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You've selected:
Love Theme Violin, Orchestra
Violin and Piano
Sheetmusic to print
5 sheet music found
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1
Fiddle Sonata (violin solo part - violin and piano)
Fiddle Sonata (violin solo part - violin and piano)
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Mark O'Connor
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Fiddle Sonata
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.861944 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.861944 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208239. Published by Mark O'Connor Musik International (A0.861944). Fiddle Sonata (violin solo part – violin and piano) MO121BViolin Solo Part (piano score available)Music by Mark O’Connor14 pages - 16:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin and piano composed by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during the Library’s prestigious ‘97-’98 chamber music season. The Library was featuring piano in the year’s programming and requested O’Connor compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a nationally broadcast public radio special, America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. The Sonata begins with Introduction and features a melodic and romantic theme with beautiful chords. Hoedown, in D minor, is very lively and tuneful. The Waltz is a lovely theme that undergoes some insightful development. The finale, Gigue, is a 6/8 dance which is quite a romp and features some fast bow work on a very catchy tune. The music is well suited for advanced and intermediate students.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C. Catalogue Number MO121BCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$10.00 ≈
$13.48
Fiddle Sonata (piano score - violin and piano)
Fiddle Sonata (piano score - violin and piano)
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Violin and Piano
#
INTERMEDIATE/ADVANCED
#
Mark O'Connor
#
Fiddle Sonata
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.861943 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 40 pages. Mark O'Connor Musik Interna...
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Piano,Violin - Level 4 - Digital Download SKU: A0.861943 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 40 pages. Mark O'Connor Musik International #6208237. Published by Mark O'Connor Musik International (A0.861943). Fiddle Sonata (piano score – violin and piano) MO121APiano Score (violin part available)Music by Mark O’Connor36 pages - 16:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin and piano composed by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during the Library’s prestigious ‘97-’98 chamber music season. The Library was featuring piano in the year’s programming and requested O’Connor compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a nationally broadcast public radio special, America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. The Sonata begins with Introduction and features a melodic and romantic theme with beautiful chords. Hoedown, in D minor, is very lively and tuneful. The Waltz is a lovely theme that undergoes some insightful development. The finale, Gigue, is a 6/8 dance which is quite a romp and features some fast bow work on a very catchy tune. The music is well suited for advanced and intermediate students.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C. Catalogue Number MO121ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 ≈
$20.21
Claude Debussy: Sérénade for violin and piano
Claude Debussy: Sérénade for violin and piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pa...
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Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95 ≈
$17.45
Romance in F for Violin and Piano
Romance in F for Violin and Piano
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Violin and Piano
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INTERMEDIATE
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Classical
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L
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Diego Marani
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Romance in F for Violin and Pi
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Diego Marani
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.528176 Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic ...
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Piano,Violin - Level 3 - Digital Download SKU: A0.528176 Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 12 pages. Diego Marani #5042637. Published by Diego Marani (A0.528176). Beethoven’s two romances for violin are the closest of siblings: No. 2 is in F Major, while No. 1 is in G Major. Both were dedicated to the same violin virtuoso, Ignaz Schuppanzigh. Musically, No. 2 shares the stately pace and singing quality of No. 1, as well as its rondo structure, which allows Beethoven to repeat the theme with additional material at each iteration. Some listeners hear the melancholy of lost love in this romance’s languorous melody, while others hear a more philosophical musing, poetic and contemplative.Originally composed for violin and orchestra, this arrangement is a faithful transcription for violin and piano.
$9.99 ≈
$13.46
Concerto No. 1, Opus 23 (Allegro Theme)
Concerto No. 1, Opus 23 (Allegro Theme)
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Violin and Piano
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EASY
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Classical
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Peter Ilyich Tchaikovsky
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Sandy McIntire
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Concerto No. 1, Opus 23
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Sandy McIntire
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SheetMusicPlus
Piano,Violin - Level 2 - Digital Download SKU: A0.1141378 Composed by Peter Ilyich Tchaikovsky. Arranged by Sandy McIntire. 19th Century,Classical,Instru...
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Piano,Violin - Level 2 - Digital Download SKU: A0.1141378 Composed by Peter Ilyich Tchaikovsky. Arranged by Sandy McIntire. 19th Century,Classical,Instructional,Multicultural,Romantic Period,World. 6 pages. Sandy McIntire #741702. Published by Sandy McIntire (A0.1141378). This Piano Concerto No. 1, Op. 23, was composed by Tchaikovsky between November 1874 and February 1875 and was performed in Boston later that year. At first, his fellow composers and critics did not like his composition, but audiences loved it. The Concerto became a staple for pianists and orchestras and is still loved by players and audience today. McIntire has arranged the first theme of the concerto, Allegro, for EASY INTERMEDIATE VIOLIN with a PIANO ACCOMPANIMENT. A separate music sheet for the violin is included with the score.
$5.99 ≈
$8.07
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