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1
Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Soprano/Alto
Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Soprano/Alto
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Leopold Mozart
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B
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Notenbuch für Wolfgang Amadeu
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bl_music
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SheetMusicPlus
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.842552 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standar...
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Woodwind Ensemble - Level 2 - Digital Download SKU: A0.842552 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standards. 23 pages. Bl_music #5298655. Published by bl_music (A0.842552). Music book for W.A. Mozart by Leopold Mozart, for Descant and Treble Recorder (notation: treble/treble clef)The Notenbuch für Wolfgang Amadeus Mozart contains 32 easy to medium duos1. Menuet 2. Menuet de Sigr. Bach 3. Bourlesq 4. Polonaise 5. Menuet 6. Polonaise 7. Menuet 8. Menuet 9. Waldhorn ~ Stück10. Entrée 11. Bourrée 12. Schwaben ~ Tanz 13. Menuet 14. Musette 15. Polonaise 16. Menuet 17. Sarabande 18. Menuet 19. Angloise 20. Passepied 21. Aria 22. Menuet 23. Gavotte 24. March di Sigr. Bach 25. Polonaise 26. Menuet 27. Fantasia del Sigr. Telemann 28. Jägerlied 29. March30. Bourrée 31. Menuet 32. MenuetThis edition for descant and treble recorder is suitable for both experienced players (e.g. as encores) and advanced students who may find the pieces useful regarding technique.About Notenbuch für Wolfgang Amadeus MozartMeinem lieben Sohn Wolfgang Amadee zu seinem sechsten Namenstag von seinem Vater Leopold Mozart. Salzburg, den 31. Oktober 1762 (To my beloved son Wolfgang Amadeus for his sixth Name Day from his father Leopold Mozart.Salzburg,October 31st, 1962)This book had an important influence on Mozart’s early compositions.The pieces fall into three categories:The first category includes songs and dances of a folk nature such as Jägerlied, Schwabentanz Schmiedecourante, Waldhornstück. The second category provides examples of compositions by Scarlatti, Bach, Händel, e.g. Fantasias, Allegros, Arias. The third group presents contemporary dance movements in the French style like Minuets, Courantes, Polonaises and Rondi.Father Mozart included pieces in a variety of styles with the intention of helping Mozart not only to learn piano technique, but also elements of composition. The works are intentionally simple, one task for the boy being to fill out the incomplete harmonies. Overall, the technical standard is appropriate to the age and abilities of the player. Apart from its historical significance, the Notenbuch for Wolfgang Amadeus is a colourful collection of charming little pieces.
$12.99 ≈
¥91.07
Overture (Suite) No. 2
Overture (Suite) No. 2
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Classical
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Johann Sebastian Bach
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Overture
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Flute, strings and basso continuo - intermediate to advanced - Digital Download SKU: S9.Q12513 B minor. Composed by Johann Sebastian Bach. This ed...
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Flute, strings and basso continuo - intermediate to advanced - Digital Download SKU: S9.Q12513 B minor. Composed by Johann Sebastian Bach. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q12513. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12513). Key: B minor.From early in the 17th century until the form engaged the interest of Johann Sebastian Bach, various notable German composers - including Rosenmüller, Fischer, Fasch and Telemann - had contributed to the development of the orchestral suite or 'Ouverture', which name betrays its French theatrical origins. From Bach himself only four such suites have come down to us due to the diligence of C.F.Penzel, who was a student at the Thomasschule from 1751, and who made copies of Bach's MSS he found there. Thus, neither the dates nor the order of composition of the suites can be established with any certainty. As to the present suite in B minor, recent criticism suggests that Bach's idiomatic flute writing in this popular suite would, even in 1737 or later, have been considered fashionably up-to-date even in Paris. It has also been suggested that the suite could have been written expressly for Pierre-Gabriel Buffardin, principal flautist of the Dresden Court Orchestra.
$9.99 ≈
¥70.04
Sonata for Contrabassoon and Piano
Sonata for Contrabassoon and Piano
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David Baker
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Sonata for Contrabassoon and P
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Forton Music - Digital
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SheetMusicPlus
Cbsn. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM681 Composed by David Baker. Written in 2007, this sonata was inspired by playing alongsi...
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Cbsn. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM681 Composed by David Baker. Written in 2007, this sonata was inspired by playing alongside a series of amazing contra bassoonists; Nick Lander, Alex Moss, Luke Whitehead and Sarah Nixon, who made me realise it's amazing potential as a solo instrument. Whilst the outer movements ar. Score and Parts. 29 pages. Forton Music - Digital #FM681. Published by Forton Music - Digital (F2.FM681). ISBN 9790570485802.
$12.95 ≈
¥90.79
Praise & Worship Guitar with MP3-Digital Download
Praise & Worship Guitar with MP3-Digital Download
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Sacred music
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Praise & Worship Guitar with M
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SheetMusicPlus
Instructional book for advanced guitarists This book equips those who already play guitar with 50 hymns and praise & worship choruses transposed to guitar-...
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Instructional book for advanced guitarists This book equips those who already play guitar with 50 hymns and praise & worship choruses transposed to guitar-friendly keys. Includes a CD demonstration recording of both guitar and solo voice of each song in the book
Song List
: As the Deer Awesome God Holy Ground I Stand In Awe Shine, Jesus, Shine Thy Word El-Shaddai Great Is Thy Faithfulness The Old Rugged Cross Give Thanks He Has Made Me Glad Shout to the Lord Lord, I Lift Your Name on High He Is Exalted and many more.
$32.95 ≈
¥231.02
Suite No. 1
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95 ≈
¥76.77
Elemental Spiral (2005) for soprano saxophone, violoncello, multi-percussion
Elemental Spiral (2005) for soprano saxophone, violoncello, multi-percussion
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Contemporary
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Mark Zanter
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Elemental Spiral
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MJIC Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Multi-Percussion,Soprano Saxophone - Digital Download SKU: A0.934204 Composed by Mark Zanter. Contemporary. Score and parts. 24 page...
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Small Ensemble Cello,Multi-Percussion,Soprano Saxophone - Digital Download SKU: A0.934204 Composed by Mark Zanter. Contemporary. Score and parts. 24 pages. MJIC Music Publishing (ASCAP) #3130833. Published by MJIC Music Publishing (ASCAP) (A0.934204). Elemental Spiral is the result of some of my recent work linking elemental aspects of esoteric. The work begins with an electronic prelude, and moves to the instrumental portion at about 4:00.healing and vibration (sound). The concept of matter and form being integrally connected and influenced/formed by sound has been studied since ancient times, and myths from various world cultures mention gods or beings that could manifest form from matter through their voice. Recent work by Hans Jenny verifies the connection between sound and form (see Cymatics).Similarly, the power of music to affect response in individuals is a popular subject of ancient and modern writers. My interest in the work stems from observing how people react to my music, in which I believe certain thoughts and feelings are somehow encoded, transmitted and received during performance. My research stems from a desire to increase my own awareness of sound, its affect, and to connect this to my art. The integration of dance with the music creates a visual relationship that marries the sound and its intention.Elemental Spiral maps elemental associations (earth, water, fire, and air) to the musical context in a deliberate fashion. At this stage my associations are fairly literal, and various qualities (i.e. earth=slow, fire=energetic, air=fast frenetic) are mapped directly onto musical material. The associations become richer when one state changes to another or comes into being (water->air, becoming earth etc.) and when various qualities are mixed (air-pitch with earth rhythm etc.).The intended effect is an overall balancing of the musical structure with desirable or pleasing proportions (the age old compositional question). This balancing is well known to all of us, for instance-elementally-much of Beethoven’s music moves between water and fire elements (mapping of speed and pitch), and the tempos of symphonic movements fast-slow-med. fast-fast is an affirmation that a balance of tempi and musical content is found to be pleasing.I express my deepest gratitude to Donald Laney who choreographed the dance for this work. He was somehow able to convert my musings into movement and in the process far exceeded my expectations. Special thanks also to the WV Commission on the Arts and the NEA whose support made the creation of this work possible.Elemental Spiral is suitable for advanced performers.Performance materials available for purchase from the publisher: mjicmusicpublishing@gmail.com
$7.99 ≈
¥56.02
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
¥97.81
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
¥97.81
5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for Multi-Level Violin E
5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for Multi-Level Violin E
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String Play for All
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5 Spirituals and Dances from "
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String Play for All
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SheetMusicPlus
Small Ensemble Violin - Digital Download SKU: A0.859957 Arranged by String Play for All. African,Folk,Gospel,Spiritual. Score and parts. 256 pages. Strin...
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Small Ensemble Violin - Digital Download SKU: A0.859957 Arranged by String Play for All. African,Folk,Gospel,Spiritual. Score and parts. 256 pages. String Play for All #6096717. Published by String Play for All (A0.859957).  The five spirituals and dances are arrangements for multi-level violin ensemble of five movements from Samuel Coleridge-Taylor’s 24 Negro Melodies for solo piano. The five movements included are Wade in the Water, Sometimes I Feel Like a Motherless Child, Deep River, My Lord Delivered Daniel, and Bamboula. This instrumental setting preserves the energy and warmth of the original. Expose your students to this important style of American Music. Each movement contains a brief description as well as illustration. The violin parts include Advanced Violin, Violin I, Violin II, Violin Book 1, and Twinkle Violin. Since note reading and ensemble playing pose additional challenges, I have made the Twinkle Violin part quite basic, with an emphasis on open strings and basic rhythmic patterns. The Violin Book 1 part is more challenging, designed for players who have finished or about to finish Suzuki Violin School, Book 1. The Advanced Violin part occasionally extends to fifth position, while the Violin I part remains mainly in first Position, with only and occasional use of third position. Violin II remains in first position. The Advanced Violin part is optional. It may be omitted, replace the Violin I part, or both Advanced Violin and Violin I parts may be used, depending on the needs and level of your group. 6 of each part have been included. The entire suite totals 12 ½ minutes.
$16.50 ≈
¥115.68
A Whitman Triptych: III. Facing West (Downloadable)
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/C...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65 ≈
¥18.58
How Lovely Is Thy Dwelling Place (arr. for school orchestra and choir)
How Lovely Is Thy Dwelling Place (arr. for school orchestra and choir)
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Classical
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Johannes Brahms
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Pam Moutoussi
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How Lovely Is Thy Dwelling Pla
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Pamela Moutoussi
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SheetMusicPlus
Large Ensemble Choir - Level 3 - Digital Download SKU: A0.847038 Composed by Johannes Brahms. Arranged by Pam Moutoussi. Christian,Christmas,Easter,Roman...
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Large Ensemble Choir - Level 3 - Digital Download SKU: A0.847038 Composed by Johannes Brahms. Arranged by Pam Moutoussi. Christian,Christmas,Easter,Romantic Period. Score and parts. 78 pages. Pamela Moutoussi #3538121. Published by Pamela Moutoussi (A0.847038). I have made this arrangement more suitable for a school choir and mixed ability orchestra by simplifying the key. I have added easy parts for the beginners, but kept challenging ones for more advanced players. The adult parts are for rehearsal support. Here is Chancellors School, a state school in Potters Bar, England playing it at Christmas as part of our Carol Service. We have players of all standards who want to join in it from year 7 to 13, and for some it was their first ever Orchestral concert. https://www.youtube.com/watch?v=4h_qvkp-dCg
$15.00 ≈
¥105.17
Dream A Little Dream Of Me
Dream A Little Dream Of Me
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The Mamas And The Papas
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Louise Braithwaite
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Dream A Little Dream Of Me
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Louise Braithwaite
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SheetMusicPlus
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.985507 By The Mamas And The Papas. By Fabian Andree and Wilbur Schwandt. Arranged by Louise Braith...
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.985507 By The Mamas And The Papas. By Fabian Andree and Wilbur Schwandt. Arranged by Louise Braithwaite. Oldies. 3 pages. Louise Braithwaite #6333225. Published by Louise Braithwaite (A0.985507). This arrangement by a UK professional woodwind player features rhythmic nuance and satisfying articulation and dynamic details, making it an enjoyable play for more advanced performers. Developed for use in reminiscence and relaxation work with seniors in residential care and hospitals, this is a valuable addition to the live duo repertoire for music for Dementia Care and Community performance. This number was made famous by Ella Fitzgerald and Doris Day and is a popular choice with older listeners. I hope you and your audiences will enjoy this music. To learn more about the arranger and the people who inspire her work, please visit www.louise-braithwaite.co.uk
$6.50 ≈
¥45.57
Dream A Little Dream Of Me
Dream A Little Dream Of Me
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The Mamas And The Papas
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Louise Braithwaite
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Dream A Little Dream Of Me
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Louise Braithwaite
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SheetMusicPlus
Woodwind Ensemble - Digital Download SKU: A0.985509 By The Mamas And The Papas. By Fabian Andree and Wilbur Schwandt. Arranged by Louise Braithwaite. Old...
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Woodwind Ensemble - Digital Download SKU: A0.985509 By The Mamas And The Papas. By Fabian Andree and Wilbur Schwandt. Arranged by Louise Braithwaite. Oldies. 3 pages. Louise Braithwaite #6334075. Published by Louise Braithwaite (A0.985509). Arranged by a UK professional woodwind performer, this duo for Clarinet in Bb and Bassoon is suited to advanced intermediate players and beyond. A popular number with mature listeners, made famous by Doris Day and Ella Fitzgerald, this arrangement was originally created for use in Reminiscence work for seniors and those living with Dementia. It's a welcome addition to the repertoire for live duos working in hospitals and care settings. Professional quality details of articulation, rhythmic nuance and expression make this a satisfying play for the performers and a quality listening experience for audiences. I hope you and your listeners will enjoy this music. To learn more about the arranger and the people who inspire her work, please visit www.louise-braithwaite.co.uk
$6.50 ≈
¥45.57
Eric Satie: Expanded Edition
Eric Satie: Expanded Edition
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Classical
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Contemporary
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Erik Satie
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Michael P
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Eric Satie: Expanded Edition
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Michael P Walker
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SheetMusicPlus
Small Ensemble Ukulele - Level 3 - Digital Download SKU: A0.810045 Composed by Erik Satie. Arranged by Michael P. Walker. 20th Century,Romantic Period,St...
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Small Ensemble Ukulele - Level 3 - Digital Download SKU: A0.810045 Composed by Erik Satie. Arranged by Michael P. Walker. 20th Century,Romantic Period,Standards. Score. 75 pages. Michael P Walker #6358131. Published by Michael P Walker (A0.810045). Here are compositions by Eric Satie who combined the simple, tuneful melodies of Parisian nightlife with the snappiness of American Jazz, Satie created a new style of musical burlesque which made a lasting impression on many contemporary composers. Transcribed for the baritone ukulele or low G ukelele. Most are also playable on the tenor and soprano ukulele and, of course, they may all be played on the guitar. Recommended for Intermediate and Advanced Performers
$19.95 ≈
¥139.87
You Are The Sunshine Of My Life
You Are The Sunshine Of My Life
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Stevie Wonder
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Dan Jones www
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You Are The Sunshine Of My Lif
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DanJonesGuitarist
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SheetMusicPlus
Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.1103705 By Stevie Wonder. By Stevie Wonder. Arranged by Dan Jones www.danjonesguitarist.com. ...
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Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.1103705 By Stevie Wonder. By Stevie Wonder. Arranged by Dan Jones www.danjonesguitarist.com. 20th Century,Funk,Jazz,Pop. Score and parts. 49 pages. DanJonesGuitarist #706980. Published by DanJonesGuitarist (A0.1103705). You Are the Sunshine of My Life by Stevie Wonder Arranged for Guitar Quartet (with Optional Bass) by Dan Jones (www.danjonesguitarist.com) The download of this arrangement offers: • A score in notes and TAB • A score with notes only • Parts with notes and TAB • Parts with notes only • An extra bass guitar part in notes and TAB which can be added or omitted as players wish. Guitar 3 also contains chord symbols for those wishing to have a greater understanding of the harmonic base of the song, or for jazz-style players wishing to play along or improvise. You Are the Sunshine of My Life was released in 1973, the second single from the artist’s iconic 1972 album, ‘Talking Book’. The song made it to number one of the Billboard charts and is a Grammy Award winner. It is, in my opinion, one of the finest pop songs ever written. Its subtle harmonies, seamless modulations and chromatically-altered chords sit easily under a whimsical lyric. It is harmonic genius disguised as a light pop song. I also believe it to be much misunderstood by writers who comment only on the qualities of the vocal performance and production. It deserves its place in any performance of serious art music. This arrangement is suitable for intermediate to advanced intermediate guitarists. A film of a performance will be available by the end of September 2022. For a wealth of arrangements, teaching material, books and much more, please visit: www.danjonesguitarist.com.
$8.95 ≈
¥62.75
Ernesto Cordero - El Carbonerito
Ernesto Cordero - El Carbonerito
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Classical
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Ernesto Cordero
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Ernesto Cordero
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Ernesto Cordero - El Carboneri
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (classical) - Intermediate-Advanced - Digital Download SKU: M0.99348BCDEB Composed by Ernesto Cordero. Arranged by Ernesto Cordero. Classic. E-boo...
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Guitar (classical) - Intermediate-Advanced - Digital Download SKU: M0.99348BCDEB Composed by Ernesto Cordero. Arranged by Ernesto Cordero. Classic. E-book and online audio. Mel Bay Publications - Digital Sheet Music #99348BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.99348BCDEB). ISBN 9781610657549. 8.75x11.75 inches.This solo piece for classic guitar is a musical theme with five variations based on an ancient nursery melody very popular in Spain and Spanish America. This musical theme is based on an ancient Spanish romance, whose oldest form appears in a gothic parchment dating from the 15th century. The most recent or modern version of this romance is from the last third of the 19th century. The version given here, Little Coal-Heaver Boy, is one of the best known. This arrangement was a mandatory piece in the thirteenth edition of the renowned International Guitar Contest sponsored by French Radio in 1987-1988. These variations were dedicated to Robert J. Vidal, contest founder and were composed in Puerto Rico in the year 1986. They are presented here in notation only. The recording was made in 1988 by Scott Tennant. Intermediate to advanced in difficulty. Includes access to online audio.
$9.99 ≈
¥70.04
Kleinste Nachttopfmusik
Kleinste Nachttopfmusik
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Classical
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Paul Dessau
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Kleinste Nachttopfmusik
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Schott Music - Digital
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SheetMusicPlus
Flute (also Piccolo), piano,  triangles and 2 Nachttöpfchen (Cis and Pis) - advanced - Digital Download SKU: S9.Q6262 Smallest chamber pot music...
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Flute (also Piccolo), piano,  triangles and 2 Nachttöpfchen (Cis and Pis) - advanced - Digital Download SKU: S9.Q6262 Smallest chamber pot music, roughly based on Mozart's Eine kleine Nachtmusik. Composed by Paul Dessau. This edition: score and parts. Downloadable, Score and parts. Duration 6 minutes. Schott Music - Digital #Q6262. Published by Schott Music - Digital (S9.Q6262). Everybody who loves Eine kleine Nachtmusik by Wolfgang Amadeus Mozart will get sheer pleasure out of this amusing little work which includes - as the title suggests - two small glass chamber pots used as percussion instruments. Paul Dessau dedicated his Kleinste Nachttopfmusik to Bertold Brecht's granddaughter Johanna Stephanie Brecht.
$16.99 ≈
¥119.12
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