Download Digital Sheet Music of Ron Opera for Cello, Piano

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Piano & keyboards
Piano solo 17
Piano, Voice 17
Piano Trio: piano, violin, cello 2
Organ 2
Piano Quintet: piano, 2 violins, viola, cello 2

Piano, Vocal and Guitar 2
Piano Quartet: piano, violin, viola, cello 2
1 Piano, 4 hands 2

+ 3 instrumentations

- Retract

Guitars
Guitar notes and tablatures 4
Guitar 2
2 Guitars (duet) 1
Bass guitar 1
Lyrics and Chords 1

Melody line, (Lyrics) and Chords 1

+ 1 instrumentations

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Voice
Choral SATB 9
Vocal duet 3
Soprano voice 2
Vocal duet, Piano 1
Alto voice, Piano 1

Choral TTBB 1
Choral 2-part 1
Choral 3-part 1
Soprano voice, Piano 1
Choral Unison 1

+ 5 instrumentations

- Retract

Woodwind
Flute and Piano 10
Flute, Oboe, Clarinet, Bassoon 8
Alto Saxophone and Piano 8
Clarinet and Piano 7
Saxophone Quartet: 4 saxophones 6

2 Saxophones (duet) 4
Soprano Saxophone and Piano 4
Oboe, Piano (duet) 3
2 Clarinets (duet) 2
Treble (Alto) Recorder 1
Flute, Clarinet and Bassoon. 1
Flute 1
Tenor Saxophone and Piano 1
Recorder, Guitar (duet) 1
Clarinet, Cello, Piano (trio) 1
2 Flutes (duet) 1
Saxophone ensemble 1
Clarinet Quartet: 4 clarinets 1
Clarinet 1
Flute Quartet: 4 flutes 1

+ 15 instrumentations

- Retract

Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 6
Brass Quintet: 2 trumpets, horn, trombone, tuba 5
Trumpet 4
Trumpet, Piano 3
Brass Quartet: 2 trumpets, horn, trombone 3

French horn 3
Trombone and Piano 2
Brass Quartet: 4 trombones 1
French Horn and Piano 1
2 Euphoniums (duet) 1
Trombone 1
2 Trumpets (duet) 1
Brass Quartet 1
2 French horns (duet) 1
2 Trombones (duet) 1

+ 10 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 11
String Trio: violin, viola, cello 9
Violin and Piano 8
Viola, Piano 6
Cello, Piano 4

4 Cellos 3
2 Violas (duet) 1
String Trio: 3 cellos 1
String Quartet : 4 violas 1
Viola (band part) 1
Violin 1
Viola, Guitar (duet) 1
String quartet: 4 violins 1
Harp 1
Double Bass 1
2 Cellos (duet) 1
2 Violins (duet) 1

+ 12 instrumentations

- Retract

Percussion & orchestra
Concert band 19
String Orchestra 12
Orchestra 9
Chamber Orchestra 4
Brass ensemble 3

Handbells 1
Jazz Ensemble 1

+ 2 instrumentations

- Retract

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Ron Opera

intermediate

Cello, Piano

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4 sheet music found

MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)

MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment) #Cello, Piano #INTERMEDIATE #Classical #Jules Massenet #Flavio Regis Cunha #MÉDITATION - From the Opera T #Flavio Regis Cunha #SheetMusicPlus

Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period,...(+)

Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Valentine's Day, St. Patrick's Day, Wedding. Individual Part, Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.

The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.

The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.

$5.99 ≈ £4.62

Quando Me'n Vo for Cello & Piano

Quando Me'n Vo for Cello & Piano #Cello, Piano #INTERMEDIATE #Opera #Classical #Keith Terrett #Keith Terrett #Quando Me'n Vo for Cello & Pia #Keith Terrett #SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1046448 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period...(+)

Cello,Piano - Level 3 - Digital Download SKU: A0.1046448 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #650969. Published by Keith Terrett (A0.1046448). Arranged for Cello & Piano, Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohÃ¨me. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the CafÃ© Momus [fr]. Shortly after MimÃ¬, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the cafÃ© as much as at the audience in the theater.

$4.99 ≈ £3.85

The Wedding Album, for Solo Cello and Piano

The Wedding Album, for Solo Cello and Piano #Cello, Piano #INTERMEDIATE #Wedding/Ballad #Various #The Wedding Album, for Solo Ce #David McKeown #SheetMusicPlus

Composed by Various. Arranged by David McKeown. Baroque, Concert, Romantic Period, Standards, Wedding. Score and part. 24 pages. David McKeown #459470...(+)

Composed by Various. Arranged by David McKeown. Baroque, Concert, Romantic Period, Standards, Wedding. Score and part. 24 pages. David McKeown #4594709. Published by David McKeown
The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Cello with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end.

Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy.

The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as "Here Comes the Bride". Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.

The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the"trumpet stop". Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard.

Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.

$9.99 ≈ £7.71