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We Two Classical
Not classified 98

Piano & keyboards
Piano solo 69
Piano Accompaniment 49
2 Pianos, 4 hands 23
Piano, Voice 11
Organ 7

1 Piano, 4 hands 4
Easy Piano 4
Piano Trio: piano, violin, cello 1
Accordion 1
Piano Quartet: piano, violin, viola, cello 1
Harpsichord 1
Organ, Trumpet (duet) 1
Piano, Vocal and Guitar 1
Piano Quartet: piano, 2 violins, cello 1

+ 9 instrumentations

- Retract

Guitars
Guitar 8
Guitar notes and tablatures 6
2 Guitars (duet) 1
4 Guitars (Quartet) 1

Voice
Tenor voice, Piano 17
Choral SATB 14
Soprano voice, Piano 9
Choral 3-part 7
Alto voice, Piano 5

Choral 2-part 5
Tenor voice 4
Soprano voice 1
Baritone voice, Piano 1

+ 4 instrumentations

- Retract

Woodwind
Flute, Violin 6
2 Clarinets (duet) 6
2 Flutes (duet) 5
Flute, Oboe, Clarinet, Bassoon 5
Saxophone Quartet: 4 saxophones 4

Clarinet Quartet: 4 clarinets 4
Oboe, Piano (duet) 4
Flute 4
Flute and Piano 3
Flute, Clarinet (duet) 3
Soprano Saxophone and Piano 3
Saxophone ensemble 3
Clarinet, Cello (duet) 3
Clarinet and Piano 2
Wind ensemble 2
Tenor Saxophone and Piano 2
Flute Quartet: 4 flutes 2
Clarinet Ensemble 2
Alto Saxophone and Piano 2
Clarinet 2
Clarinet, Bassoon (duet) 2
2 Saxophones (duet) 2
Oboe, Cello 1
English horn, Harp (duet) 1
English horn, Piano 1
Recorder Quartet 1
Baritone Saxophone, Piano 1
Flute ensemble 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
2 Flutes, Piano 1
Bass Clarinet 1

+ 26 instrumentations

- Retract

Woodbrass
2 Trumpets (duet) 6
2 Trombones (duet) 5
2 French horns (duet) 4
French Horn and Piano 4
Brass Quintet: 2 trumpets, horn, trombone, tuba 4

Brass quartet : 2 trumpets, trombone, tuba 3
Trombone 2
Euphonium, Piano (duet) 2
2 Trumpets, Keyboard (piano or organ) 1
Trombone ensemble 1
Brass Quartet 1
English horn, Harp (duet) 1
Trumpet, Cello (duet) 1
2 Tubas (duet) 1
Trombone and Piano 1
English horn, Piano 1
Tuba and Piano 1
Tuba 1
Trumpet, Piano 1

+ 14 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 15
Violin, Cello (duet) 10
String Trio: violin, viola, cello 9
2 Violas (duet) 5
2 Cellos (duet) 4

2 Violins (duet) 4
Cello, Piano 3
Violin and Piano 3

Harp, Flute (duet) 3
Harp 3
Viola, Piano 3
Violin (band part) 2
Double bass, Piano (duet) 2
Violin 1
String Trio: 3 cellos 1
Double Bass 1
Cello 1
String Quintet: 2 violins, viola, cello, bass 1
Violin, Viola (duet) 1
Viola (band part) 1
Viola and Harp 1
4 Cellos 1

+ 17 instrumentations

- Retract

Percussion & orchestra
Orchestra 10
String Orchestra 8
Concert band 4
Brass ensemble 4
Chamber Orchestra 4

Marimba 2
Handbells 1
Percussion Ensemble 1

+ 3 instrumentations

- Retract

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We Two Classical

Violin and Piano

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3 sheet music found

Joyful, Joyful, We Adore Thee (Violin Duet with Piano Accompaniment)

Joyful, Joyful, We Adore Thee (Violin Duet with Piano Accompaniment) #Violin and Piano #EASY #Sacred music #Henry van Dyke, Ludwig van Bee #Sharon Wilson #VIOLIN 2 â€“ A3 to A5 #Joyful, Joyful, We Adore Thee #Sharon Wilson #SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1046274 By Henry van Dyke, Ludwig van Beethoven, and Sharon W...(+)

Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1046274 By Henry van Dyke, Ludwig van Beethoven, and Sharon Wilson. By Arthur H. Messiter, Edward H. Plumptre, Henry van Dyke, and Lugwig Van Beethoven. Arranged by Sharon Wilson. Children,Classical,Holiday,Praise & Worship,Sacred. Score and parts. 16 pages. Sharon Wilson #650780. Published by Sharon Wilson (A0.1046274). Here is a fun and upbeat instrumental trio arrangement (for two VIOLINS with PIANO accompaniment) of the classic hymn Ode to Joy by Ludwig van Beethoven. This quick-paced arrangement will brighten the hearts of the listeners as they are reminded of the lyrics penned by Henry Van Dyke: Joyful, joyful, we adore Thee, God of glory, Lord of loveâ€¦ The piano sets the mood with a cheerful introduction using the chorus of Rejoice, Ye Pure in Heart by Arthur H. Messiter. This introductory chorus is interspersed throughout the arrangement creating a medley of these two joyful hymns and is especially enjoyed during the Thanksgiving holiday season. VIOLIN 1 plays the melody for the first verse and then VIOLIN 2 leads with the melody for the second verse. The song begins in the key of G major and then transitions to the key of D major for the second verse. The range for each part is as follows: VIOLIN 1 â€“ D4 to F#5; VIOLIN 2 â€“ A3 to A5. All notes for both VIOLINS are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (7 pages) with all parts on each page2. separate scores for each VIOLIN part (1 page each) and PIANO (3 pages)3. a combined VIOLIN 1 and VIOLIN 2 score (2 pages) This hymn represents JOY and is one of the 10 songs in the collection inspired by Galatians 5:22-23: The Fruit of the Spirit (10 Hymns for Violin Duet with Piano Accompaniment)Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

$5.99 ≈ 5.38€

Saint-Saens: The Swan for Violin and Piano

Saint-Saens: The Swan for Violin and Piano #Violin and Piano #INTERMEDIATE #Classical #Camille Saint-Saens #James M #Saint-Saens: The Swan for Viol #jmsgu3 #SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Cont...(+)

Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$34.95 ≈ 31.39€

Elegia

Elegia #Violin and Piano #INTERMEDIATE/ADVANCED #Fernando Duarte #Elegia #ArrangeMe #SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.1155480 Composed by Fernando Duarte. Chamber,Classical. 8 pages. ArrangeMe #755758. Published by Arrang...(+)

Piano,Violin - Level 4 - Digital Download SKU: A0.1155480 Composed by Fernando Duarte. Chamber,Classical. 8 pages. ArrangeMe #755758. Published by ArrangeMe (A0.1155480). When poetry, the elegy has a tender and sad tone written as a lament for the death of someone dear. Here, as music, albeit without words, it seeks to express the same feeling. Faced with the recent loss of his father, composer Fernando Duarte writes true lamentations in the form of melodies that wander through almost the entire length of the violin and piano. Themes announced by a very expressive violin, while the piano supports it in constant modulation in harmony, are followed by others where the two instruments sometimes in unison, sometimes alternating, but always talking to each other, paint the soundscape that seeks to express in music the pain of loss. Sixths and harmonics on the violin, references to the small melodic cells of the first part in the development, a climax with the violin playing octaves in fortissimo together with a no less aggressive piano, is followed by a melodic conversation with a decreasing dynamic that prepares the return of the second theme, for then the piece to rest in an ending built on the luminous Lydian mode, with an ascending and increasingly serene and peaceful melody, until total rest in a last breath. A reminder that even in the midst of pain, we still have the hope of resurrection. #piano and violin #elegy #elegia #piano e violino.

$9.00 ≈ 8.08€