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Old School Classical Music
Violin and Piano
Sheetmusic to print
8 sheet music found
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1
ColorAll Violin Fingering and Piano String Sampler Sheet Music
ColorAll Violin Fingering and Piano String Sampler
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Violin and Piano
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EASY
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Contemporary
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Robin Kay Deverich
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ColorAll Violin Fingering and
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Global Music School String Publications
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SheetMusicPlus
Piano,Violin - Level 2 - Digital Download SKU: A0.902216 Arranged by Robin Kay Deverich. Contemporary. 255 pages. Global Music School String Publications...
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Piano,Violin - Level 2 - Digital Download SKU: A0.902216 Arranged by Robin Kay Deverich. Contemporary. 255 pages. Global Music School String Publications #5355093. Published by Global Music School String Publications (A0.902216). This combined version of the of the Piano Accompaniment and Violin Online String Sampler: ColorAll Fingering Violin Music is a fun and easy way to actively learn, study and play beautiful violin music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. If you need help with fingering, this ColorAll Fingering version of Violin Online String Sampler Violin Music is a simple and easy way to quickly begin playing the violin sheet music. ColorAll Fingering is a patented approach to violin playing, and uses colored violin fingering numbers over each note to indicate which string should be used to play the fingered notes: blue fingering numbers, play these notes on the G string; gold fingering numbers, play these notes on the D string; green fingering numbers, play these notes on the A string; purple fingering numbers, play these notes on the E. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolinOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violinonline.com/stringclass.html The study guide explains the history and musical form of the selected pieces, and includes violin technique tips for each piece of music. Let the music begin!*No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jar.
$5.99 ≈
5.59€
Saint-Saens: The Swan for Violin and Piano
Saint-Saens: The Swan for Violin and Piano
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Violin and Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Cont...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95 ≈
32.62€
When Bidden To The Wake Or Fair (misc. instr. - violin and misc. instr.)
When Bidden To The Wake Or Fair (misc. instr. - violin and misc. instr.)
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Mark O'Connor
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When Bidden To The Wake Or Fai
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Mark O'Connor Musik International
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.861892 Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. S...
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.861892 Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6205859. Published by Mark O'Connor Musik International (A0.861892). When Bidden To The Wake Or Fair (misc. instr. – violin and misc. instr.) MO138Misc. Instr. (score and parts available)Music by Mark O’Connor4 pages - 7:00 minutes in length When Bidden To The Wake Or Fair adapted for violin and misc. instrument is a Mark O’Connor arrangement of an old song from Irish musician William Shield. The arrangement was composed for the album Liberty! and performed with guest cellist Yo-Yo Ma. The piece was used throughout the PBS series Liberty! The American Revolution. Liberty! album notes author Thomas Fleming says of the piece, ... a unique sound, sweeter and more provocative than a human voice. The music is suited for all levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Public Domain Arranged by Mark O’ConnorCan be heard on Liberty! Sony ClassicalMark O’Connor - violin, Yo-Yo Ma – cello Catalogue Number MO138Copyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.20€
Schubert: Ave Maria for Violin & Piano
Schubert: Ave Maria for Violin & Piano
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Violin and Piano
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BEGINNER
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Classical
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Franz Schubert
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James M
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Schubert: Ave Maria for Violin
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jmsgu3
#
SheetMusicPlus
Piano,Violin - Level 1 - Digital Download SKU: A0.548703 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. 4 p...
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Piano,Violin - Level 1 - Digital Download SKU: A0.548703 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. 4 pages. Jmsgu3 #3411155. Published by jmsgu3 (A0.548703). A Violin Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Violin part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95 ≈
27.95€
"Merry Locomotive" for violin and piano
"Merry Locomotive" for violin and piano
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Violin and Piano
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BEGINNER
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Sergey Beltiukov
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No
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"Merry Locomotive" for violin
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BFG Publishing LLP
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SheetMusicPlus
Piano,Violin - Level 1 - Digital Download SKU: A0.1076969 Composed by Sergey Beltiukov. Children,Classical,Contemporary. 62 pages. BFG Publishing LLP #68...
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Piano,Violin - Level 1 - Digital Download SKU: A0.1076969 Composed by Sergey Beltiukov. Children,Classical,Contemporary. 62 pages. BFG Publishing LLP #681096. Published by BFG Publishing LLP (A0.1076969). The violin book Mer r y Locomotive is especially composed for the children in first and second grade of the music school. It consists of 14 different pieces. It offers many tools for the initial development of both the right and the left-hand techniques. All melodic pieces help develop the softness of sound and stimulate smooth change of position. Based on the different methodological tasks, they are divided as follows: No. 1 - 3 – Mastering the legato and detaché techniques (rhythmic bowing) and getting to know holds and pauses; No. 4 - 5 – Connecting strings: this essential part of the technique requires the development of right- hand flexibility. Tackling position changing is also part of this section. The mastering of these main techniques largely determines the entire further development of the pupil's violin technique; No. 6 - 9 – Staccato bowing: at this stage it is advisable to learn staccato not by sharp pressure but based on a light acceleration of detaché and the separation of sounds by pauses; No. 10 - 11 – Is a combination of the legato and staccato bow strokes; No. 12 - 13 – Dotted rhythm in combination with legato and staccato bowing; No. 14 – Is a combination of all the above-proposed bow strokes in one piece; The combination of the violin pieces with accompaniment contributes to the stability of intonation and provides the necessary metro-rhythmic support. The artistically enriched material makes learning more attractive to the pupil and awakens a musical interest in classes, as a result of which the effectiveness of the educational process is significantly increased.
$12.00 ≈
11.20€
The Fiddle Concerto (violin solo part – violin and piano)
The Fiddle Concerto (violin solo part – violin and piano)
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Violin and Piano
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ADVANCED
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.861952 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 23 pages. Mark O'Connor Musik Interna...
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Piano,Violin - Level 5 - Digital Download SKU: A0.861952 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 23 pages. Mark O'Connor Musik International #6209125. Published by Mark O'Connor Musik International (A0.861952). The Fiddle Concerto (piano score – violin and piano) MO119BViolin Solo Part - adapted for violin and piano (piano reduction)Music by Mark O’Connor19 pages - 45:00 minutes in length The FIDDLE CONCERTO adapted for violin and piano is from Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. O’Connor has prepared this adaption for violin and piano from his score. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO119BCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 ≈
14.00€
The Fiddle Concerto (piano score – violin and piano)
The Fiddle Concerto (piano score – violin and piano)
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Violin and Piano
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ADVANCED
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.861950 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 56 pages. Mark O'Connor Musik Interna...
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Piano,Violin - Level 5 - Digital Download SKU: A0.861950 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 56 pages. Mark O'Connor Musik International #6209121. Published by Mark O'Connor Musik International (A0.861950). The Fiddle Concerto (piano score – violin and piano) MO119APiano Score adapted for violin and piano (piano reduction)Music by Mark O’Connor52 pages - 45:00 minutes in length The FIDDLE CONCERTO adapted for violin and piano is from Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. O’Connor has prepared this adaption for violin and piano from his score. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO119ACopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00 ≈
18.67€
Gymnopedie No. 1
Gymnopedie No. 1
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Violin and Piano
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INTERMEDIATE
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Christopher Parkening
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Fishel Pustilnik
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Gymnopedie No. 1
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F & N Enterprise
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.636016 By Christopher Parkening. By Christopher Parkening, Erik Alfredi Leslie (Dp) Satie, and Erik Sat...
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Piano,Violin - Level 3 - Digital Download SKU: A0.636016 By Christopher Parkening. By Christopher Parkening, Erik Alfredi Leslie (Dp) Satie, and Erik Satie. Arranged by Fishel Pustilnik. Christian,Classical. 6 pages. F & N Enterprise #6133211. Published by F & N Enterprise (A0.636016). An excellent arrangement of the famous Song Gymnopedie #1 for Violin and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/ubhiBAXe-Vc The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99 ≈
4.66€
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