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You've selected:
Then He Said
Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
4 sheet music found
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1
Sweet Caroline
Sweet Caroline
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Pop music
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Neil Diamond
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Will Corbin
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Sweet Caroline
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1465638 By Neil Diamond. By Neil Diamond. Arranged by Will Corbin. Pop. 20 ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1465638 By Neil Diamond. By Neil Diamond. Arranged by Will Corbin. Pop. 20 pages. Will Corbin #1044251. Published by Will Corbin (A0.1465638). Neil Diamond is said to have dashed off this song in half an hour in a motel room in Memphis in 1969. It was inspired, he later said, by the then-young daughter of John F. Kennedy. Still later, he said it was actually his wife, Marcia, who provided the muse, but he needed a three-syllable name to fit the music. Whatever. It's an awful song, but audiences love it, in part because it comes with ritual participatory yells and gestures born of many sports stadiums, notably Fenway Park, where it's played in every 8th inning. That's my excuse.If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$15.00 ≈
£11.20
El Condor Pasa (If I Could)
El Condor Pasa (If I Could)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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BEGINNER
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Daniel Alomia Robles, Jorge Mi
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Alan Frazer (arranger) & Peet
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00 ≈
£11.20
Swanee by Gershwin for Brass Quintet with Optional Drums
Swanee by Gershwin for Brass Quintet with Optional Drums
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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George Gershwin
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Jari A
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Swanee by Gershwin for Brass Q
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.722766 Composed by George Gershwin. Arranged by Jari A. Villanueva. 20th C...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.722766 Composed by George Gershwin. Arranged by Jari A. Villanueva. 20th Century,Broadway,Folk,Ragtime. Score and parts. 26 pages. JV MUSIC #4297713. Published by JV MUSIC (A0.722766). Swanee by George Gershwin for Brass Quintet with Optional Drums and optional parts for Eb Horn and Baritone TC Arranged by Jari Villanueva Score2 Trumpets in BbHorn in FTromboneTubaEb Alto Horn Substitute part for Horn in FTreble Clef Baritone Substitute part for Trombone Swanee was George Gershwin’s first big song hit written in 1919. The song was written for a New York City revue called Demi-Tasse, which opened in October 1919 in the Capitol Theater. Caesar and Gershwin, who was then aged 20, claimed to have written the song in about ten minutes riding on a bus in Manhattan, finishing it at Gershwin's apartment. It was written partly as a parody of Stephen Foster's Old Folks at Home. It was originally used as a big production number, with 60 chorus girls dancing with electric lights in their slippers on an otherwise darkened stage. The song had little impact in its first show, but not long afterwards Gershwin played it at a party where Al Jolson heard it. Jolson then put it into his show Sinbad, already a success at the Winter Garden Theatre, and recorded it for Columbia Records in January 1920. After that, said Gershwin, Swanee penetrated the four corners of the earth. The song was charted in 1920 for 18 weeks holding the No. 1 position for nine. It sold a million sheet music copies, and an estimated two million records. It became Gershwin's first hit and the biggest-selling song of his career; the money he earned from it allowed him to concentrate on theatre work and films rather than writing further single pop hits.https://www.youtube.com/watch?v=nYVgQDl6G3g
$15.00 ≈
£11.20
The King of Love My Shepherd Is ? brass quintet
The King of Love My Shepherd Is ? brass quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Sacred music
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Irish traditional tune
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Todd Marchand
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The King of Love My Shepherd I
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Con Spirito Music
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SheetMusicPlus
Brass Quintet - Intermediate - Digital Download Composed by Irish traditional tune. Arranged by Todd Marchand. Christian, Sacred, General Worship, Funeral. ...
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Brass Quintet - Intermediate - Digital Download Composed by Irish traditional tune. Arranged by Todd Marchand. Christian, Sacred, General Worship, Funeral. Score, Set of Parts. 9 pages. Published by Con Spirito Music
?The King of Love My Shepherd Is? is a metrical paraphrase of Psalm 23, written by the Anglican cleric and hymn-writer Sir Henry Williams Baker (1821-1877) for the second edition of Hymns Ancient and Modern (1868), of which he was editor as well as contributor. Baker's hymn has been described as perhaps the most beautiful of the many versions of the beloved psalm, and it has been said that the author's own last words before dying were the third stanza:
Perverse and foolish oft I strayed,
But yet in love He sought me,
And on His shoulder gently laid,
And home, rejoicing, brought me.
Originally, the hymn was paired with the tune DOMINUS REGIT ME, written by Baker's friend John Bacchus Dykes (1823-1876) specifically for Baker's text. Later, Ralph Vaughan Williams (1872-1958) sought to republish the hymn in The English Hymnal (1906), of which he was editor, and was denied the right to use Dykes's tune. He then paired Baker?s text with his own arrangement of an Irish traditional air, ST. COLUMBA.
It is on ST. COLUMBA that this arrangement for brass quintet is based. Following a short introduction, the tune is presented three times: first, by trumpets in a modal melodic/harmonic fashion; next, by low brass trio evoking Vaughan Williams' familiar harmonization; and finally, in a broad, full presentation by the entire ensemble, followed by a quiet, peaceful ending.
©2019 Todd Marchand / ConSpiritoMusic.com
$15.00 ≈
£11.20
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