Download Digital Sheet Music of To Do the Deed for Brass Quintet: 2 trumpets, horn, trombone, tuba

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To Do the Deed
Not classified 6

Piano & keyboards
Piano solo 7
C Instruments 5
Organ 2
Piano, Voice 2
Piano Trio: piano, violin, cello 1

Guitars
Melody line, (Lyrics) and Chords 4
Guitar 2
2 Guitars (duet) 1

Voice
Choral SATB 2
Choral 3-part 2
Vocal duet 1

Woodwind
Flute and Piano 1
Saxophone Quartet: 4 saxophones 1
Flute ensemble 1
Flute, Oboe, Clarinet, Bassoon 1
Clarinet and Piano 1

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 2

Trumpet, Piano 1

Strings
Violin and Piano 2
Viola, Piano 2
Cello, Piano 1
Viola and Harp 1

Percussion & orchestra
Concert band 1
Piano and Orchestra 1
Brass ensemble 1
Orchestra 1
Jazz Ensemble 1

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To Do the Deed

Brass Quintet: 2 trumpets, horn, trombone, tuba

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2 sheet music found

Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)

Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo) #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE/ADVANCED #Christoph Willibald Gluck, #Keith Terrett #Aria from the Opera Orfeo ed E #Keith Terrett #SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. ...(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.

$8.99 ≈ £6.98

Memorial (for Brass Quintet & Percussion)

Memorial (for Brass Quintet & Percussion) #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Dr #Memorial #https://gildedmusicpress.com/ #SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patrio...(+)

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. Https://gildedmusicpress.com/ #758679. Published by https://gildedmusicpress.com/ (A0.1158398). Composed to commemorate the 20th year of the 9-11 terrorist attacks. This somber, gorgeous piece of music draws tears when presented correctly, and is an extraordinarily important contribution to the brass quintet repertoire. The Jewish â€œfeastâ€ (or â€œappointed timeâ€) of trumpets, as outlined in Leviticus 23:24-25, prescribes the observance: â€œSpeak unto the children of Israel, saying, In the seventh month, in the first day of the month, shall ye have a sabbath, a memorial of blowing of trumpets, an holy convocation. Ye shall do no servile work therein: but ye shall offer an offering made by fire unto the Lord.â€ According to the Jewish calendar, the feast of trumpets in 2001 coincided exactly with the 9-11 attacks, which could indeed be thought of as â€œan offering made by fire.â€ Effectively no servile work was done on that day throughout the attacked nation, and it has indeed become a somber type of â€œsabbathâ€ to observe every year. It seemed extraordinarily appropriateâ€”perhaps even requisiteâ€”that a somber composition with trumpets be composed for the 20th annual observance of the horrific attacks on American soil, as a â€œMemorialâ€ to those lost that day, and those who since perished in the Global War on Terror. â€œWhere were you when you first heard about the 9-11 attacks?â€ This common question is posed to those who were of age to comprehend what had happened in 2001. Personally, I had just listened to an emotional rendition of Maurice Ravelâ€™s â€œPavane to a Dead Princess.â€ Elements of that musical memory influenced this present work â€œMemorial.â€ Other sources of inspirationâ€”whether intended or subconsciousâ€”include Samuel Barberâ€™s heart-wrenching â€œAdagio for Strings,â€ Michael Kamenâ€™s â€œQuintetâ€ for brass, and John Williamsâ€™ â€œHymn to the Fallen.â€ The harmonies are thick and often dissonant, including many suspensions. The players get little rest, symbolic of the constant state of alertness of a shocked nation after being so brutally attacked. Perhaps of greatest symbolic import is the fact that there are exactly 911 notes in this composition. Because of this, it is crucial that the percussion part be performed, and that great care be taken by all performers to refrain from altering the notes or rhythms in any way. A comment on the interpretation of notation: all long notes that are tied to a staccato note on the downbeat are to be held to the downbeat and gently released, not held over.

$24.95 ≈ £19.39