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Where Could I Go
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You've selected:
Where Could I Go
Sheetmusic to print
11 sheet music found
<
1
Where Could I Go
Where Could I Go
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Rock
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Elvis Presley
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Diane M
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Where Could I Go
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Diane M. McGahee
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.769283 By Elvis Presley. By James B. Coats. Arranged by Diane M. McGahee. Rock. Score and parts. 1 pages. Diane...
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Small Ensemble - Digital Download SKU: A0.769283 By Elvis Presley. By James B. Coats. Arranged by Diane M. McGahee. Rock. Score and parts. 1 pages. Diane M. McGahee #5747561. Published by Diane M. McGahee (A0.769283).
$4.99 ≈
4.50€
Nobody Love a Fairy When She's Forty - in C major (soprano key)
Nobody Love a Fairy When She's Forty - in C major (soprano key)
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Arthur Le Clerq
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Kim Kirkman
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Nobody Love a Fairy When She's
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Kim Kirkman
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SheetMusicPlus
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musi...
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Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99 ≈
1.79€
This Angel
This Angel
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David Kai
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David Kai
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This Angel
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David Kai
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SheetMusicPlus
String Ensemble Choir,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105244 By David Kai. By David Kai. Arranged...
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String Ensemble Choir,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105244 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop,Rock. Full Performance. Duration 232. David Kai #708504. Published by David Kai (A0.1105244). This song was written to honour our front-line workers during these incredibly stressful pandemic times. It was inspired while thinking of two family members who are working in downtown hospital emergency rooms during this pandemic. This song might be used in worship services honouring our front-line workers or on subjects such as pastoral care during the pandemic, vocation or calling. THIS ANGEL Words and music by David Kai ©2021 Last night I thought I had the strangest dream An angel standing, watching over me No halo on her head, no gown of white No wings upon her back to give her flight I couldn’t see her face ‘cept for her eyes She smiled through them, and then I realized Just where I was and how it came to be This angel’s all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Dear angel, tell my family out there I love them very much, and I still care I’m sorry if I’ve caused them any pain God willing, I will see them all again Dear angel, say a prayer for this old soul That I might have some peace if I’m to go If I don’t make it through, tell them for me My angel all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Last night I thought I had the strangest dream This angel standing, watching over me.
$1.99 ≈
1.79€
This Angel (backing track)
This Angel (backing track)
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David Kai
#
David Kai
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This Angel
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David Kai
#
SheetMusicPlus
String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105248 By David Kai. By David Kai. Arranged by David...
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String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105248 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop. Accompaniment. Duration 229. David Kai #708508. Published by David Kai (A0.1105248). This version of the song is for backing a soloist or group. This song was written to honour our front-line workers during these incredibly stressful pandemic times. It was inspired while thinking of two family members who are working in downtown hospital emergency rooms during this pandemic. This song might be used in worship services honouring our front-line workers or on subjects such as pastoral care during the pandemic, vocation or calling. THIS ANGEL Words and music by David Kai ©2021 Last night I thought I had the strangest dream An angel standing, watching over me No halo on her head, no gown of white No wings upon her back to give her flight I couldn’t see her face ‘cept for her eyes She smiled through them, and then I realized Just where I was and how it came to be This angel’s all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Dear angel, tell my family out there I love them very much, and I still care I’m sorry if I’ve caused them any pain God willing, I will see them all again Dear angel, say a prayer for this old soul That I might have some peace if I’m to go If I don’t make it through, tell them for me My angel all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Last night I thought I had the strangest dream This angel standing, watching over me.
$1.99 ≈
1.79€
Song of the Childless
Song of the Childless
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Contemporary
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David Warin Solomons
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Song of the Childless
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary....
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 4 pages. David Warin Solomons #15653. Published by David Warin Solomons (A0.576279). This song was inspired by my initial reactions to the realization that I am infertile. In my case this was due to Kallmann's syndrome I am now perfectly happy with my infertility, after all, there is much else to do in the world and Dawkins' selfish gene can simply go spin its plot elsewhere: my children are my compositions, and they populate the world in their own way with joy, humour and thoughtfulness... wherever they will... ... However, I know there are many who are not happy with childlessness, so I dedicate this song to them ....and to my past self. The sound sample is my own performance. Here are the words: Learn this my child, who never hears my word Your luck is out, you are but but a poem deaf to change You are a romantic ramble on absurd round which the childless brain desires to range Hear this my daughter, blind to loveliness Your love is mine, untouchable, unknown to all Save to a song befitting her distress Whom Sappho loved but answered not her call See this my eunuch, watching others` joy Your luck was in, your luck was in You threw it far away, too far away for its return Save to another and another boy while I look on, unmoved as from a star Taste this my tears grown cold Resigned and pure Your love is his I know not whose nor do I care Yet love I would, and yet cannot be sure that another`s love could now be mine to share Warm this my heart These strings beget my child Their luck is in Their love is mine So close, my son! My daughter`s breath sings Through my fingers styled Sings to herself All other children shun © David W Solomons Video:https://www.youtube.com/watch?v=NOB34ds34Tk
$11.00 ≈
9.91€
Let It Be
Let It Be
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Christmas
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The...
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99 ≈
3.60€
Sundry Quartet, Homage to Bugs Bower
Sundry Quartet, Homage to Bugs Bower
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Bob Delfausse
#
Sundry Quartet, Homage to Bugs
#
Robert Delfausse
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SheetMusicPlus
Small Ensemble Bassoon,Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.766983 Composed by Bob Delfausse. Concert,Jazz. Score and parts. 20 pag...
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Small Ensemble Bassoon,Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.766983 Composed by Bob Delfausse. Concert,Jazz. Score and parts. 20 pages. Robert Delfausse #5322713. Published by Robert Delfausse (A0.766983). Bugs Bower composed several volumes of Bop Duets. Like so many other jazz musicians, my roommate and I spent countless hours playing through the volume we had, him on tenor sax and me on trumpet. Playing them is a masterclass in jazz phrasing, and studying them is a masterclass in the classic principles of counterpoint. It's a little bit like a Bach fugue. You start with a short catchy theme, and then let it go where it wants to go, but always building on that theme. I titled this piece Sundry Quartet because I liked bassoon for the bottom voice (trpt, hrn, trbn, and bsn), but a second trombone could just as well play the bottom. Level: advanced intermediate. Duration: 3 minutes, 12 seconds. .
$10.00 ≈
9.01€
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
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Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages...
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Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.15€
Tiny Shattered Pieces
Tiny Shattered Pieces
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Evelyn Glennie
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Tiny Shattered Pieces
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EAMUSIC
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SheetMusicPlus
Instrumental Duet,Percussion,Violin - Level 5 - Digital Download SKU: A0.1248663 By Evelyn Glennie. By Eugene Astapov. 21st Century,Chamber,Classical,Con...
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Instrumental Duet,Percussion,Violin - Level 5 - Digital Download SKU: A0.1248663 By Evelyn Glennie. By Eugene Astapov. 21st Century,Chamber,Classical,Contemporary. 26 pages. EAMUSIC #843160. Published by EAMUSIC (A0.1248663). Composing Tiny Shattered Pieces was a truly immersive musical journey due to the sheer amount of time it took to write it and how much time I spent thinking about this piece. Since the work was commissioned before the start of the 2020 pandemic, but rescheduled for a premiere 2 years later – I could write, re-write and re-think this piece from start to finish multiple times. In the end there was enough material for a 30-minute composition, but so much of it was so different due to the different moods one would go through during a pandemic, that compiling it into 5 separate short musical statements was the most natural conclusion.   The music embarks on a journey of discovery, love, destruction, reconciliation, suffering, and by the end of it – war. Naturally at the end of a 2-year period a person evolves and goes through a myriad of different experiences, but few artists or composers experienced the world going through a tectonic shift from the early 2000s until now, therefore I felt it necessary to touch upon many different topics through the language of this work, including the personal and the universal. Each of the movements is a complete statement but together the movements form a larger pyramid-like structure, completing each other’s thoughts, propelling them and eventually bringing them to conclusion.    It should be noted that by the time I was reaching the end of the compositional process – a major war started with Russia invading Ukraine. Being a Ukrainian-born composer, the issue affected me deeply and sipped into the music by the end of the 4th movement. This is where the pyramid reaches its peak and should be appropriately shaped by the musicians.   The piece is approximately 10 minutes in duration and is to be performed with utmost freedom, gusto and conviction. The performers must not shy away from making the sounds crunch together, piercing through the hall, but at the same time the more quiet, gentle parts should be appropriately shaped and bring much needed comfort. The work is about contrasts, outbursts of emotions, quiet sobbing, rage and solitude.  The piece is approximately 12 minutes long. It was commissioned by Dame Evelyn Glennie in cooperation with Calgary's Land's End Ensemble.
$25.00 ≈
22.53€
Sunday
Sunday
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Broadway
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Ukelele Ike
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Jim Ivy
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Sunday
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Jim Ivy
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SheetMusicPlus
Choral Piano and Keyboard,Ukulele,Voice (4-Part) - Level 3 - Interactive Download SKU: A0.1033592 By Ukelele Ike (Cliff Edwards). Arranged by Jim Ivy. Th...
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Choral Piano and Keyboard,Ukulele,Voice (4-Part) - Level 3 - Interactive Download SKU: A0.1033592 By Ukelele Ike (Cliff Edwards). Arranged by Jim Ivy. This edition: Interactive Download. Musical/Show,Standards. Octavo. Duration 133. Jim Ivy #bLtl7pcHmOevED0xqdd2w. Published by Jim Ivy (A0.1033592). Key: C major.Am I the only one here who remembers Saturday morning at the movies? No one had air conditioning or TV sets when I was a boy. The only way to cool off during those long, hot Alabama summers was to either jump in the creek for a swim, or go into town to the movie theater! On Saturday mornings we would pedal our bikes into town, where for a dime, we could spend half the day in refrigerated air comfort. There was always a double feature on Saturday and between the two movies, there was newsreel about the important events of the day, the weekly installment of the serial, one or two cartoons, and always a bouncing ball sing-a-long! Here is an arrangement that reminds me very much of those Saturday mornings. I had to figure out some new things (at least new to me) but I'm rather pleased with the way it turned out. It reminds me very much of those Saturday mornings long ago!
$2.99 ≈
2.69€
Morning Gloria From Peoria
Morning Gloria From Peoria
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Jazz
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John Philips
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Morning Gloria From Peoria
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John Philips Music Service
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SheetMusicPlus
Small Ensemble - Level 2 - Digital Download SKU: A0.947268 Composed by John Philips. Jazz. Score and parts. 27 pages. John Philips Music Service #3867631...
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Small Ensemble - Level 2 - Digital Download SKU: A0.947268 Composed by John Philips. Jazz. Score and parts. 27 pages. John Philips Music Service #3867631. Published by John Philips Music Service (A0.947268). First adjust the tempo...This should run at about 130/140. It’s a Funky 2 beat on I Got Rhythm changes gets into 4 on the first bridge. Ending is multiple tags with big finish. This could be opened for choruses. The idea here is the loose swing and not to concentrate on technique so it bogs down. If you liked Basie you would like this.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00 ≈
13.52€
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