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On The Edge
Not classified 26

Piano & keyboards
Piano solo 24
Organ 6
Piano, Vocal and Guitar 5
Piano, Voice 4
C Instruments 2

Guitars
Dulcimer 1
Guitar 1
2 Dulcimers (duet) 1

Voice
Choral SATB 20
Baritone voice, Piano 2
Choral SSAA 2
Vocal duet 2
Tenor voice 1

Voice solo 1
Soprano voice 1

+ 2 instrumentations

- Retract

Woodwind
Tenor Saxophone 2
Flute and Piano 2
Clarinet and Piano 2
Flute 2
Flute, Cello, Piano (trio) 1

Oboe (band part) 1
Clarinet 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Clarinet, Guitar (duet) 1
Flute ensemble 1
3 Saxophones (trio) 1
Saxophone ensemble 1

+ 7 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 2

Trumpet 2
Trombone 1
Trumpet, Horn (duert) 1
2 Trumpets (duet) 1

Strings
Violin, Cello (duet) 21
String Quartet: 2 violins, viola, cello 8
Harp 7
Violin and Piano 4
Violin 2

Cello, Piano 2
String Trio: 3 violins 2
Violin, Guitar (duet) 1
String quartet: 4 violins 1
String Trio: violin, viola, cello 1
Viola 1
String Quintet: 2 violins, viola, cello, bass 1

+ 7 instrumentations

- Retract

Percussion & orchestra
Orchestra 13
Jazz Ensemble 9
Chamber Orchestra 9
Concert band 4
Marching band 3

Drums 2
Handbells 2
Percussion Ensemble 1
String Orchestra 1

+ 4 instrumentations

- Retract

Others
Music Theory 1

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On The Edge

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Brass Quintet: 2 trumpets, horn, trombone, tuba

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2 sheet music found

Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)

Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo) #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE/ADVANCED #Christoph Willibald Gluck, #Keith Terrett #Aria from the Opera Orfeo ed E #Keith Terrett #SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. ...(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.

$8.99 ≈ $12.11

From the Shadow's Edge (for Brass Quintet & Optional Percussion)

From the Shadow's Edge (for Brass Quintet & Optional Percussion) #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE/ADVANCED #Dr #From the Shadow's Edge #https://gildedmusicpress.com/ #SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158148 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patrio...(+)

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158148 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 47 pages. Https://gildedmusicpress.com/ #758453. Published by https://gildedmusicpress.com/ (A0.1158148). From the Shadow's Edge was commissioned by horn player in the US Air Force Bands, SSgt Alena Zidlicky, to honor her grandmother Beluse Urlich Zidlicky (Babi), who escaped the oppressive Nazi occupation of Czechoslovakia during WWII. For brass quintet and percussion, the horn is featured. The music of this composition begins in aural darkness, as if immersed in an inescapable shadow. The tense harmonies and contrapuntal motions of the brass are accompanied by two heartbeat motifs, in the tuba and bass drum, conjuring sentiments of fear and uncertainty. Emotions swell as the solo horn enters with contrasting triplet rhythms that struggle against the complex mixture of duple strains throughout the other parts. This dark introduction serves as a prelude to the above storyline, which transitions quickly (and trepidatiously) out of the shadow. From rehearsal letter B through the remainder of the piece, hope permeates in the brightness, once escaped from the shadowâ€™s ominous edge. The complex nature of the thematic overlapping and polyphonic texture of the quintet as a whole provide feelings of unrest, anticipation, hope, and yes, heroism. Nothing exudes heroism more than a soaring solo horn! This composition celebrates triumph over evil, whether during life or in death, and those who press on with a brightness of hope even in the darkest shadows that life can cast, as exemplified in the life of Beluse Ulrich Zidlicky.

$29.95 ≈ $40.36