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You've selected:
Words by G
Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
7 sheet music found
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1
Holst - Second Suite for Military Band in F (for Brass Quintet)
Holst - Second Suite for Military Band in F (for Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Contemporary
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G
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Kenneth Abeling
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Holst - Second Suite for Milit
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Composed by G. Holst. Arranged by Kenneth Abeling. 20th Century. Score, Set of Parts. 62 pages. Published by LINCOLN MUSIC PUBLICATIONS (S0.157005). - Sco...
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Composed by G. Holst. Arranged by Kenneth Abeling. 20th Century. Score, Set of Parts. 62 pages. Published by LINCOLN MUSIC PUBLICATIONS (S0.157005). - Score,Set of Parts - 20th Century - LINCOLN MUSIC PUBLICATIONS
This is the entire Second Suite forMilitary Band in F, Op. 28/b by GustavHolst transcribed here for Brass Quintet. The four movements of the suite are: 1.March: Morris Dance,Swansea Town, Claudy Banks- II. SongWithout Words - III. Song of the Blacksmith - IV. Fantasia on the"Dargason". This is an advanced intermediate to advanced performance leveltranscription. For hundreds of other arrangements by Kenneth Abeling pleasevisit: www.lincolnmusicpublications.com Playing time: 11:15 Preview this score on YouTube: https://www.youtube.com/watch?v=w2kPcUVmT4A
$20.50 ≈
$27.71
It Had to Be You
It Had to Be You
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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age 26 the Chicago tenor saxop
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Isham Jones
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F
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It Had to Be You
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Stan...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 28 pages. Sweetwater Brass Press #997935. Published by Sweetwater Brass Press (A0.1416368). Isham Edgar Jones certainly kept busy. By age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s. But he also found time to write melodies for a whole raft of popular songs. Twenty-one Isham Jones Orchestra recordings of his compositions peaked in the top ten most popular, and eight of those made it to the number one spot. One was It Had to Be You, with words by Gus Kahn.    Although written in 1924, It Had to Be You defies the passage of time, still sounding fresh and contemporary. It remains popular and has evolved into a jazz standard.    This brass quintet version retains the original key of G Major. It opens with a suggested tempo of 104 BPM and a nine-measure introduction that combines figures and phrases from both verse and chorus. At rehearsal letter A, Trumpet 1 begins the melody of the familiar chorus, accompanied by Tuba and Horn in F. Trumpet 2 quickly joins and the melody changes to an upper brass trio. The melody then passes to Trombone, back to the trio, to Tuba and then to Horn in F. The section winds up with the original Trumpet-Horn-Tuba combination.    The seldom-heard verse begins at rehearsal letter C and takes the form of a sort of call-and-response between upper and lower brass. As the section nears its end, tempo slows to a suggested 80 BPM and Trombone begins to take over.    Rehearsal letter D marks the beginning of the chorus’ final time through, and here it is mostly Trombone handling the melody in quasi-Dixieland fashion. The upper brass trio and Tuba both help out, but, for the most part, it is Trombone all the way to the end. (Although, a good time is had by all!)    Performance time is about three minutes, fifty seconds. All notes are within the normal playing range of each instrument with the following exceptions: (1) Trumpet 1 has one or two A-above-its-staff notes, and (2) in the wrap-up near the end, Trombone has the option of playing a short phrase either (a) within its register or (b) higher, including a G above the staff.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99 ≈
$17.56
The Holy City
The Holy City
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Sacred music
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Michael Maybrick
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F
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The Holy City
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Sweetwater Brass Press
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SheetMusicPlus
Composed by Michael Maybrick (1841?1913). Arranged by F. Leslie Smith. Christian, Sacred, Wedding. Score, Set of Parts. 22 pages. Published by Sweetwater Brass ...
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Composed by Michael Maybrick (1841?1913). Arranged by F. Leslie Smith. Christian, Sacred, Wedding. Score, Set of Parts. 22 pages. Published by Sweetwater Brass Press (S0.192931). - Score,Set of Parts - Christian,Sacred,Wedding - Sweetwater Brass Press
Michael Maybrick wrote music for ?The Holy City? in 1892 under the name, ?Stephen Adams.? Frederic Weatherly wrote the lyrics. The song was popular from the beginning, then experienced a resurgence when sung by Jeanette MacDonald in the 1936 film, San Francisco. Victorian in both words and melody, ?The Holy City? nonetheless remains a frequent performance piece today. The current arrangement is based on the original 1892 sheet music but has been augmented to take advantage of brass quintet instrumentation. Completed in 2012, this arrangement runs about 4 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (e.g., Treble Clef Baritone for Trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95 ≈
$20.21
El Choclo (“Kiss of Fire”)
El Choclo (“Kiss of Fire”)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Folkloric/Traditional
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F
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El Choclo
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 28 pages. Published by Sweetwater Brass Press...
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Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 28 pages. Published by Sweetwater Brass Press
That most sensual of ballroom dances, the tango, originated during the 1880s along the Río de la Plata, the confluence of the Uruguay and Paraná rivers. It got started among the enslaved peoples and the lower classes, became popular and eventually spread to other countries.
The tango is closely identified with Argentina, and Argentine musician Á.G. Villoldo was instrumental in developing the music of the dance. He supposedly wrote this particular tango to celebrate the proprietor of a nightclub, a gentleman whose nickname was “El Choclo” (in English: “The Corn Cob”!).
“El Choclo” premiered in Buenos Aires in 1903 and became one of Argentina’s most popular tangos. Dance orchestras recorded instrumental versions of "El Choclo." It achieved widespread popularity in the United States in 1952 when Lester Allen and Robert Hill provided it with English-language lyrics and a new name: “Kiss of Fire.” A number of singers made recordings of “Kiss of Fire” that year, the most popular of which was that of Georgia Gibbs; her “Kiss of Fire” disc reached the top spot on the Billboard chart.
The melody for “El Choclo” is exciting, stirring, stimulating, electrifying; in other words, perfect for a brass group. In this arrangement Horn in F has the melody throughout much of the piece, but Trumpets, Trombone and Tuba also take turns with the lead. The piece opens in the key of D minor, switches to D major (for the part of the melody that was not in the Georgia Gibbs version) and finally goes back to D minor for the recap of the main melody and a dramatic conclusion. The suggested tempo is 120 but may certainly be played faster. All notes are within the normal playing range of the five instruments. However the Tango rhythm lies mostly in the bass line, so Tuba and sometimes Trombone have frequent octave and octave-plus jumps.
Completed in 2020, performance time for “El Choclo” runs about 2 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95 ≈
$20.21
The Brass Player: Fantasy on Ich bin ein Musikant
The Brass Player: Fantasy on Ich bin ein Musikant
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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F
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The Brass Player: Fantasy on I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99 ≈
$9.45
National Anthem of Ukraine - Brass Quintet - Intermediate Level
National Anthem of Ukraine - Brass Quintet - Intermediate Level
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Patriotic
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Lyrics by Pavlo Chubynsky, Mus
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Dennis Ruello
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National Anthem of Ukraine - B
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Chicory Music
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1184424 Composed by Lyrics by Pavlo Chubynsky, Music by Mykhailo Verbtsky. Arranged by De...
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1184424 Composed by Lyrics by Pavlo Chubynsky, Music by Mykhailo Verbtsky. Arranged by Dennis Ruello. 19th Century,Chamber,Historic,Patriotic. 9 pages. Chicory Music #784152. Published by Chicory Music (A0.1184424). In 1992 the Ukrainian Parliament chose as the national anthem music composed in 1863 by Mykhailo Verbytsky, a western Ukrainian composer and Catholic priest. Verbytsky originally wrote the score as a solo song and later for orchestra to accompany a patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer in the Kyiv region. In his poem Shche Ne Vmerla Ukrayina (which means Ukraine is not yet dead), Chubynsky expressed the mixture of hope and desperation felt by Ukrainians over their continuous struggle to rule their own land. Widely sung around the country as the Hymn to Ukraine, both the melody and lyrics were similar to those of Polish and Serbian anthems. In 1917 it became the anthem of the short-lived Ukrainian National Republic, but during the Soviet era it was replaced. Over time there were various changes and additions to Chubynsky's original words, resulting in several slightly differing versions of the Hymn to Ukraine. Following independence in 1991, many Ukrainians were disatisfied with the pessimistic tone, so the Ukrainian government made the Verbytsky score official but hesitated to approve the Chubynsky's lyrics. A comission sponsored contests for replacement lyrics, but none were decided on. Agreement finally came in 2003, when the Parliament passed and the President signed an act recognizing a slight change to the version of Chubynsky's lyrics that were usually sung. Only the first stanza and the refrain (which is sung twice) were approved in President Kuchma's official proclamationThis arrangement for Brass Quintet, in the brass friendly key of g minor, is easily accessible to those students who play at the Intermediate Level. Performance Time: 1 minute 35 seconds
$9.99 ≈
$13.50
AWAY IN A MANGER, Two Settings for Brass Quintet
AWAY IN A MANGER, Two Settings for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Christmas
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Kent Stewart Burchill
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Kent S
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AWAY IN A MANGER, Two Settings
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WINDCREST
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1102874 By Kent Stewart Burchill. By Traditional. Arranged by Kent S. Burchill. Christmas,Historic,Holiday,Praise & Wo...
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Level 4 - Digital Download SKU: A0.1102874 By Kent Stewart Burchill. By Traditional. Arranged by Kent S. Burchill. Christmas,Historic,Holiday,Praise & Worship,Traditional. 15 pages. WINDCREST #706204. Published by WINDCREST (A0.1102874). This arrangement for the brass quintet is a level level of 3.5 to 4 and has been created to share two of the most beautiful melodies of the Christmas Season, two different melodies sharing the same words and sentiment. This arrangement offers more modern harmonies and a diversion from the ordinary. It requires the French Horn player on a couple occasions to ascend to A and Bb above the staff. The tuba player must ascend to 4 space G several times and to fifth line A. Performance duration is about 3 minutes and 40 seconds.
$15.00 ≈
$20.28
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