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He Is A Path
Not classified 46

Piano & keyboards
Piano solo 27
Piano, Voice 12
C Instruments 3
Piano, Vocal and Guitar 3
1 Piano, 4 hands 1

Organ 1

+ 1 instrumentations

- Retract

Guitars
Guitar 3

Voice
Choral SATB 23
Choral 2-part 4
Vocal duet, Piano 3
Choral 3-part 3
Soprano voice, Piano 1

Choral TTBB 1
Choral Unison 1

+ 2 instrumentations

- Retract

Woodwind
Flute and Piano 15
Saxophone Quartet: 4 saxophones 13
Clarinet and Piano 12
Soprano Saxophone and Piano 10
Oboe, Piano (duet) 10

Tenor Saxophone and Piano 9
Bass Clarinet, Piano 8
Baritone Saxophone, Piano 8
English horn, Piano 7
Alto Saxophone and Piano 5
Clarinet 3
2 Flutes (duet) 2
3 Clarinets (trio) 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
Flute Trio: 3 flutes 1
Saxophone (band part) 1
3 Saxophones (trio) 1
Clarinet Quartet: 4 clarinets 1
Flute 1
2 Clarinets (duet) 1
Flute Quartet: 4 flutes 1
3 Oboes 1
Alto Saxophone 1
Clarinet, Bassoon (duet) 1
Oboe, Clarinet, Bassoon (trio) 1
Tenor Saxophone 1
Flute, Clarinet and Bassoon. 1
2 Recorders (duet) 1
Bass Clarinet 1
Saxophone Quintet: 5 Saxophones 1

+ 25 instrumentations

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Woodbrass
Euphonium, Piano (duet) 11
Trombone and Piano 9
French Horn and Piano 9
English horn, Piano 7
Trumpet, Piano 4

Brass Quintet: 2 trumpets, horn, trombone, tuba 3

Trumpet 3
Brass quartet : 2 trumpets, trombone, tuba 2
Tuba and Piano 2
Bass Trombone 1

+ 5 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 11
Violin and Piano 9
Cello, Piano 9
Viola, Piano 9
Violin 2

String Trio: violin, viola, cello 2
String Trio: 3 violas 1
Cello 1
String Trio: 3 cellos 1
String Trio: 3 violins 1
Harp 1

+ 6 instrumentations

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Percussion & orchestra
String Orchestra 15
Orchestra 10
Concert band 6
Jazz combo 3
Jazz Ensemble 2

Chamber Orchestra 1

+ 1 instrumentations

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He Is A Path

Brass Quintet: 2 trumpets, horn, trombone, tuba

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Beethoven: Sonata Op. 49 No. 2 for Brass Quintet

Beethoven: Sonata Op. 49 No. 2 for Brass Quintet #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Classical #Ludwig van Beethoven #James M #Beethoven: Sonata Op. 49 No. 2 #jmsgu3 #SheetMusicPlus

Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Clas...(+)

Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethovenâ€™s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 â€“1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. Thatâ€™s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethovenâ€™s life into three periods. Period 1 begins with Beethovenâ€™s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata PathÃ©tique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 â€“ 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous GroÃŸe Fuge) and the final five sonatas for piano. www.jamesguthrie.com.

$49.95 ≈ 44.75€

Swing Along! for Brass Quintet

Swing Along! for Brass Quintet #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Will Marion Cook #Charles Decker #Swing Along! for Brass Quintet #Charles Decker Music Press #SheetMusicPlus

Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Ch...(+)

Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Charles Decker. 20th Century,Broadway,Jazz,Multicultural,Musical/Show,Pop,World. 20 pages. Charles Decker Music Press #745558. Published by Charles Decker Music Press (A0.1145313). Swing Along! by Will Marion Cook, prominent African-American in Music Theater, composer, conductor, and violinist, combines Cakewalk style with classical music techniques to create an entertaining and memorable work from the early 20th century now arranged for a brass quintet of two trumpets or cornets in B-flat, horn in F (alternate flugelhorn part provided), trombone and tuba. The recording is of the complete edition.Â Cook was a key figure in American music from the 1890s to the 1920s. His Swing Along! was written for a theater production in 1903 combining Black folk music with classical music techniques and became a popular standard with choruses and glee clubs. A violin virtuoso, he studied at Oberlin College, Berlin's Hochschule fÃ¼r Musik with Joseph Joachim, and New York's National Conservatory of Music with Antonin Dvorak. He devoted his career to Black musical comedies and was instrumental in showcasing his Southern Syncopated Orchestrat throughout the Unites States and Europe, featuring New Orleans clarinetist Sidney Bechet. Mentored by Frederick Douglas, Will Marion Cook went on to mentor Duke Ellington, paving the path for orchestral concert jazz.Â â€œThe Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!â€ Â Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Musicâ€œI was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composersâ€™ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.â€ Â Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs.Â See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter â€œBlack Composers Seriesâ€ in the search box at Charles Decker Music Press forÂ 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.

$12.99 ≈ 11.64€

Breton Regional Anthem for Brass Quintet

Breton Regional Anthem for Brass Quintet #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Patriotic #James James #Keith Terrett #Breton Regional Anthem for Bra #Music for all Occasions #SheetMusicPlus

Composed by James James. Arranged by Keith Terrett. 20th Century, World, European, Patriotic. Score, Set of Parts. 9 pages. Published by Music for all...(+)

Composed by James James. Arranged by Keith Terrett. 20th Century, World, European, Patriotic. Score, Set of Parts. 9 pages. Published by Music for all Occasions
An arrangement of the regional anthem of Brittanny for Brass Quintet.

Bro Gozh ma Zadoù (Breton: Old Land of My Fathers) is the anthem of Brittany, sometimes presented as the "national anthem" although it has no official status. It is sung to the same tune as that of the national anthem of Wales, Hen Wlad Fy Nhadau, and has similar words. The Cornish anthem, Bro Goth Agan Tasow, is also sung to the same tune.

The Breton lyrics are the creation of François Jaffrennou in 1897, and the music was that composed by James James, of Pontypridd, Wales, for Hen Wlad Fy Nhadau. The new song was first published in 1898, and circulated as Henvelidigez ("Adaptation"). It was chosen as national anthem (and a song to celebrate friendship between the Welsh and Bretons) in 1903, at a Congress of the Union Régionaliste Bretonne held in Lesneven. Maurice Duhamel adapted it for the piano, and it was first recorded by Pathé in 1910.

James James (also known by the bardic name Iago ap Ieuan) (1833–1902) was a harpist and musician from Pontypridd, Wales. He composed the tune of the Welsh national anthem Hen Wlad fy Nhadau (also known as Land of my Fathers).

He was born on 4 November 1832, at the ’Ancient Druid’ inn, Hollybush, in the parish of Bedwellty, Monmouthshire. He was the son of Evan James (1809-1878) and Elizabeth Stradling of Caerphilly. His father, a Welsh versifier under the pen-name of leuan ab lago, moved with his family about 1844 to Pontypridd, where he carried on the business of weaver and wool merchant. His son James assisted him in the business.

James James composed the melody which was later known as Hen Wlad fy Nhadau in January 1856. At first it was known as Glan Rhondda (The banks of the Rhondda), and gave rise to the tradition that the tune had come to him as he walked on the bank of the River Rhondda. His father, Evan James, wrote the lyrics that eventually became the words of the Welsh national anthem.

A memorial to James James and his father, in the shape of two figures representing the muses of Poetry and Music, stands in Ynysangharad Park, Pontypridd. James James died in Aberdare in the Cynon Valley 11 January 1902,[3] he is buried in the local cemetery at Aberdare in the same grave as his wife Cecilia and daughter Louisa.

For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com

$8.99 ≈ 8.05€