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The Reason Why
Not classified 104

Piano & keyboards
Big Note Piano 3,136
Organ 1,442
Easy Piano 93
Keyboard 59
Piano solo 50

Piano, Voice 26
C Instruments 13
Piano, Vocal and Guitar 5

+ 3 instrumentations

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Guitars
Guitar notes and tablatures 5
Ukulele 4
Lyrics and Chords 2
Melody line, (Lyrics) and Chords 2
Guitar 1

Bass guitar 1

+ 1 instrumentations

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Voice
Choral SATB 19
Soprano voice, Piano 18
Choral 3-part 8
Choral SSAA 4
Choral SSATTB 1

Choral TTBB 1

+ 1 instrumentations

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Woodwind
Alto Saxophone 16
Flute and Piano 4
Oboe, Piano (duet) 3
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
Flute, Oboe, Clarinet, Bassoon 1

Saxophone Quartet: 4 saxophones 1
Clarinet and Piano 1
Flute, Violin, Violoncello and Piano 1

+ 3 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 2
Trombone and Piano 2
Bass Clef Instruments 2
Trumpet, Piano 1
Brass quartet : 2 trumpets, trombone, tuba 1

Trumpet 1

+ 1 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 4
Violin and Piano 3
Harp 2
Cello, Piano 2
Violin, Cello (duet) 1

Viola, Piano 1
String Quintet: 2 violins, viola, cello, bass 1

+ 2 instrumentations

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Percussion & orchestra
Jazz Ensemble 4

Concert band 4
Handbells 4
String Orchestra 2

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The Reason Why

Jazz Ensemble

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They Came Here to Dance (Swing Band Arrangement)

They Came Here to Dance (Swing Band Arrangement) #Jazz Ensemble #INTERMEDIATE/ADVANCED #Mike Strand, ASCAP

T #Mike Strand #They Came Here to Dance #Michael M. Strand #SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Mich...(+)

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers. Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the playerâ€™s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there arenâ€™t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet! With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tuneâ€™s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All thatâ€™s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement. Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, thatâ€™s all good, but hereâ€™s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge â€“ Instrumental section, followed by: Our bandâ€™s in the groove â€“ hereâ€™s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they donâ€™t care if their feet get sore. 3. Bustinâ€™ our conks, we cats are hot, She is a wren who rocks him a lot! And they donâ€™t care if we light up or not. They came here to dance!4. Bridge again, then:Bustinâ€™ our conks, we cats are hot, She is a wren who rocks him a lot! And they donâ€™t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up â€“ smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustinâ€™ our conks â€“ breaking our necks (applying ourselves diligently) Wren â€“ a chick, a queen (beautiful girl) Cat â€“ musician in swing band Togged to the bricks â€“ dressed to kill, from head to toe Licks â€“ hot musical phrases In the groove â€“ perfect, down the alley .

$8.00

Why You Blues

Why You Blues #Jazz Ensemble #Jazz #John Philips #Why You Blues #John Philips Music Service #SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947277 Composed by John Philips. Jazz. Score and parts. 16 pages. John Philips Music Service #3867...(+)

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947277 Composed by John Philips. Jazz. Score and parts. 16 pages. John Philips Music Service #3867667. Published by John Philips Music Service (A0.947277). Based on the 12 bars blues format, this charts just rolls along with some solos available. The title is derived fromthe initials for Western Illinois University------WIU------If you pronounce the initials it come out as WHY YOU-----that's what it's called by many----add Blues to this and you have WHY YOU BLUES-for no reasonIf you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

$15.00

Long Lost Love----Bossa Nova

Long Lost Love----Bossa Nova #Jazz Ensemble #John Philips #Long Lost Love----Bossa Nova #John Philips Music Service #SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947276 Composed by John Philips. Jazz,Latin. Score and parts. 32 pages. John Philips Music Service...(+)

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947276 Composed by John Philips. Jazz,Latin. Score and parts. 32 pages. John Philips Music Service #3867665. Published by John Philips Music Service (A0.947276). Based on the 12 bars blues format, this charts just rolls along with some solos available. The title is derived fromthe initials for Western Illinois University------WIU------If you pronounce the initials it come out as WHY YOU-----that's what it's called by many----add Blues to this and you have WHY YOU BLUES-for no reasonIf you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

$15.00

KIDS' SONG

KIDS' SONG #Jazz Ensemble #INTERMEDIATE #Big Band #Des McNutty #f-f' #KIDS' SONG #Des Press #SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1077216 By Big Band. By Des McNutty. Arranged by Des McNutty. Broadway,Children,Jazz,Mus...(+)

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1077216 By Big Band. By Des McNutty. Arranged by Des McNutty. Broadway,Children,Jazz,Musical/Show. Score and parts. 57 pages. Des Press #681382. Published by Des Press (A0.1077216). Kids' Song is an original piece for big band, composed and arranged by Des McNutty. The saxophone section needs flute, clarinet and bass clarinet, with only one alto and one tenor sax. The solo trumpet part is quite easy, spanning one octave; f-f'. The written-out jazz solo is not as difficult as it looks but nevertheless a bit more challenging. An easier solo can be written or improvised to be as difficult as the player dares, or given to someone else. The level is on the easier side of intermediate. Kids' Song was written in the mid- 1990s, apparently after listening to a lot of Isaac Hayes as an antidote to the then-ubiquitous Britpop and EDM. The style is a bit commercial and unashamedly schmaltzy - as you might find in a Broadway show from the time. The harmonies are like recently-poured cornflakes; slushy but slightly crunchy in places - and there's a funky middle section, as if you've mashed in a banana with maple syrup and Tabasco on it or something. Kids' Song was conceived as part of the obscure musical about the fortunes of a banjo-playing flapper from Burnley, Fifi Braithwaite, but dropped for stylistic reasons because the show was set in the late 1920s/ early 1930s. The sentiment is We're hungry. Why can't adults just be nice?.

$34.99