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Violin and Piano
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6 sheet music found
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1
Renaissance Hits for Violin and Keyboard from Terpsichore (Praetorius)
Renaissance Hits for Violin and Keyboard from Terpsichore (Praetorius)
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Violin and Piano
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EASY
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Classical
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the time Michael Praetorius pu
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Various
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Colin Kirkpatrick
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2. Two Ballets
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Renaissance Hits for Violin an
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano,Violin - Level 2 - Digital Download SKU: A0.1486413 Composed by Various. Arranged by Colin Kirkpatrick. Classical. 18 pages. Colin Kirkpatrick Publ...
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Piano,Violin - Level 2 - Digital Download SKU: A0.1486413 Composed by Various. Arranged by Colin Kirkpatrick. Classical. 18 pages. Colin Kirkpatrick Publications #1063476. Published by Colin Kirkpatrick Publications (A0.1486413). These are eleven of the most well-known dances of the Renaissance set in five movements and selected from the famous collection entitled Terpsichore, published in 1612 by Michael Praetorius. They are sure to be a welcome addition to the elementary violin repertoire and most of them can be played in first position. By the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany. The name is pronounced “terp-SI-cory” and rhymes with the word “hickory”. The original publication consisted of 312 dances in four, five and six parts. Although the dances were probably conceived for string ensemble, Praetorius was well aware that in practice they would be played by any instruments that happened to be available.These arrangements for violin and keyboard are based on the original 1612 publication. The music sounds more authentic using a harpsichord rather than a piano, or the harpsichord sound of a digital keyboard. The keyboard part may be interpreted quite freely with ornamentation added as appropriate. During the Renaissance, it was common practice to combine separate dances to create something of more substantial duration. A similar practice is used in these arrangements which are as follows: 1. Three Gavottes; 2. Two Ballets; 3. Two Bourées; 4. Two Courantes and 5. Two Voltas.
$9.99 ≈
9.02€
Scriabin: Prelude Op. 11 No. 2 for Violin & Piano
Scriabin: Prelude Op. 11 No. 2 for Violin & Piano
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Violin and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roman...
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Piano,Violin - Level 3 - Digital Download SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. 12 pages. Jmsgu3 #3499709. Published by jmsgu3 (A0.549461). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.00€
Mendelssohn: Song Without Words Op. 109 for Violin & Piano
Mendelssohn: Song Without Words Op. 109 for Violin & Piano
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Violin and Piano
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INTERMEDIATE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instruct...
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Piano,Violin - Level 3 - Digital Download SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 20 pages. Jmsgu3 #3500555. Published by jmsgu3 (A0.549485). VIOLIN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
29.74€
Sonata for Fortepiano & Violin in E-flat (VB 161)
Sonata for Fortepiano & Violin in E-flat (VB 161)
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Violin and Piano
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INTERMEDIATE
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Classical
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Fortepiano & Violin
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Artaria Editions
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1488840 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 36 pages. Artaria Edit...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1488840 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 36 pages. Artaria Editions #1065694. Published by Artaria Editions (A0.1488840). Artaria Editions AE435Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including this sonata for violin and fortepiano. It is not known for whom this work was written, but the sole surviving source, a set of parts in Uppsala University Library in the hand of Fredrik Silverstolpe, Kraus's first biographer and assiduous collector of his music, dates it to Kraus's grand tour; he notes that it was written in Paris in 1785. The sonata received its final form for keyboard alone as part of the Due Sonata per il Forte Piano published by Olof Åhlstrm some three years later in 1788. This sonata differs from the solo pianoforte version (also published by Artaria Editions as AE398) in that it is shorter (particularly in the slow movement) and less elaborate for both instruments. Nonetheless, it is an impressive sonata and among the most interesting works of its kind composed in the 1780s.Allan Badley.
$30.00 ≈
27.07€
Norwegian Memories for Violin and Piano
Norwegian Memories for Violin and Piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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LLB Music Publishing
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Norwegian Memories for Violin
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LLB Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.986074 Composed by LLB Music Publishing (ASCAP). Contemporary,Folk,Instructional,Standards,World. 13 pa...
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Piano,Violin - Level 4 - Digital Download SKU: A0.986074 Composed by LLB Music Publishing (ASCAP). Contemporary,Folk,Instructional,Standards,World. 13 pages. LLB Music Publishing (ASCAP) #5733143. Published by LLB Music Publishing (ASCAP) (A0.986074). Beautiful music for violin and piano in three sections inspired by the composer's travels to Norway. Duration 3:49.Parts included: Violin and piano.I. Waltz (1:19) II. Waterfalls (1:26) III. Evening Snowflakes (1:04)Keys: E minor, A minor, G minor, D minor, A major, C major. Level: 4/5 (Colg→Univ)David E. Harris is a composer in the Nashville, Tennessee area with a Doctor of Musical Arts in Composition from the University of Memphis. Dr. Harris is a past member of the trumpet sections of the Greenville (S.C.) and Memphis Symphony Orchestras and a current member of the Brentwood Baptist Church Orchestra where he plays trumpet and keyboard. Facebook page: https://www.facebook.com/LLB-Music-Publishing-25846163882https://soundcloud.com/user-985960936
$7.99 ≈
7.21€
Song without words
Song without words
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Violin and Piano
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EASY
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Classical
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Felix Bartholdy Mendelssohn
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Wolfgang Birtel
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Song without words
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - easy to intermediate - Digital Download SKU: S9.Q19835 Composed by Felix Bartholdy Mendelssohn. Arranged by Wolfgang Birtel. This edit...
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Violin and piano - easy to intermediate - Digital Download SKU: S9.Q19835 Composed by Felix Bartholdy Mendelssohn. Arranged by Wolfgang Birtel. This edition: Sheet music. Downloadable. Op. 30/3. Schott Music - Digital #Q19835. Published by Schott Music - Digital (S9.Q19835). 'Songs Without Words' – that's what Felix Mendelssohn Bartholdy (1809–1847) called his lyrical piano pieces, romantic miniatures in which the composer wanted to 'sing' on the keyboard instrument. With them, he invented an entirely new form of chamber music playing in the 19th century. These 'Songs' are also perfectly suitable for duet playing: for a melodic instrument with piano accompaniment. The 'Song Without Words' Op 30/3 is a rewarding lyrical solo piece.
$7.99 ≈
7.21€
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