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Beethoven Piano, Orchestra
Not classified 16

Piano & keyboards
Piano solo 8
Piano, Voice 6
Easy Piano 1
Piano Trio: piano, violin, cello 1

Guitars
Piano, Guitar (duet) 1

Voice

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 8
Flute and Piano 5
Oboe, Piano (duet) 5
Alto Saxophone and Piano 4
Tenor Saxophone and Piano 3

Baritone Saxophone, Piano 2
Soprano Saxophone and Piano 2
Bass Clarinet, Piano 2
Clarinet 2
Clarinet and Piano 2
English horn, Piano 1
Flute Quartet: 4 flutes 1

+ 7 instrumentations

- Retract

Woodbrass
Trombone and Piano 3
Brass quartet : 2 trumpets, trombone, tuba 2
Euphonium, Piano (duet) 2
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
English horn, Piano 1

Trumpet 1
French Horn and Piano 1
Tuba and Piano 1

+ 3 instrumentations

- Retract

Strings
Violin and Piano 3

Viola, Piano 3
Cello, Piano 1

Percussion & orchestra
Chamber Orchestra 14
String Orchestra 5
Orchestra 5
Jazz Ensemble 1

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Beethoven Piano, Orchestra

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Violin and Piano

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3 sheet music found

Nimrod (for Violin Solo and Piano)

Nimrod (for Violin Solo and Piano) #Violin and Piano #INTERMEDIATE #Classical #Edward Elgar #Flavio Regis Cunha #Nimrod #Flavio Regis Cunha #SheetMusicPlus

Piano Solo, Violin - Intermediate - Digital Download Composed by Edward Elgar (1857-1934). Arranged by Flavio Regis Cunha. Romantic Period, Easter, W...(+)

Piano Solo, Violin - Intermediate - Digital Download Composed by Edward Elgar (1857-1934). Arranged by Flavio Regis Cunha. Romantic Period, Easter, Wedding, Funeral, Recital. Score, Solo Part. 8 pages. Published by Flavio Regis Cunha
Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme.

Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances (see musical cryptogram). Those portrayed include Elgar's wife Alice, his friend and publisher Augustus J. Jaeger and Elgar himself.

In naming his theme "Enigma" Elgar posed a challenge which has generated much speculation but has never been conclusively answered. The Enigma is widely believed to involve a hidden melody.

The name of the variation IX (NIMROD) refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as "a mighty hunter before the Lord", Jäger being German for hunter.

In 1904 Elgar told Dora Penny ("Dorabella") that this variation is not really a portrait, but "the story of something that happened". Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. "And that is what you must do", Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Pathétique. Elgar disclosed to Dora that the opening bars of "Nimrod" were made to suggest that theme. "Can't you hear it at the beginning? Only a hint, not a quotation."

This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The “Nimrod” variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks.

An adaptation of the piece appears at the ending of the 2017 film Dunkirk as part of the score

$5.99 ≈ 5.42€

Romance in F for Violin and Piano

Romance in F for Violin and Piano #Violin and Piano #INTERMEDIATE #Classical #L #Diego Marani #Romance in F for Violin and Pi #Diego Marani #SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.528176 Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic ...(+)

Piano,Violin - Level 3 - Digital Download SKU: A0.528176 Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 12 pages. Diego Marani #5042637. Published by Diego Marani (A0.528176). Beethovenâ€™s two romances for violin are the closest of siblings: No. 2 is in F Major, while No. 1 is in G Major. Both were dedicated to the same violin virtuoso, Ignaz Schuppanzigh. Musically, No. 2 shares the stately pace and singing quality of No. 1, as well as its rondo structure, which allows Beethoven to repeat the theme with additional material at each iteration. Some listeners hear the melancholy of lost love in this romanceâ€™s languorous melody, while others hear a more philosophical musing, poetic and contemplative.Originally composed for violin and orchestra, this arrangement is a faithful transcription for violin and piano.

$9.99 ≈ 9.05€

Mendelssohn: Song Without Words Op. 109 for Violin & Piano

Mendelssohn: Song Without Words Op. 109 for Violin & Piano #Violin and Piano #INTERMEDIATE #Felix Mendelssohn #James M #Mendelssohn: Song Without Word #jmsgu3 #SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.549485 Composed by Felix Mendelssohn (1809 â€“1847). Arranged by James M. Guthrie, ASCAP. Instruct...(+)

Piano,Violin - Level 3 - Digital Download SKU: A0.549485 Composed by Felix Mendelssohn (1809 â€“1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 20 pages. Jmsgu3 #3500555. Published by jmsgu3 (A0.549485). VIOLIN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.Â Artistic Standing Â Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitismÂ brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.

$32.95 ≈ 29.84€