Download Digital Sheet Music of Run With The Wind for String Orchestra

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Run With The Wind
Not classified 28

Piano & keyboards
Piano solo 9
C Instruments 3
Piano, Voice 2

Guitars
Guitar notes and tablatures 8
Guitar 1

Voice
Choral SATB 3
Vocal duet 2

Woodwind
Saxophone Quartet: 4 saxophones 19
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 12
Flute, Oboe, Clarinet, Bassoon 10
Flute ensemble 7
Clarinet Quartet: 4 clarinets 6

Saxophone ensemble 5
3 Saxophones (trio) 3
Flute Quartet: 4 flutes 3
3 Clarinets (trio) 2
Oboe, Clarinet, Bassoon (trio) 2
Recorder Quartet 2
2 Clarinets (duet) 2
Clarinet Quintet: 5 clarinets 2
Flute, Clarinet and Bassoon. 2
Clarinet Ensemble 2
2 Saxophones (duet) 1
Flute, Oboe, Bassoon 1
2 Flutes (duet) 1
Saxophone Quintet: 5 Saxophones 1

+ 14 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 3
Tuba ensemble 1

Strings
Violin and Piano 2
String Quartet: 2 violins, viola, cello 2
Violin 1
Viola 1

Percussion & orchestra
Orchestra 7
Concert band 7
String Orchestra 3

Marching band 2
Brass ensemble 1

Handbells 1

+ 1 instrumentations

- Retract

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Run With The Wind

intermediate

String Orchestra

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Irish National Anthem (Unofficial) for String Orchestra

Irish National Anthem (Unofficial) for String Orchestra #String Orchestra #INTERMEDIATE #Patriotic #trad #Keith Terrett #Irish National Anthem #Music for all Occasions #SheetMusicPlus

String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...(+)

String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.

A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).

"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.

On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.

There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.

The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.

Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".

Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.

In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)

The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.

You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?

If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)

My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:

Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.

The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.

Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com

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$8.99

ATON part 4-Musikalische Szene - bassoon and strings

ATON part 4-Musikalische Szene - bassoon and strings #String Orchestra #INTERMEDIATE #David Warin Solomons #ATON part 4-Musikalische Szene #David Warin Solomons #SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.576182 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 13 pages. David...(+)

String Orchestra - Level 3 - Digital Download SKU: A0.576182 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 13 pages. David Warin Solomons #4559. Published by David Warin Solomons (A0.576182). ATON is a stage play written by Manfred Strolz and Otmar RÃ¼tzler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein BÃ¼hnenstÃ¼ck von Manfred Strolz and Otmar RÃ¼tzler geschrieben, das Ã„gypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die Ã¤gyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafÃ¼r zu schreiben. Die Musik ist fÃ¼r verschiedene KrÃ¤fte wÃ¤hrend des StÃ¼ckes komponiert: vom vollen Orchester (HolzblÃ¤ser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit FlÃ¶te und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche spÃ¤ter nach Aton fÃ¼r das vollstÃ¤ndige Bild. FÃ¼r jede Komposition enhÃ¤lt die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste AuffÃ¼hrung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.

$5.00

In paradisum from Requiem Songs (Downloadable Choral/Full Score)

In paradisum from Requiem Songs (Downloadable Choral/Full Score) #String Orchestra #INTERMEDIATE #David Conte #In paradisum from Requiem Song #E. C. Schirmer Music Company - Digital #SheetMusicPlus

Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium - Digital Download SKU: MQ.8103-E Composed by David Conte. 9/11...(+)

Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium - Digital Download SKU: MQ.8103-E Composed by David Conte. 9/11 Service, Funeral. Instrument part. 8 pages. Duration 12 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8103-E. Published by E. C. Schirmer Music Company - Digital (MQ.8103-E). Latin.Commissioned by the American Music Research Center, Boulder, Colorado, Thomas Riis, director, in loving memory of Don Campbell. The work received its premiere performance at lâ€™Ã‰glise de la Sainte-TrinitÃ©, Paris, on October 24, 2013 by Alexis GalpÃ©rine, violin, Magali LÃ©ger, soprano, Saori Kikuchi, harp, and Carolyn Shuster Fournier, organist. The work consists of three Latin texts from the Requiem Mass. The first, Exaudi, is in â€œLarghettoâ€ tempo and serves as a prelude. The second, Dies IrÃ¦, marked â€œAllegro agitato,â€ is an intense and dark scherzo in D minor with chromatic runs in the organ and violin which accompany the soprano. A central, more lyrical section follows based on the â€œLacrymosaâ€ text in a slower tempo, leading to the songâ€™s only serene moment: â€œPie Jesu Domine.â€ The â€œDies Iraeâ€ music returns, and the song ends violently and decisively. The third song, In Paradisum, introduces the harp. The soprano melody is modeled very closely on the Gregorian chant based on this text. A gentle climax occurs on the text â€œhabeas eternam,â€ and the song slowly winds down to its end, having laid to rest lifeâ€™s struggles in the eternity of heaven. Duration: 12:30.

$2.25