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1
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
#
Contemporary
#
Carson Cooman
#
Carson Cooman: Enchanted Traci
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 ...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95 ≈
27.67€
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
#
Contemporary
#
Carson Cooman
#
Carson Cooman Enchanted Tracin
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 ...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95 ≈
72.01€
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCA...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95 ≈
44.30€
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. ...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95 ≈
44.30€
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. ...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462151. Published by jmsgu3 (A0.549205). Minimum instrumentation: 8 double reeds (or multiples) arranged in 2 antiphonal choirs. 4 oboes, 2 English horns, 1 bassoon, 1 contrabassoon (or 2 bassoons). Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.30€
Prelude 09 from Well-Tempered Clavier, Book 1 (Woodwind Quartet)
Prelude 09 from Well-Tempered Clavier, Book 1 (Woodwind Quartet)
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Classical
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Johann Sebastian Bach
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Richard Byrnes
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2 Bassoons
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Prelude 09 from Well-Tempered
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Digital Download SKU: A0.829897 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Digital Download SKU: A0.829897 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 6 pages. Richard Byrnes #2858439. Published by Richard Byrnes (A0.829897).  The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. This is an arrangement by Richard Byrnes for Flute, Clarinet, & 2 Bassoons.You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally. These pieces often use ornaments. The recording will demonstrate to you how they should sound.  Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$14.99 ≈
13.85€
Prelude 16 from Well-Tempered Clavier, Book 1 (Bassoon Quartet)
Prelude 16 from Well-Tempered Clavier, Book 1 (Bassoon Quartet)
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Classical
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Johann Sebastian Bach
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Richard Byrnes
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Contrabassoon
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Prelude 16 from Well-Tempered
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Contrabassoon - Digital Download SKU: A0.830043 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque...
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Woodwind Ensemble,Woodwind Quartet Contrabassoon - Digital Download SKU: A0.830043 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 7 pages. Richard Byrnes #2888009. Published by Richard Byrnes (A0.830043).  The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. This is an arrangement by Richard Byrnes for 3 Bassoons & Contrabassoon. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally.  These pieces often use ornaments. The recording will demonstrate to you how they should sound.  Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$14.99 ≈
13.85€
Prelude 22 from Well-Tempered Clavier, Book 1 (Bassoon Octet)
Prelude 22 from Well-Tempered Clavier, Book 1 (Bassoon Octet)
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Classical
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Johann Sebastian Bach
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Richard Byrnes
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Contrabassoon
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Prelude 22 from Well-Tempered
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,Double Reed Ensemble - Digital Download SKU: A0.830167 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Bar...
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Woodwind Ensemble Contrabassoon,Double Reed Ensemble - Digital Download SKU: A0.830167 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 11 pages. Richard Byrnes #2917757. Published by Richard Byrnes (A0.830167).  The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. This is an arrangement by Richard Byrnes for 7 Bassoons & Contrabassoon. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally.  These pieces often use ornaments. The recording will demonstrate to you how they should sound.  Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$19.99 ≈
18.47€
Fugue 15 from Well-Tempered Clavier, Book 2 (Bassoon Quartet)
Fugue 15 from Well-Tempered Clavier, Book 2 (Bassoon Quartet)
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Classical
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Johann Sebastian Bach
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Richard Byrnes
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Fugue 15 from Well-Tempered Cl
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Contrabassoon - Digital Download SKU: A0.830445 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque...
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Woodwind Ensemble,Woodwind Quartet Contrabassoon - Digital Download SKU: A0.830445 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 12 pages. Richard Byrnes #2998507. Published by Richard Byrnes (A0.830445). The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally. These pieces often use ornaments. The recording will demonstrate to you how they should sound. This is an arrangement by Richard Byrnes for 3 Bassoons & Contrabassoon.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$19.99 ≈
18.47€
Fugue 19 from Well-Tempered Clavier, Book 2 (Bassoon Quartet)
Fugue 19 from Well-Tempered Clavier, Book 2 (Bassoon Quartet)
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Classical
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Johann Sebastian Bach
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Richard Byrnes
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Contrabassoon
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Fugue 19 from Well-Tempered Cl
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Contrabassoon - Digital Download SKU: A0.830483 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque...
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Woodwind Ensemble,Woodwind Quartet Contrabassoon - Digital Download SKU: A0.830483 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 9 pages. Richard Byrnes #3002739. Published by Richard Byrnes (A0.830483).  The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. This is an arrangement by Richard Byrnes for 3 Bassoons & Contrabassoon. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally.  These pieces often use ornaments. The recording will demonstrate to you how they should sound.  Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$19.99 ≈
18.47€
Prelude 18 from Well-Tempered Clavier, Book 1 (Double Reed Quartet)
Prelude 18 from Well-Tempered Clavier, Book 1 (Double Reed Quartet)
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Classical
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Johann Sebastian Bach
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Richard Byrnes
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2 Bassoons
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Prelude 18 from Well-Tempered
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Quartet,Oboe - Digital Download SKU: A0.830150 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroq...
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Woodwind Ensemble Bassoon,Double Reed Quartet,Oboe - Digital Download SKU: A0.830150 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 6 pages. Richard Byrnes #2917145. Published by Richard Byrnes (A0.830150).  The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. This is an arrangement by Richard Byrnes for 2 Oboes, & 2 Bassoons. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally.  These pieces often use ornaments. The recording will demonstrate to you how they should sound.  Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$14.99 ≈
13.85€
Fugue 24 from Well-Tempered Clavier, Book 1 (Double Reed Octet)
Fugue 24 from Well-Tempered Clavier, Book 1 (Double Reed Octet)
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Classical
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Johann Sebastian Bach
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Richard Byrnes
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3 Bassoons
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Fugue 24 from Well-Tempered Cl
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Digital Download SKU: A0.830180 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 33 ...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Digital Download SKU: A0.830180 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 33 pages. Richard Byrnes #2918213. Published by Richard Byrnes (A0.830180).  The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. This is an arrangement by Richard Byrnes for 3 Oboes, 2 English Horns & 3 Bassoons. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally.  These pieces often use ornaments. The recording will demonstrate to you how they should sound.  Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$29.99 ≈
27.70€
Fugue 09 from Well-Tempered Clavier, Book 2 (Bassoon Quintet)
Fugue 09 from Well-Tempered Clavier, Book 2 (Bassoon Quintet)
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Classical
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Johann Sebastian Bach
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Richard Byrnes
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Contrabassoon
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Fugue 09 from Well-Tempered Cl
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Contrabassoon - Digital Download SKU: A0.830428 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque...
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Woodwind Ensemble,Woodwind Quintet Contrabassoon - Digital Download SKU: A0.830428 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 13 pages. Richard Byrnes #2988863. Published by Richard Byrnes (A0.830428).  The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. This is an arrangement by Richard Byrnes for 4 Bassoons & Contrabassoon. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally.  These pieces often use ornaments. The recording will demonstrate to you how they should sound.  Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$19.99 ≈
18.47€
Fugue 04 from Well-Tempered Clavier, Book 2 (Double Reed Quintet)
Fugue 04 from Well-Tempered Clavier, Book 2 (Double Reed Quintet)
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Classical
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Johann Sebastian Bach
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Richard Byrnes
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2 Bassoons
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Fugue 04 from Well-Tempered Cl
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Quintet,English Horn,Oboe - Digital Download SKU: A0.830330 Composed by Johann Sebastian Bach. Arranged by Richard ...
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Woodwind Ensemble Bassoon,Double Reed Quintet,English Horn,Oboe - Digital Download SKU: A0.830330 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 19 pages. Richard Byrnes #2951897. Published by Richard Byrnes (A0.830330). This is an arrangement by Richard Byrnes for 2 Oboes, English Horn & 2 Bassoons. The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted.  You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally.  These pieces often use ornaments. The recording will demonstrate to you how they should sound.  Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$19.99 ≈
18.47€
Prelude 24 from Well-Tempered Clavier, Book 2 (Double Reed Quintet)
Prelude 24 from Well-Tempered Clavier, Book 2 (Double Reed Quintet)
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Classical
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Johann Sebastian Bach
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Richard Byrnes
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2 Bassoons
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Prelude 24 from Well-Tempered
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Quintet,English Horn,Oboe - Digital Download SKU: A0.830605 Composed by Johann Sebastian Bach. Arranged by Richard ...
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Woodwind Ensemble Bassoon,Double Reed Quintet,English Horn,Oboe - Digital Download SKU: A0.830605 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 17 pages. Richard Byrnes #3028587. Published by Richard Byrnes (A0.830605).  The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. This is an arrangement by Richard Byrnes for 2 Oboes, English Horn & 2 Bassoons. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally. These pieces often use ornaments. The recording will demonstrate to you how they should sound.  Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$19.99 ≈
18.47€
Fugue #2
Fugue #2
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Gary Friedman
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Fugue #2
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Gary Friedman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,English Horn,Oboe,Soprano Saxophone,Tenor Saxophone - Digital Download ...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,English Horn,Oboe,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.889839 Composed by Gary Friedman. Baroque,Contemporary. 51 pages. Gary Friedman #2031629. Published by Gary Friedman (A0.889839). Light-hearted fugue originally written for double-reed quartet of oboe, English horn, and two bassoons. Also works well for saxophone quartet (soprano, alto, tenor, bass) and clarinet quartet (two B flats, and two bass's). All scores and parts are supplied. The audio clip is a computer playback of the double reed version, made with early Finale and doesn't reproduce ritards, etc. Duration about 4 minutes.
$10.00 ≈
9.24€
Dvorak: String Quartet No.12 in F Op.96 " American" Mvt.II Lento - symphonic wind dectet/bass
Dvorak: String Quartet No.12 in F Op.96 " American" Mvt.II Lento - symphonic wind dectet/bass
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Classical
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1143137 Composed by Antonin Dvorak. Arranged by Ray Thom...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1143137 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 23 pages. RayThompsonMusic #743323. Published by RayThompsonMusic (A0.1143137). Arranged wind dectet/bass 2nd mvt Lento - The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind ensemblet, so have given the horns repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and also used the horns to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinets and bassoons.
$9.95 ≈
9.19€
Exaltabo Te
Exaltabo Te
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Orlando de Lassus
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Exaltabo Te
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Imagine Music - Digital
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SheetMusicPlus
3 bassoons & contrabassoon - Digital Download SKU: IZ.PDP226 Composed by Orlando de Lassus. Score and Parts. 10 pages. Imagine Music - Digital #PDP226. P...
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3 bassoons & contrabassoon - Digital Download SKU: IZ.PDP226 Composed by Orlando de Lassus. Score and Parts. 10 pages. Imagine Music - Digital #PDP226. Published by Imagine Music - Digital (IZ.PDP226). 9 x 12 in inches.Exaltabo Te (I Exalto You, 0 Lord) is one of Lassus's most beautiful motets. The text is the Offertory for Ash Wednesday and is taken from Psalm 29, or No. 30, depending on your denomination: I will exalt You, 0 Lord for You have sustained me and prevented my enemies from rejoicing over me: 0 Lord, I have cried unto You and You have healed me. I firmly believe that transcriptions of Renaissance masterpieces should be used in seminars, masterclasses, or Double Reed Day situations. In addition to exposing the performers to the beauties of repertoire with which they may not be familiar, study of this music provides many benefits which can not help but contribute to a player's growth as a musician. Works from this era will help develop a strong sense of rhythm and metrical pulse, as well as forcing players to accurately count their own part. As the lines are independently conceived, each player must shape their individual phrases, promoting expressive musicianship. Lastly and perhaps most importantly, these compositions will quickly expose intonation deficiencies and will necessitate a careful approach to linear intonation as well as tuning vertical intervals.
$8.00 ≈
7.39€
Tchaikovsky: Military March TH 150 - symphonic winds
Tchaikovsky: Military March TH 150 - symphonic winds
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Classical
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Peter Ilyich Tchaikovsky
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Ray Thompson
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Tchaikovsky: Military March TH
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Tuba - Digital Download SKU: A0.1276042 Composed by Peter Ilyich Tchaikovsky. Arranged by Ray Thompson. 20th...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Tuba - Digital Download SKU: A0.1276042 Composed by Peter Ilyich Tchaikovsky. Arranged by Ray Thompson. 20th Century,March,Romantic Period. 20 pages. RayThompsonMusic #867600. Published by RayThompsonMusic (A0.1276042). Arranged symphonic wind dectet (double wind quintet/bass/tuba.Tchaikovsky wrote his Military March in B-flat major (TH 150 ; ÄŒW 52) in the spring of 1893 at the request of his cousin Andrey Tchaikovsky, who was the commander of the 98th Yurevsky Infantry Regiment.Tchaikovsky provided only a piano score, with the instruction that the regimental bandmaster should arrange it for the forces at his disposal. The version published by Jurgenson after the composer's death was scored for piccolo, 2 flutes, 2 oboes, 4 clarinets (E-flat, B-flat), bass clarinet (B-flat), 2 bassoons + 3 cornets (E-flat, B-flat), 3 trumpets (E-flat), 3 tenor horns (B-flat), 4 horns (E-flat), euphonium, 3 trombones, 2 bass trombones + small drum and large drum.My arrangement has 2 Â Horns in F.The March was published by Pyotr Jurgenson in 1894 under the French title March Militaire, in its original version for solo piano, as well as a full score and parts for military band. The arranger of the latter was not identified.Only the solo piano version was published in volume 53 of Tchaikovsky's Complete Collected Works, edited by Anatoly Drozdov (1949).Further info here.Tchaikovsky also wrote the similar sounding Coronation March TH50.
$24.95 ≈
23.05€
Tonstück E major
Tonstück E major
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Johanna Senfter
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Tonstück E major
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Schott Music - Digital
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SheetMusicPlus
8 wind instruments (flute, clarinet in A, 4 horns and 2 bassoons) - advanced - Digital Download SKU: S9.Q3108 Composed by Johanna Senfter. This edition: ...
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8 wind instruments (flute, clarinet in A, 4 horns and 2 bassoons) - advanced - Digital Download SKU: S9.Q3108 Composed by Johanna Senfter. This edition: score. Downloadable, Score. Op. 60. Schott Music - Digital #Q3108. Published by Schott Music - Digital (S9.Q3108). Key: E major.Johanna Senfter studied music at the Conservatoire in Frankfurt and then in 1908/9 with Max Reger at the Leipzig Conservatoire. Her late Romantic music draws inspiration from the polyphonic structure of Reger and Bach, as well as from the complex use of sounds and motifs in the music of J. Brahms, which did not leave her in an easy position in the context of twentieth Century modernism. Growing interest in the work of female composers has also led to a rediscovery of J. Senfter in recent years. Her extensive work includes piano music, orchestral works and chamber music, including the Piece for flute, clarinet (in A), two bassoons and four horns, first performed in Karlsruhe in 1934.
$16.99 ≈
15.70€
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1
Works well for bassoons. 
