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You've selected:
Beethoven Piano, Orchestra
Violin and Piano
Sheetmusic to print
7 sheet music found
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1
Nimrod (for Violin Solo and Piano)
Nimrod (for Violin Solo and Piano)
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Violin and Piano
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INTERMEDIATE
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Classical
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Edward Elgar
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Flavio Regis Cunha
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Nimrod
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo, Violin - Intermediate - Digital Download Composed by Edward Elgar (1857-1934). Arranged by Flavio Regis Cunha. Romantic Period, Easter, W...
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Piano Solo, Violin - Intermediate - Digital Download Composed by Edward Elgar (1857-1934). Arranged by Flavio Regis Cunha. Romantic Period, Easter, Wedding, Funeral, Recital. Score, Solo Part. 8 pages. Published by Flavio Regis Cunha
Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme.
Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances (see musical cryptogram). Those portrayed include Elgar's wife Alice, his friend and publisher Augustus J. Jaeger and Elgar himself.
In naming his theme "Enigma" Elgar posed a challenge which has generated much speculation but has never been conclusively answered. The Enigma is widely believed to involve a hidden melody.
The name of the variation IX (NIMROD) refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as "a mighty hunter before the Lord", Jäger being German for hunter.
In 1904 Elgar told Dora Penny ("Dorabella") that this variation is not really a portrait, but "the story of something that happened". Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. "And that is what you must do", Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Pathétique. Elgar disclosed to Dora that the opening bars of "Nimrod" were made to suggest that theme. "Can't you hear it at the beginning? Only a hint, not a quotation."
This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The “Nimrod” variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks.
An adaptation of the piece appears at the ending of the 2017 film Dunkirk as part of the score
$5.99 ≈
5.49€
Romance in F for Violin and Piano
Romance in F for Violin and Piano
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Violin and Piano
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INTERMEDIATE
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Classical
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L
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Diego Marani
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Romance in F for Violin and Pi
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Diego Marani
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.528176 Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic ...
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Piano,Violin - Level 3 - Digital Download SKU: A0.528176 Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 12 pages. Diego Marani #5042637. Published by Diego Marani (A0.528176). Beethoven’s two romances for violin are the closest of siblings: No. 2 is in F Major, while No. 1 is in G Major. Both were dedicated to the same violin virtuoso, Ignaz Schuppanzigh. Musically, No. 2 shares the stately pace and singing quality of No. 1, as well as its rondo structure, which allows Beethoven to repeat the theme with additional material at each iteration. Some listeners hear the melancholy of lost love in this romance’s languorous melody, while others hear a more philosophical musing, poetic and contemplative.Originally composed for violin and orchestra, this arrangement is a faithful transcription for violin and piano.
$9.99 ≈
9.15€
Mendelssohn: Song Without Words Op. 109 for Violin & Piano
Mendelssohn: Song Without Words Op. 109 for Violin & Piano
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Violin and Piano
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INTERMEDIATE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instruct...
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Piano,Violin - Level 3 - Digital Download SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 20 pages. Jmsgu3 #3500555. Published by jmsgu3 (A0.549485). VIOLIN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.19€
Beethoven - Violin Concerto in D major Op.61 for Violin and Piano - Score and Part
Beethoven - Violin Concerto in D major Op.61 for Violin and Piano - Score and Part
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Beethove van Ludwing
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Santino Cara
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Beethoven - Violin Concerto in
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Santino Cara
#
SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.517504 Composed by Beethove van Ludwing. Arranged by Santino Cara. Classical. 58 pages. Santino Cara #5...
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Piano,Violin - Level 4 - Digital Download SKU: A0.517504 Composed by Beethove van Ludwing. Arranged by Santino Cara. Classical. 58 pages. Santino Cara #5983165. Published by Santino Cara (A0.517504). Complete score and part of the Violin Concerto in D major Op.1 Composed in 1806 by Ludwing van Beethove for violin solo and orchestra, transcribed in 2020 for Violin and Piano by Santino Cara.
$20.40 ≈
18.69€
Concerto D Minor
Concerto D Minor
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Robert Schumann
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Concerto D Minor
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Schott Music - Digital
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SheetMusicPlus
Violin and orchestra - Digital Download Composed by Robert Schumann. This edition: piano reduction with solo part. Downloadable. Duration 27 minutes. S...
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Violin and orchestra - Digital Download Composed by Robert Schumann. This edition: piano reduction with solo part. Downloadable. Duration 27 minutes. Schott Music - Digital #Q1752. Published by Schott Music - Digital
'You were often on my mind when I was writing', wrote Robert Schumann to Joseph Joachim who had encouraged him to write this concerto. In view of Schumann's illness, however, Joachim began to have his doubts about the value of the work. In his will, Joachim prohibited the first performance until the 100th anniversary of Schumann's death in 1956. After detailed editorial work, the premiere was brought forward to 1937.
The theme of the middle movement probably formed the basis of Schumann's Geistervariationen ('Ghost Variations'), the character of the third movement is that of a grand polonaise. Yehudi Menuhin who performed the world premiere of the unedited version of Schumann's solo part saw in this piece 'the bridge between Beethoven's and Brahms' concertos'.
$21.99 ≈
20.15€
Concerto D Major
Concerto D Major
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Violin and Piano
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Classical
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Ludwig van Beethoven
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Concerto D Major
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Schott Music - Digital
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SheetMusicPlus
Violin and orchestra - Digital Download SKU: S9.Q2697 Composed by Ludwig van Beethoven. This edition: piano reduction with solo part. Downloadable, Piano...
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Violin and orchestra - Digital Download SKU: S9.Q2697 Composed by Ludwig van Beethoven. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Op. 61. Schott Music - Digital #Q2697. Published by Schott Music - Digital (S9.Q2697). Key: D major.
$18.99 ≈
17.40€
Perpetuum mobile
Perpetuum mobile
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Violin and Piano
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ADVANCED
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Franz Ries
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Perpetuum mobile
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - advanced - Digital Download SKU: S9.Q7069 Composed by Franz Ries. This edition: Sheet music. Violin Library. Wie ein Wirbelwind fegt d...
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Violin and piano - advanced - Digital Download SKU: S9.Q7069 Composed by Franz Ries. This edition: Sheet music. Violin Library. Wie ein Wirbelwind fegt das kleine Virtuosenstück vorüber, raubt aber hoffentlich nur dem Publikum, nicht den geigenden Interpreten den Atem! Downloadable. Op. 34/5. Schott Music - Digital #Q7069. Published by Schott Music - Digital (S9.Q7069). As a musician, Franz Ries (1846-1932) is almost forgotten today: the composer, violinist and 'Königl. Sächs. Hofmusikalienhändler' studied at the famous Paris Conservatoire to be a violinist. Then, the nephew of Beethoven's pupil and friend Ferdinand Ries started a glittering solo career which he had to end soon after for health reasons. From then on, he turned his whole attention to the music publishing business and occasionally even contributed little compositions, such as 'La Capricciosa' or the newly published 'Perpetuum mobile' Op. 34, to the programme of his publishing house. This is the fifth movement from his Suite No. 3 for violin and orchestra (or piano), created around 1870. The little virtuoso piece sweeps by like a whirlwind, hopefully taking only the listeners', not the violin playing performers' breath away!
$13.99 ≈
12.82€
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