm 56. - 1st & 2nd Violins- should play in the middle part of the bow. mm 57.- lower cellos and bass should play jauntily. With a strong slight broadened accent. mm 61-64.- Timpani 1 & 2, Toms and Bass Drum are to play wildly. Just not overpowering. mm 78-81.- Violas, Cellos and Bass are soli, here. 2nd Violins have the counter melody and should be heard behind the lower strings. 1st Violins are to play from frog to tip of the bow. mm 91.- All strings are to play from the frog to the tip of the bow. Alot of subito dynamics. This piece is meant to have fun. Hope you and your orchestra enjoy this as much as I did making it!
$5.99 ≈
5.52€
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
9.21€
Thailand Royal Anthem: Phleng Sansoen Phra Barami
Thailand Royal Anthem: Phleng Sansoen Phra Barami
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Patriotic
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Pyotr Schurovsky
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Colin Kirkpatrick
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Thailand Royal Anthem: Phleng
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 2 - Digital Download SKU: A0.522091 Composed by Pyotr Schurovsky (1850-1908). Arranged by Colin Kirkpatrick. Patriotic. Score and ...
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Large Ensemble - Level 2 - Digital Download SKU: A0.522091 Composed by Pyotr Schurovsky (1850-1908). Arranged by Colin Kirkpatrick. Patriotic. Score and parts. 34 pages. Colin Kirkpatrick Publications #3226137. Published by Colin Kirkpatrick Publications (A0.522091). Colin Kirkpatrick’s National Anthems Express THAILAND: Royal Anthem (Phleng Sansoen Phra Barami) This quick and easy national anthem flexible arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play this arrangement with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of the three page score with seven instrumental staves and three percussion staves. The following 28 parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, piccolo, oboe, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat    (tenor horn, alto sax); Part 3 in F (French horn);  Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The music is presented in pdf files at 1,200 dpi which can produce professional-looking printed copies on US letter-size paper. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service.  He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$4.99 ≈
4.59€
Fortuna Dances for Orchestral Ensemble
Fortuna Dances for Orchestral Ensemble
Flute,Oboe,Clarinet,English Horn,Bassoon,Tenor Sax,Trumpet,Violin,Viola,Cello,Double Bass,Hand Percussion,Percussion Ensemble,optional tenor sax,guitar or piano substitutions
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James Nathaniel Holland
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Fortuna Dances for Orchestral
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James Nathaniel Holland
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SheetMusicPlus
Composed by James Nathaniel Holland. Contemporary Classical, World, Hanukkah, Bar or Bat Mitzfah. Score, Set of Parts. 30 pages. Published by James Nathaniel Ho...
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Composed by James Nathaniel Holland. Contemporary Classical, World, Hanukkah, Bar or Bat Mitzfah. Score, Set of Parts. 30 pages. Published by James Nathaniel Holland (S0.190981). - Score,Set of Parts - Contemporary Classical,World,Hanukkah,Bar or Bat Mitzfah - James Nathaniel Holland
$7.95 ≈
7.32€
Divergence by The Khromatiks, for Electric Violin & Loop Station
Divergence by The Khromatiks, for Electric Violin & Loop Station
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The Khromatiks
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Divergence by The Khromatiks,
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ViolinVagabond Music
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SheetMusicPlus
Small Ensemble Cello,Electric Violin,Viola - Level 5 - Digital Download SKU: A0.845980 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromat...
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Small Ensemble Cello,Electric Violin,Viola - Level 5 - Digital Download SKU: A0.845980 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. Contemporary,Jazz,New Age,Rock. Score and parts. 25 pages. ViolinVagabond Music #5742365. Published by ViolinVagabond Music (A0.845980). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boss RC-30, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you transpose the bass stave up one octave and use an octave pedal for the pizzicato bass lines. A standard 4-string can also work, although most phrases will have to be transposed 8va.A little about this tune: there are 2 distinct sections. The first is a latin groove with a a highly syncopated chopping groove and a simple, soaring melodic head. This section can be opened up for a variety of solo ideas from jazz to Latin to funk, before it transitions using a common tone into the bridge, which is more of an epilogue. This section has much more of a heavy rock bent, with a thick stack of string overdubs that mimic an orchestra sitting over an overdriven rhythm groove, and a breakdown where aggressive drum fills are accompanied by rhythmic chugging in the violin. Finally, all of these ideas culminate as the A section melody is re-introduced over the rock groove, building to an ultimate climax.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. I usually add additional percussive loops when I perform this solo.I have also included three auxiliary string parts, which can be used to perform this piece with a string section or an orchestra. The parts line up with the second section of the tune and replace some of the loops with live parts. You can see an example of this arrangement in the following video: https://youtu.be/IO30qF2WlR8?t=230The sky is the limit for electric violinists, so feel free to get creative with this chart and make it your own!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99 ≈
7.36€
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
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Renaissance
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Pierre Phalèse Jnr
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Colin Kirkpatrick
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Ungaresca & Almande Poussinghe
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and par...
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String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #645901. Published by Colin Kirkpatrick Publications (A0.1041170). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Ungaresca evokes the atmosphere of street music rather than that of the court and the drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. As the name implies, the dance came from Hungary though it may have simply been a dance in the Hungarian style. Even so, the melody was tremendously popular during the fifteenth century though the author is unknown. The dance calls for a lively performance, and you can use plenty of percussion to enliven it. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, the rather wild Ungaresca is paired with the stately Almande Poussinghe. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99 ≈
9.20€
My Country, 'Tis of Thee (America) (Flexible Ensemble)
My Country, 'Tis of Thee (America) (Flexible Ensemble)
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Traditional
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Randy Calistri-Yeh
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My Country, 'Tis of Thee
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Custom Chamber Music
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SheetMusicPlus
Small Ensemble Bass Voice,Bassoon,Cello,Clarinet,Euphonium,Flute,Horn,Oboe,Percussion,Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SK...
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Small Ensemble Bass Voice,Bassoon,Cello,Clarinet,Euphonium,Flute,Horn,Oboe,Percussion,Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.722604 Composed by Traditional. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 30 pages. Custom Chamber Music #4327101. Published by Custom Chamber Music (A0.722604). My Country, 'Tis of Thee, also known as America (or God Save the King/Queen in England), is a classic American patriotic tune. This extremely flexible arrangement can be played with anywhere from 3 to 7 parts, suitable for a small chamber group, accompaniment for a choir, or a full band or orchestra (school, community, or professional).This song is also available as part of the collection American Patriotic Music for All, Volume 1, a package of four classic patriotic tunes and three complete Sousa marches (click the publisher link above).To demonstrate the flexibility of this arrangement, the audio clip has an excerpt performed as a full concert band, a string orchestra, and a woodwind trio.This song is in its original key, so it is easy to combine with your own choir or piano/organ parts.Your purchase contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet, with optional percussion.Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.
$8.00 ≈
7.37€
Two Almandes from Premier Livre de Danseries (Pierre Phalèse, 1571)
Two Almandes from Premier Livre de Danseries (Pierre Phalèse, 1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Two Almandes from Premier Livr
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. ...
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String Ensemble - Level 2 - Digital Download SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #642781. Published by Colin Kirkpatrick Publications (A0.1037867). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The two almands in this arrangement were well known popular melodies at the time of publication. They still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.28€
PANDORA for small ensemble
PANDORA for small ensemble
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Contemporary
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Alan Edgar, words and music
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PANDORA for small ensemble
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Alan Edgar Ted Moon
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SheetMusicPlus
Large Ensemble Bass Clarinet,Cello,Oboe,Percussion,Piccolo,Viola,Violin - Level 4 - Digital Download SKU: A0.903750 Composed by Alan Edgar, words and mus...
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Large Ensemble Bass Clarinet,Cello,Oboe,Percussion,Piccolo,Viola,Violin - Level 4 - Digital Download SKU: A0.903750 Composed by Alan Edgar, words and music. 20th Century. Score and parts. 65 pages. Alan Edgar Ted Moon #3053851. Published by Alan Edgar Ted Moon (A0.903750). The story of Pandora, the first woman, her creation, her beauty and talents, her container of evil spirits, her journey to Earth and the disaster she caused. Story told in poetry, with a small chamber group and, if you wish, a dancer. About a quarter of an hour.
$10.00 ≈
9.21€
I Must Tell Jesus (Inst. Ensemble)
I Must Tell Jesus (Inst. Ensemble)
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Sacred music
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Gospel/Spiritual
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Elisha A
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Denny Glasscock
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Violoncello
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I Must Tell Jesus
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Denny Glasscock
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SheetMusicPlus
Large Ensemble Multi-Percussion - Digital Download SKU: A0.922037 Composed by Elisha A. Hoffman (1839-1929). Arranged by Denny Glasscock. Christian,Gospe...
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Large Ensemble Multi-Percussion - Digital Download SKU: A0.922037 Composed by Elisha A. Hoffman (1839-1929). Arranged by Denny Glasscock. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 34 pages. Denny Glasscock #6036977. Published by Denny Glasscock (A0.922037). This arrangement is intended for ensembles with limited instrumentation. It was originally arranged as a trio for Violin, Viola & Violoncello. So those parts alone make up a nice trio. Also the Violin & Viola make up a nice duet. Or the Violin and Violoncello also work as a duet. Thus other mixes of instruments can achieve an ensemble sound. Over time, as the ensemble's instrumentation changes, this arrangement may provide the versatility needed. A full score and a condensed score is included.
$7.99 ≈
7.36€
Carson Cooman: Folk Fantasies (2005) for solo euphonium, string quartet, and percussion, score only
Carson Cooman: Folk Fantasies (2005) for solo euphonium, string quartet, and percussion, score only
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Carson Cooman
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Carson Cooman: Folk Fantasies
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - Digital Download SKU: A0.533661 Composed by Carson Cooman. Contemporary,Folk,Sta...
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Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - Digital Download SKU: A0.533661 Composed by Carson Cooman. Contemporary,Folk,Standards. Score and parts. 34 pages. Musik Fabrik Music Publishing #3036573. Published by Musik Fabrik Music Publishing (A0.533661). I. Highland Ballad (Scotland)II. Ceremonial (Nigeria)III. Circle Dance (America)Folk Fantasies (2005) for solo euphonium, string quartet, and percussion was commissioned,inspired by, and is dedicated to euphoniumist Matthew Murchison. When we first begandiscussing the idea of a new chamber euphonium concerto, Matthew specifically requested apiece connected to folk music. In recent years, he has been interested in taking theeuphonium into folk music contexts in which it is not normally found. Thus, the idea behindthis work became that of creating a concert piece connected to folk traditions.Although this work is heavily connected to folk music, it does not quote or use any actualfolk tunes or material directly. For each of the three movements, I began by composing anoriginal folk tune within that national style. Each movement of the work is then anarrangement in my own musical style of my original folk tune. The formal and harmoniclanguage is simple, direct, and uncluttered throughout, as is appropriate for folk music.The first movement, Highland Ballad (Scotland), begins and ends with lyrical music. Themiddle sections contain settings of the basic melody -- first presented over a bagpipe-likedrone (with interjections) and then in a full harmonization.The second movement, Ceremonial (Nigeria), combines a harmonic refrain along with asimple melody in the Nigerian/Yoruban folk style. As the movement progresses, theeuphonium plays the role of a song-leader, adding increasingly impassioned countermelodiesand textures over the basic refrains.The third movement, Circle Dance (America), is jubilant -- in the vein of the folk songs ofthe Shakers. A basic rondo structure alternates the principal melody with contrastingexcursions.
$25.95 ≈
23.90€
Pavane & Gaillarde des Dieux - Dances 3 and 4, Premier Livre de Danseries (1571)
Pavane & Gaillarde des Dieux - Dances 3 and 4, Premier Livre de Danseries (1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Pavane & Gaillarde des Dieux -
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 3 - Digital Download SKU: A0.1018135 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. ...
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String Ensemble - Level 3 - Digital Download SKU: A0.1018135 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #623720. Published by Colin Kirkpatrick Publications (A0.1018135). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99 ≈
9.20€
Sousa Stars and Stripes Forever (Flexible Ensemble)
Sousa Stars and Stripes Forever (Flexible Ensemble)
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John Philip Sousa
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Randy Calistri-Yeh
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Sousa Stars and Stripes Foreve
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Custom Chamber Music
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SheetMusicPlus
Small Ensemble Bass Voice,Bassoon,Cello,Clarinet,Euphonium,Flute,Horn,Oboe,Percussion,Saxophone,Trombone,Trumpet,Viola,Violin - Digital Download SKU: A0.7226...
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Small Ensemble Bass Voice,Bassoon,Cello,Clarinet,Euphonium,Flute,Horn,Oboe,Percussion,Saxophone,Trombone,Trumpet,Viola,Violin - Digital Download SKU: A0.722606 Composed by John Philip Sousa. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 95 pages. Custom Chamber Music #4327113. Published by Custom Chamber Music (A0.722606). Stars and Stripes Forever is one of John Philip Sousa's most popular marches. This extremely flexible arrangement can be played with anywhere from 3 to 7 parts, suitable for a small chamber group, accompaniment for a choir, or a full band or orchestra (school, community, or professional).This song is also available as part of the collection American Patriotic Music for All, Volume 1, a package of four classic patriotic tunes and three complete Sousa marches (click the publisher link above).To demonstrate the flexibility of this arrangement, the audio clip has an excerpt performed as a full concert band, a string orchestra, and a woodwind trio.This song is in its original key, so it is easy to combine with your own choir or piano/organ parts.Your purchase contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet, with optional percussion.Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.
$20.00 ≈
18.42€
America the Beautiful (Flexible Ensemble)
America the Beautiful (Flexible Ensemble)
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Samuel Ward
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Randy Calistri-Yeh
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America the Beautiful
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Custom Chamber Music
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SheetMusicPlus
Small Ensemble Bass Voice,Bassoon,Cello,Clarinet,Euphonium,Flute,Horn,Oboe,Percussion,Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SK...
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Small Ensemble Bass Voice,Bassoon,Cello,Clarinet,Euphonium,Flute,Horn,Oboe,Percussion,Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.722608 Composed by Samuel Ward. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 30 pages. Custom Chamber Music #4327117. Published by Custom Chamber Music (A0.722608). America the Beautiful, written by Samuel A. Ward with lyrics by Katharine Lee Bates, is a classic American patriotic tune. This extremely flexible arrangement can be played with anywhere from 3 to 7 parts, suitable for a small chamber group, accompaniment for a choir, or a full band or orchestra (school, community, or professional).This song is also available as part of the collection American Patriotic Music for All, Volume 1, a package of four classic patriotic tunes and three complete Sousa marches (click the publisher link above).To demonstrate the flexibility of this arrangement, the audio clip has an excerpt performed as a full concert band, a string orchestra, and a woodwind trio.This song is in its original key, so it is easy to combine with your own choir or piano/organ parts.Your purchase contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet (all with optional percussion).Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.
$8.00 ≈
7.37€
Star-Spangled Banner (Flexible Ensemble)
Star-Spangled Banner (Flexible Ensemble)
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John Stafford Smith
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Randy Calistri-Yeh
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Star-Spangled Banner
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Custom Chamber Music
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SheetMusicPlus
Small Ensemble Bass Voice,Bassoon,Cello,Clarinet,Euphonium,Flute,Horn,Oboe,Percussion,Saxophone,Trombone,Trumpet,Viola,Violin - Digital Download SKU: A0.7226...
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Small Ensemble Bass Voice,Bassoon,Cello,Clarinet,Euphonium,Flute,Horn,Oboe,Percussion,Saxophone,Trombone,Trumpet,Viola,Violin - Digital Download SKU: A0.722603 Composed by John Stafford Smith. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 30 pages. Custom Chamber Music #4327105. Published by Custom Chamber Music (A0.722603). The Star-Spangled Banner, written by John Stafford Smith with lyrics by Francis Scott Key, is the national anthem of the United States. This extremely flexible arrangement can be played with anywhere from 3 to 7 parts, suitable for a small chamber group, accompaniment for a choir, or a full band or orchestra (school, community, or professional).This song is also available as part of the collection American Patriotic Music for All, Volume 1, a package of four classic patriotic tunes and three complete Sousa marches (click the publisher link above).To demonstrate the flexibility of this arrangement, the audio clip has an excerpt performed as a full concert band, a string orchestra, and a woodwind trio.This song is in its original key, so it is easy to combine with your own choir or piano/organ parts.Your purchase contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet, with optional percussion.Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.
$8.00 ≈
7.37€
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Violin and Viola Percussion Ensemble
