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You've selected:
Got To Be There
Violin and Piano
Sheetmusic to print
8 sheet music found
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1
Grandma Got Run Over By A Reindeer
Grandma Got Run Over By A Reindeer
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Violin and Piano
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BEGINNER
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Christmas
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Randy Brooks
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Gary D
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Grandma Got Run Over By A Rein
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DR GARY D BELSHAW
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SheetMusicPlus
Piano,Violin - Level 1 - Digital Download SKU: A0.796650 Composed by Randy Brooks. Arranged by Gary D. Belshaw (ASCAP). Christmas. 9 pages. DR GARY D BEL...
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Piano,Violin - Level 1 - Digital Download SKU: A0.796650 Composed by Randy Brooks. Arranged by Gary D. Belshaw (ASCAP). Christmas. 9 pages. DR GARY D BELSHAW #3243873. Published by DR GARY D BELSHAW (A0.796650). 2017 Holiday Contest Entry. Beginning Violin Solo with accompaniment. 9 pages. This version is arranged to be play entirely (or almost so) on the A string. Another arrangement is available for the D-string. The solo part, though in the key of G, has no key signature. A fun recital piece for the beginning violin student. Very early beginners can play just the chorus with its own optional ending this year. Next year, they can join other later beginners and take the optional 1st ending to the verse. There are repeats for additional lyrics. An instantly recognizable tune that even uncles and cousins will enjoy. And don’t worry: no Grandmas - or reindeer - will be hurt during the performance!Follow Gary D. Belshaw Music on Facebook and Twitter. Email comments to gary@garydbelshawmusic.com.
$4.99 ≈
$6.85
Grandma Got Run Over By A Reindeer
Grandma Got Run Over By A Reindeer
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Violin and Piano
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BEGINNER
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Christmas
#
Randy Brooks
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Gary D
#
#
Grandma Got Run Over By A Rein
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DR GARY D BELSHAW
#
SheetMusicPlus
Piano,Violin - Level 1 - Digital Download SKU: A0.796647 Composed by Randy Brooks. Arranged by Gary D. Belshaw (ASCAP). Christmas. 9 pages. DR GARY D BEL...
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Piano,Violin - Level 1 - Digital Download SKU: A0.796647 Composed by Randy Brooks. Arranged by Gary D. Belshaw (ASCAP). Christmas. 9 pages. DR GARY D BELSHAW #3242807. Published by DR GARY D BELSHAW (A0.796647). 2017 Holiday Contest Entry. Beginning Violin Solo with accompaniment. 9 pages. This version is arranged to be played entirely (or almost so) on the D-string. A separate edition of this arrangement is available for the A-string. A fun recital piece for the beginning violin student. Very early beginners can play just the chorus with its own optional ending this year. Next year, they can join other later beginners and take the optional 1st ending to the verse. There are repeats for additional lyrics. An instantly recognizable tune that even uncles and cousins will enjoy. And don’t worry: no Grandmas - or reindeer - will be hurt during the performance!Follow Gary D. Belshaw Music on Facebook and Twitter. Email comments to gary@garydbelshawmusic.com.
$4.99 ≈
$6.85
The High Line: Sonata for Violin and Piano
The High Line: Sonata for Violin and Piano
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Violin and Piano
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ADVANCED
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Contemporary
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Andrew Shapiro
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The High Line: Sonata for Viol
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Airbox Music Publishing
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.987912 Composed by Andrew Shapiro. 20th Century,Classical,Contemporary. 21 pages. Airbox Music Publishi...
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Piano,Violin - Level 5 - Digital Download SKU: A0.987912 Composed by Andrew Shapiro. 20th Century,Classical,Contemporary. 21 pages. Airbox Music Publishing #2157881. Published by Airbox Music Publishing (A0.987912). Sonata Violin/Piano: THE HIGH LINE (2015)Commissioned by Gregory Fulkerson, Professor of Music, The Oberlin Conservatory of Music. Gregory Fulkerson writes: Andrew Shapiro is a composer and songwriter living in Brooklyn. I first met him during his senior year at Oberlin when he acted as an audio assistant for my 1998 Merkin Hall concert in New York. I reconnected with him by chance in 2012, and we discussed working together to develop a violin sonata. I love the forthright and amiable spirit that permeates the piece; it is definitely in a pop style, yet he handles the standard acoustic sonorities deftly and there is a wealth of detail in the patterns of the violin. I don’t know anything else quite like it.Andrew Shapiro writes: In 2011 I fell into a job as a High Line Park Ranger so as to be able to spend considerable time at this new, rather bizarre park. When there weren’t huge mobs of people around (and it wasn’t absolutely freezing), during my year working there I often found myself near the top of the Gansevoort stairs contemplating the view of the river. After a while I got the idea to write a few sweet and simple pieces of music about it at different times of the day.
$22.00 ≈
$30.22
VAMPIRE'S DANCE
VAMPIRE'S DANCE
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Violin and Piano
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Contemporary
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Monica Bergo
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VAMPIRE'S DANCE
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Moni Bergo
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SheetMusicPlus
Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.1012747 Composed by Monica Bergo. Contemporary. Score and parts. 40 pag...
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Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.1012747 Composed by Monica Bergo. Contemporary. Score and parts. 40 pages. Moni Bergo #5743663. Published by Moni Bergo (A0.1012747). Music and song composed by meVampire's dance I live between two worlds Between trash and slums This is a dream or reality ? The lie or the truth? While I wait for sunsets I look at the sun and horizons And breathe freedom and my immortality Desire for the infinite, Who has not ever tried ? That need to know that the stronger we are Invincible and powerful without the burden of age Over the centuries and the millennia Always gorgeous 20 years old And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night And then dance The senses amplified sharp teeth let's see who can stop us around the fire like wolves, red eyes, a bit 'fierce, we move in packs, invisible and fast , we are thieves thoughts ,so forgotten who you were or roots or ties ,no land limits And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night And then dance The senses amplified sharp teeth let's see who can stop us The mania destroys Hunger afflicts us But it will not be the food that will satisfy Torments and regrets, sad feelings, Nightime falling erase them We are shadows at night ,The heart that no beats We languid slaves the Voodoo rituals The pale faces, The ambiguous smiles Put the cross, you will not need Strange characters So wild and free ,But in this society ,Nothing scarier ago I donate my blood every day to The state or the government the Vampires are we ,There are monsters and vultures Those imprisoned vampires, In the faded pages Elegant, charming, So beautiful and in high places and in they I recognize that mania that is also mine My hunger to know ,With food can not be satisfied And then dance ,And crossing that border Now there is an end to what I can imagine And then dance, I sad renegade I lost soul, Who do not know who to give my heart And then dance ,If you are not anyone ,If you lost in the journey You can not find a post to be filled Look in the mirror You can see my reflection? This is a dream or reality? The lie or the truth? Monica Bergo
$5.00 ≈
$6.87
Claude Debussy: Sérénade for violin and piano
Claude Debussy: Sérénade for violin and piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pa...
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Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95 ≈
$17.79
Bach: Bist du bei mir BWV 508 for Violin & Piano
Bach: Bist du bei mir BWV 508 for Violin & Piano
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Violin and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 2 - Digital Download SKU: A0.549216 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standard...
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Piano,Violin - Level 2 - Digital Download SKU: A0.549216 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. 9 pages. Jmsgu3 #3468006. Published by jmsgu3 (A0.549216). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
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$45.26
THE FINAL WAVE for Violin & Piano
THE FINAL WAVE for Violin & Piano
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Violin and Piano
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ADVANCED
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ROBERT VAN HORNE
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THE FINAL WAVE for Violin & Pi
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White Piano International Publishing
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1127398 Composed by ROBERT VAN HORNE. Classical,Contemporary,...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1127398 Composed by ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Instructional,Multicultural,World. Score and parts. 26 pages. White Piano International Publishing #728022. Published by White Piano International Publishing (A0.1127398). THE FINAL WAVE for Violin & Piano Piano 22 pages / Violin 4 pages Approx. Time: 6:15 On Saturday afternoon, March 26, 2011, I was invited to a special meeting of Bay Area business people. Their purpose was wanting to help the victims of the recent earthquake and tsunami that devastated parts of Japan on March 11th. The meeting was organized by Mr. Alex Kurosawa, president of KPMF and held in San Jose, CA. At the end of the meeting and after much discussion about holding a series of concerts with all funds going to the disaster victims, it was suggested that I compose a new song for the project that would let those afflicted in Japan know they would not be forgotten.I was so inspired by the dedication and volunteerism of all the people at the meeting that I went home and composed a new piece of music entitled: THERE IS HOPE THROUGH MUSIC. After a favorable response from the group, I began composing another piece for violin and piano entitled: THE FINAL WAVE. In this piece, I tried to paint the horror, destruction, uncertainty and sadness of the disaster while giving hope for a future for the people who witnessed this catastrophic event. Unfortunately, THE FINAL WAVE was never completed as planned back in 2011. However, eleven years later, I completed this memorable piano and violin duet. Even though it’s been many years since that terrible day of March 11, 2011, the music can still convey emotions of melancholy, discord, resilience and compassion for tragic and unforeseeable events of today. This timeless work is dedicated to remember and give hope to all those affected by disasters and catastrophic tragedies. This advanced level of music is clearly notated for piano and violin and can be an extraordinary supplemental selection for recitals and concerts. This musical recording of THE FINAL WAVE is an electronic representation available in the notation program. Robert Van Horne is a long standing member of ASCAP. Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$14.99 ≈
$20.59
A Rose E'er Blooming
A Rose E'er Blooming
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Evelyn R
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Evelyn Larter Music
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A Rose E'er Blooming
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Evelyn R Larter
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.749886 Composed by Evelyn R. Larter. Arranged by Evelyn Larter Music. Christian,Christmas,Concert,Sacre...
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Piano,Violin - Level 4 - Digital Download SKU: A0.749886 Composed by Evelyn R. Larter. Arranged by Evelyn Larter Music. Christian,Christmas,Concert,Sacred. 6 pages. Evelyn R Larter #6273187. Published by Evelyn R Larter (A0.749886). Combining Lo How a Rose and Of the Father's Love Begotten, this meditation is perfect for any Advent or Christmas service (Prelude, communion, gathering) Both meditative and moving, this will be a wonderful addition to any of your services. There is also a version with organ accompaniment, and this title is in my collection of Christmas music for violin, also titled A Rose E'er Blooming. More information on my music may be found at www.evelynlartermusic.com, and on my Facebook page for Evelyn Larter Music. Feedback always welcome.
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