Download Digital Sheet Music of Good Intent for Violin and Piano

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Good Intent
Not classified 18

Piano & keyboards
Piano solo 2
Piano, Vocal and Guitar 2

Guitars

Voice
Choral TTBB 1
Choral SSAA 1

Woodwind
Clarinet Quartet: 4 clarinets 2
Saxophone (band part) 1
Alto Saxophone 1
Flute, Oboe, Clarinet, Bassoon 1
Flute Quartet: 4 flutes 1

2 Saxophones (duet) 1
English Horn 1
Clarinet and Piano 1
Oboe (band part) 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Saxophone Quartet: 4 saxophones 1

+ 6 instrumentations

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Tuba 1
English Horn 1
Trumpet 1
French horn 1

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String Trio: violin, viola, cello 5
Violin and Piano 2

Violin 1
Cello, Piano 1
String Quartet: 2 violins, viola, cello 1

Viola 1
Cello 1

+ 2 instrumentations

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Concert band 2
Percussion Ensemble 1
Orchestra 1

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Good Intent

intermediate

Violin and Piano

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2 sheet music found

Allegro for Fortepiano & Violin in D (VB 163)

Allegro for Fortepiano & Violin in D (VB 163) #Violin and Piano #INTERMEDIATE #Classical #Joseph Martin Kraus #Bertil van Boer #Allegro for Fortepiano & Violi #Artaria Editions #SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.1488843 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 12 pages. Artaria Edit...(+)

Piano,Violin - Level 3 - Digital Download SKU: A0.1488843 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 12 pages. Artaria Editions #1065697. Published by Artaria Editions (A0.1488843). Artaria Editions AE437Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, as well as for pedagogical use at the Royal Swedish Academy of Music, for which he was educational director from 1788 until his death. This brief Allegro for violin and fortepiano was probably written around this time as a work intended for students at the aforementioned institution. This is evident in the use of deliberate devices, such as unison scalar passages and sustained notes in the violin part. Foreshadowing Hindemith's notion of Bildungsmusik from a century and a half later, it is clear that the intent is to create a substantive piece of music for future instrumentalists that not only allows for good compositional style, but both pedagogical function and a relatively easy degree of difficulty for the performers, as well. Allan Badley.

$30.00 ≈ ¥210.34

MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment)

MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment) #Violin and Piano #INTERMEDIATE #Classical #Jules Massenet #Flavio Regis Cunha #MÉDITATION - From the Opera T #Flavio Regis Cunha #SheetMusicPlus

Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period...(+)

Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Wedding, Graduation, Recital. Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.

The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.

The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.

$5.99 ≈ ¥42.00