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You've selected:
Him Jazz Band
Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
8 sheet music found
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1
Four Early Jazz Classics for Brass Quintet
Four Early Jazz Classics for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Jazz
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Keith Terrett
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Keith Terrett
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Four Early Jazz Classics for B
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Keith Terrett
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.911345 By Keith Terrett. By Various. Arranged by Keith Terrett. Jazz,Spiritual,Traditional. 43 pages. Keith Terrett #5...
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Level 3 - Digital Download SKU: A0.911345 By Keith Terrett. By Various. Arranged by Keith Terrett. Jazz,Spiritual,Traditional. 43 pages. Keith Terrett #517391. Published by Keith Terrett (A0.911345). Four Early Jazz Classics from the USA for Brass Quintet includes: 1)Little Brown Jug:It was originally a drinking song. It remained well known as a folk song into the early 20th century. Like many songs which make reference to alcohol, it enjoyed new popularity during the Prohibition era. In 1939, bandleader Glenn Miller recorded and broadcast his swing instrumental arrangement of the tune with great success, and the number became one of the best known orchestrations of the American Big Band era. 2)Frankie & Johnny:Frankie and Johnny (sometimes spelled Frankie and Johnnie; also known as Frankie and Albert or just Frankie) is a traditional American popular song. It tells the story of a woman, Frankie, who finds that her man Johnny was making love to another woman and shoots him dead. Frankie is then arrested; in some versions of the song she is also executed. 3)Tin Roof Blues:Tin Roof Blues is a jazz composition by the New Orleans Rhythm Kings first recorded in 1923. It was written by band members Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo. The tune has become a jazz standard and is one of the most recorded and often played New Orleans jazz compositions. 4)Battle Hymn of the Republic:The Battle Hymn of the Republic, also known as Mine Eyes Have Seen the Glory outside of the United States, is a song by American writer Julia Ward Howe using the music from the song John Brown’s Body. Howe’s more famous lyrics were written in November 1861, and first published in The Atlantic Monthly in February 1862. The song links the judgment of the wicked at the end of time (Old Testament, Isaiah 63; New Testament, Rev. 19) with the American Civil War. Since that time, it has become an extremely popular and well-known American patriotic song. Arranged here for Brass Quintet, this arrangement is available for most ensembles of your choice, e-mail for other arrangements. An excellent selection for your next concert!
$18.00 ≈
16.14€
Chattanooga Choo Choo
Chattanooga Choo Choo
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Jazz
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Floyd Cramer
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Peet du Toit
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Chattanooga Choo Choo
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1377195 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Peet ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1377195 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Peet du Toit. Jazz. 18 pages. Peet du Toit #961811. Published by Peet du Toit (A0.1377195). Chattanooga Choo Choo is a 1941 song written by Mack Gordon and composed by Harry Warren. It was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun Valley Serenade. It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies.The song opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody. This is followed by the vocal introduction of four lines before the main part of the song is heard.The main song opens with a dialog between a passenger and a shoeshine boy:Pardon me, boy, is that the Chattanooga Choo Choo?Yes, yes, Track 29!Boy, you can give me a shine.Can you afford to board the Chattanooga Choo Choo?I've got my fare, and just a trifle to spare.The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends.Here's my representation thereof with Sam Harrill's nifty percussion score supporting it.
$17.00 ≈
15.24€
It Had to Be You
It Had to Be You
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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age 26 the Chicago tenor saxop
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Isham Jones
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F
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It Had to Be You
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Stan...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 28 pages. Sweetwater Brass Press #997935. Published by Sweetwater Brass Press (A0.1416368). Isham Edgar Jones certainly kept busy. By age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s. But he also found time to write melodies for a whole raft of popular songs. Twenty-one Isham Jones Orchestra recordings of his compositions peaked in the top ten most popular, and eight of those made it to the number one spot. One was It Had to Be You, with words by Gus Kahn.    Although written in 1924, It Had to Be You defies the passage of time, still sounding fresh and contemporary. It remains popular and has evolved into a jazz standard.    This brass quintet version retains the original key of G Major. It opens with a suggested tempo of 104 BPM and a nine-measure introduction that combines figures and phrases from both verse and chorus. At rehearsal letter A, Trumpet 1 begins the melody of the familiar chorus, accompanied by Tuba and Horn in F. Trumpet 2 quickly joins and the melody changes to an upper brass trio. The melody then passes to Trombone, back to the trio, to Tuba and then to Horn in F. The section winds up with the original Trumpet-Horn-Tuba combination.    The seldom-heard verse begins at rehearsal letter C and takes the form of a sort of call-and-response between upper and lower brass. As the section nears its end, tempo slows to a suggested 80 BPM and Trombone begins to take over.    Rehearsal letter D marks the beginning of the chorus’ final time through, and here it is mostly Trombone handling the melody in quasi-Dixieland fashion. The upper brass trio and Tuba both help out, but, for the most part, it is Trombone all the way to the end. (Although, a good time is had by all!)    Performance time is about three minutes, fifty seconds. All notes are within the normal playing range of each instrument with the following exceptions: (1) Trumpet 1 has one or two A-above-its-staff notes, and (2) in the wrap-up near the end, Trombone has the option of playing a short phrase either (a) within its register or (b) higher, including a G above the staff.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99 ≈
11.65€
The Peanut Vendor (el Manisero)
The Peanut Vendor (el Manisero)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Stan Kenton & His Orchestra
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F
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshin...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99 ≈
11.65€
Swing Along! for Brass Quintet
Swing Along! for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Will Marion Cook
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Charles Decker
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Swing Along! for Brass Quintet
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Ch...
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Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Charles Decker. 20th Century,Broadway,Jazz,Multicultural,Musical/Show,Pop,World. 20 pages. Charles Decker Music Press #745558. Published by Charles Decker Music Press (A0.1145313). Swing Along! by Will Marion Cook, prominent African-American in Music Theater, composer, conductor, and violinist, combines Cakewalk style with classical music techniques to create an entertaining and memorable work from the early 20th century now arranged for a brass quintet of two trumpets or cornets in B-flat, horn in F (alternate flugelhorn part provided), trombone and tuba. The recording is of the complete edition. Cook was a key figure in American music from the 1890s to the 1920s. His Swing Along! was written for a theater production in 1903 combining Black folk music with classical music techniques and became a popular standard with choruses and glee clubs. A violin virtuoso, he studied at Oberlin College, Berlin's Hochschule für Musik with Joseph Joachim, and New York's National Conservatory of Music with Antonin Dvorak. He devoted his career to Black musical comedies and was instrumental in showcasing his Southern Syncopated Orchestrat throughout the Unites States and Europe, featuring New Orleans clarinetist Sidney Bechet. Mentored by Frederick Douglas, Will Marion Cook went on to mentor Duke Ellington, paving the path for orchestral concert jazz. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$12.99 ≈
11.65€
Iko Iko
Iko Iko
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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The Dixie Cups
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Will Corbin
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Iko Iko
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1461185 By The Dixie Cups. By Barbara Ann Hawkins, Joan Marie Johnson, and ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1461185 By The Dixie Cups. By Barbara Ann Hawkins, Joan Marie Johnson, and Rosa Lee Hawkins. Arranged by Will Corbin. Jazz,Pop. 24 pages. Will Corbin #1040044. Published by Will Corbin (A0.1461185). This song has roots in a Mardi Gras chant that ostensibly came from some unspecified Native American language. James Sugar Boy Crawford turned it into a song, and his band, Sugar Boy and his Cane Cutters (southern Louisiana had a lot of that) recorded it in 1953 as Jock-a-Mo, which may mean kiss my ass or a defiant response to that effect. It was recorded again, as kind of a whim, in 1964 by the girl trio The Dixie Cups, who made it a hit. It has since been endlessly covered by everyone from Cyndi Lauper to The Grateful Dead.This arrangement is essentially solo variations on the main melody backed by horn rhythms. If you want to make it go on endlessly, it's a simple three-chord tune (actually, mostly two chords) that lends itself to simple improv. It's arranged for two trumpets, horn, trombone and tuba.If you require alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$15.00 ≈
13.45€
Bugle Call Rag for Brass Quintet
Bugle Call Rag for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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the age of 15 was playing pian
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Eubie Blake, Carey Morgan
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Jari A
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Bugle Call Rag for Brass Quint
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JV MUSIC
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.722732 Composed by Eubie Blake, Carey Morgan. Arranged by Jari A. Villanueva. 20th Century,Folk,Jazz,Patriotic,...
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Brass Ensemble - Digital Download SKU: A0.722732 Composed by Eubie Blake, Carey Morgan. Arranged by Jari A. Villanueva. 20th Century,Folk,Jazz,Patriotic,Traditional. Score and parts. 24 pages. JV MUSIC #3366195. Published by JV MUSIC (A0.722732). Bugle Call Rag Composed by Carey Morgan and Eubie Blake Arranged by Jari VillanuevaScore2 Trumpets in BbHorn in FTromboneTubaOptional Drum Set Eb Alto Horn Substitute part for Horn in FTreble Clef Baritone Substitute part for TromboneJames Hubert Eubie Blake (1887-1983) Blake was born in Baltimore to former slaves, and the only child of 11 that would survive to adulthood. The young Eubie taught himself the organ after his parents put a $75 organ in their home for 25 cents per week (which would take them almost 6 years to pay off). By the age of 15 was playing piano in Baltimore's night clubs, holding a regular job at Agnes Shelton's sporting house. Blake was already an exceptional pianist by the early 1900's, and he had to simplify his music drastically to get it published. Blake was among the pioneers of ragtime, however he was often too far ahead of his time. He released two rags (Charleston Rag and his Baltimore Buzz) in the same year which Scott Joplin released his Maple Leaf Rag. Unfortunately for Blake, the competition was too strong. Part of the reason for Blake's Charleston Rag and his Baltimore Buzz not making the big time may have been due to Blake the progressive nature of his sound. People found it hard to digest his music, especially the publishers. Bugle Call Rag was composed in 1916 with Carey Morgan. It was one of many patriotic selections written by composers during the World War I era. This delightful piece uses bugle calls and quotes There’ll Be A Hot Time In The Old Town Tonight.A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and a student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.Jari is a 2016 Sheet Music Plus Arranging Contest winner and winner of the 2016 Holiday Arranging Contest. https://www.youtube.com/watch?v=nMUSMQhI-lE
$14.99 ≈
13.44€
Tango Pour Claude for Brass Quintet
Tango Pour Claude for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Contemporary
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Richard Galliano
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Tango Pour Claude for Brass Qu
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SheetMusicPlus
Brass Quintet - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Score, Set of Parts. 26 pages. Published by Diego Marani...
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Brass Quintet - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Score, Set of Parts. 26 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French “New Musette”, as he himself had previously invented the Argentinean “New Tango”.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for brass quintet (Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba) of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$22.99 ≈
20.61€
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