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There Were Two Men
Not classified 171

Piano & keyboards
Piano solo 49
Piano, Vocal and Guitar 7
Organ 4
C Instruments 4
Piano, Voice 3

Easy Piano 3

Piano Trio: piano, violin, cello 2
2 Pianos, 4 hands 2
Piano Quintet: piano, 2 violins, viola, cello 2
Piano Quartet: piano, 2 violins, cello 1
Harpsichord 1

+ 6 instrumentations

- Retract

Guitars
Guitar 6
Guitar notes and tablatures 4
2 Guitars (duet) 4
Ukulele 4
Mandolin 2

3 Guitars (trio) 1

+ 1 instrumentations

- Retract

Voice
Choral SATB 6
Choral 2-part 2
Choral 3-part 2
Choral SSATTB 1
Choral TTBB 1

Woodwind
2 Saxophones (duet) 72
Saxophone, Clarinet (duet) 40
2 Clarinets (duet) 38
2 Flutes (duet) 28
2 Flutes, Piano 26

Clarinet, Violin (duet) 25
Clarinet, Trumpet (duet) 24
Flute, Clarinet (duet) 16
2 Oboes (duet) 16
Clarinet and Viola 14
Flute, Saxophone (duet) 13
Oboe, Bassoon (duet) 13
Oboe, Flute 12
Flute, Viola (duet) 12
Oboe, Clarinet (duet) 11
Flute and Piano 9
Soprano Saxophone and Piano 8
Flute, Violin 8
Tenor Saxophone and Piano 7
Flute, Trumpet (duet) 6
Saxophone Quartet: 4 saxophones 5
Alto Saxophone and Piano 5
Clarinet and Piano 5
Saxophone ensemble 5
Saxophone Quintet: 5 Saxophones 4
Clarinet 4
Oboe, Piano (duet) 4
Flute 4
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3
English horn, Piano 3
Descant (Soprano) Recorder 3
Flute, harp and violin 2
Flute, Oboe, Clarinet, Bassoon 2
3 Saxophones (trio) 2
Oboe (band part) 2
Flute, Oboe, Clarinet (trio) 2
Clarinet Ensemble 2
3 Clarinets (trio) 2
Flute ensemble 2
2 Clarinets, Piano 1
Flute Quartet: 4 flutes 1
Piccolo 1
Flute, Viola and Piano 1
Flute Quintet : 5 flutes 1
Flute, Clarinet, Piano (trio) 1
Flute, Violin and Violoncello 1
Flute, Violoncello 1
Clarinet Quartet: 4 clarinets 1
Descent (Soprano) Recorder, Piano 1
Flute, trombone and piano 1
Soprano Saxophone 1
Saxophone and Organ 1
Flute Trio: 3 flutes 1
Baritone Saxophone, Piano 1
Treble (Alto) Recorder, Piano 1

+ 50 instrumentations

- Retract

Woodbrass
Trumpet, Saxophone (duet) 24
2 Trombones (duet) 15
Trumpet, Trombone (duet) 14
2 Trumpets (duet) 13
Brass Quintet: 2 trumpets, horn, trombone, tuba 7

Brass quartet : 2 trumpets, trombone, tuba 6
Brass Quartet: 2 trumpets, horn, trombone 5
Trumpet 5
Trombone and Piano 5
Trumpet, Piano 4
French horn 4
Trumpet, Horn (duert) 3
English horn, Piano 3
Brass Quartet: 4 trombones 2
Trombone ensemble 2
2 French horns (duet) 2
Brass Quartet: 4 trumpets 1
Tuba and Piano 1
French Horn and Piano 1
Euphonium, Piano (duet) 1
Trumpet ensemble 1
Trombone 1
Brass Quartet 1

+ 18 instrumentations

- Retract

Strings
Violin, Viola (duet) 15
2 Violins (duet) 15
2 Violas (duet) 15
2 Cellos (duet) 13
Violin, Cello (duet) 12

String Quartet: 2 violins, viola, cello 9
Violin 8
Viola, Piano 6
Violin and Piano 6
Cello, Piano 5
4 Cellos 3
Piano Trio: Violin, Viola, Piano 2
Double Bass 2
Viola 2
Harp 2
String Trio: 3 violins 1
Viola (band part) 1
Double bass, Piano (duet) 1
String Trio: 2 violins, cello 1
String Trio: violin, viola, cello 1
Violin, Clarinet, Piano (trio) 1
2 Harps (duet) 1
String quartet: 4 violins 1
Cello 1
Violin, Guitar (duet) 1
String Quartet : 4 violas 1
Violin ensemble 1
Viola ensemble 1

+ 23 instrumentations

- Retract

Percussion & orchestra
Orchestra 12
Concert band 9
String Orchestra 9
Chamber Orchestra 7
Brass ensemble 5

Jazz combo 2
Percussion Ensemble 1
2 Marimbas 1
Jazz Ensemble 1
Marching band 1
Piano and Orchestra 1

+ 6 instrumentations

- Retract

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There Were Two Men

Easy Piano

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3 sheet music found

12 Traditional Carols for adult beginning piano

12 Traditional Carols for adult beginning piano #Easy Piano #BEGINNER #Christmas #Various #Nicholas Palmer, ASCAP #12 Traditional Carols for adul #Nicholas D Palmer #SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.1138014 Composed by Various. Arranged by Nicholas Palmer, ASCAP. Christmas,Holiday,Instructional,Religiou...(+)

Easy Piano - Level 1 - Digital Download SKU: A0.1138014 Composed by Various. Arranged by Nicholas Palmer, ASCAP. Christmas,Holiday,Instructional,Religious,Traditional. Score. 35 pages. Nicholas D Palmer #738288. Published by Nicholas D Palmer (A0.1138014). Twelve traditional carols have been transcribed and arranged for adult piano students who are in their first few months of playing the piano and reading music. Children will be able to play all the melodies and most of the two-part arrangements without physical strain, but there are other piano methods designed specifically for young pianistsâ€™ needs that were not taken into consideration for this collection. The carols come in two versions, one with melody only and the other with an independent left hand part. Many of the melody-only scores are able to be played with just one hand position. For the two-part scores, both hands will need to shift. The left hand parts have been written so that there will be no more than five adjacent ascending or descending notes before the direction of the line changes, allowing for just small shifts in finger or hand placement. Look for more collections of carols arranged for beginning players at this same site. In this collection: Angels we have heard on high Away in a manger God rest ye merry, gentlemen Hark! The herald angels sing Joy to the world O come, all ye faithful O come, O come Emmanuel O little town of Bethlehem (Redner) O little town of Bethlehem (Kingsfold) Silent night The first nowell What child is this?

$7.99 ≈ 7.21€

Wellerman (Sea Shanty)

Wellerman (Sea Shanty)
#Easy Piano #EASY #Folkloric/Traditional #Mario Stallbaumer #Wellerman #Mario Stallbaumer #SheetMusicPlus

Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download Arranged by Mario Stallbaumer. Folk. 2 pages. Published by Mario Stallbaumer...(+)

Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download Arranged by Mario Stallbaumer. Folk. 2 pages. Published by Mario Stallbaumer
With this sheet music, you can play the sea shanty "Wellerman" on piano!

It's an accurate, playable piano arrangement of the traditional folk song.
This sheet music also includes the full lyrics (6 verses).

"Wellerman" is a sea shanty from New Zealand which dates back to the early 19th century.

Back then, the term "Wellerman" was used for employees of the Weller Brothers? shipping company in Sydney, which supplied whaling stations around New Zealand with essential provisions (including sugar, tea, and rum, as mentioned in the song).

In 2021, the song became an internet meme - TikTok users collaborated with the app's duet function to record virtual group performances of the song, which soon starting to go viral.

"Wellerman" also makes for a fantastic piano cover!

Here are the full lyrics to the traditional sea shanty "Wellerman":

There once was a ship that put to sea,
And the name of that ship was the Billy o' Tea
The winds blew hard, her bow dipped down,
Blow, me bully boys, blow!

Chorus:
Soon may the Wellerman come
to bring us sugar and tea and rum.
One day, when the tonguing' is done,
We'll take our leave and go.

She had not been two weeks from shore
When down on her a right whale bore.
The captain called all hands and swore
He'd take that whale in tow.

Soon may the Wellerman come...

Before the boat had hit the water
The whale's tail came up and caught her.
All hands to the side, harpooned and fought her,
When she dived down below.

Soon may the Wellerman come...

No line was cut, no whale was freed,
An' the captain's mind was not on greed!
But he belonged to the Whaleman's creed
She took that ship in tow

Soon may the Wellerman come...

For forty days or even more,
the line went slack then tight once more,
All boats were lost, there were only four
and still that whale did go.

Soon may the Wellerman come...

As far as I've heard, the fight's still on,
The line's not cut, and the whale's not gone!
The Wellerman makes his regular call
to encourage the captain, crew and all!

Soon may the Wellerman come...

$1.99 ≈ 1.79€

20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)

20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering) #Easy Piano #BEGINNER #Classical #Various #20 Classical Piano Pieces for #Scott Camp #SheetMusicPlus

Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by S...(+)

Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music.

In my experience, every elementary piano student should be given the opportunity to successfully play:
Spinning Song (even if you leave out the middle section at first)
Minuet in G (page one)
Fur Elise (page one)

Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection.

All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions.

"Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.

Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening.

So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior.

If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly.

"Practice Makes... "

If you said "Perfect" then you've fallen into a sinister trap.

"Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career.

Here's the process in general:
Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?

That's something for us professionals to consider.

Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!

Contents

Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G minor from the Notebook for Anna Magdalena Bach
Musette in D from the Notebook for Anna Magdalena Bach
Minuet in F Wolfgang Amadeus Mozart
Ecossaise in G Ludwig van Beethoven
Sonatina in G Ludwig van Beethoven
I Allegretto
II Romanze
Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler
I Allegro
The Wild Horseman, Op. 68, No. 8 Robert Schumann
Fur Elise (Famous Page 1) Ludwig van Beethoven
Spinning Song, Op. 14, No. 4 Albert Elmenreich
Arabesque, Op. 100, No. 2 Friedrich Burgmüller
Ballade, Op. 100, No. 15 Friedrich Burgmüller
Solfeggietto Carl Philipp Emanuel Bach
Toccatina, Op. 27, No. 12 Dmitri Kabalevsky
Fur Elise (Complete) Ludwig van Beethoven
Sonatina, Op. 55, No. 1 Friedrich Kuhlau
I Allegro
Sonatina, Op. 36, No. 3 Muzio Clementi
I Spiritoso
La Vélocité, Op. 109, No. 10 Friedrich Burgmüller

These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering.

The hand position notation is used to better communicate what exactly is being demanded of the student. Students’ repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores “playing music on the piano” to primacy and supports “helping a student play music on the piano” as the central activity of the piano lesson.

Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.

Good luck!
Scott Camp
scottcampislandpiano@gmail.com

$3.99 ≈ 3.60€