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Not classified 335

Piano & keyboards
Easy Piano 204
Piano solo 139
Piano, Vocal and Guitar 52
Piano, Voice 39
1 Piano, 4 hands 4

Piano Accompaniment 3
C Instruments 3
Organ 3
Big Note Piano 1
Accordion 1
2 Pianos, 4 hands 1
Organ, Piano (duet) 1

+ 7 instrumentations

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Guitars
Guitar notes and tablatures 20
Ukulele 18
Guitar 9
Melody line, (Lyrics) and Chords 7
Lyrics and Chords 4

2 Guitars (duet) 3
Banjo 1
3 Guitars (trio) 1
4 Guitars (Quartet) 1
Bass guitar 1

+ 5 instrumentations

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Voice
Choral SATB 56
Choral 3-part 14
Choral TTBB 13
Choral SSAA 9
Choral 2-part 7

Vocal duet 5
Choral Unison 4
Vocal duet, Piano 3
Soprano voice, Piano 1
Low voice 1
Alto voice, Piano 1

+ 6 instrumentations

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Woodwind
2 Saxophones (duet) 10
3 Clarinets (trio) 8
Alto Saxophone and Piano 6
2 Flutes (duet) 6
Clarinet 6

Clarinet and Piano 6
Flute 6
Clarinet Ensemble 5
Saxophone, Clarinet (duet) 5
English horn, Piano 5
Oboe, Piano (duet) 5
Saxophone Quartet: 4 saxophones 5
Clarinet, Violin (duet) 4
Flute and Piano 4
Saxophone (band part) 4
Flute ensemble 4
Clarinet, Trumpet (duet) 4
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 4
Tenor Saxophone and Piano 4
Oboe (band part) 4
Flute, Clarinet (duet) 3
Alto Saxophone 3
Soprano Saxophone and Piano 3
Clarinet Quartet: 4 clarinets 3
2 Oboes (duet) 2
Saxophone Quintet: 5 Saxophones 2
Oboe, Clarinet (duet) 2
Flute, Viola (duet) 2
Baritone Saxophone, Piano 2
Clarinet and Viola 2
2 Clarinets (duet) 2
Flute, Oboe, Clarinet, Bassoon 2
Flute, Trumpet (duet) 2
Flute and Guitar 2
Descant (Soprano) Recorder 2
Descent (Soprano) Recorder, Piano 1
Bass Clarinet, Piano 1
Flute Trio: 3 flutes 1
Saxophone 1
Clarinet Quintet: 5 clarinets 1
Saxophone ensemble 1
Tenor Recorder 1
Flute, Violin and Violoncello 1
Flute Quartet: 4 flutes 1
Treble (Alto) Recorder, Piano 1
Clarinet, Guitar (duet) 1

+ 41 instrumentations

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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 10
Trumpet, Piano 9
Trumpet 8
Trombone and Piano 6
Brass quartet : 2 trumpets, trombone, tuba 6

English horn, Piano 5
French Horn and Piano 5
2 Trumpets (duet) 3
Brass Quartet: 2 trumpets, horn, trombone 3
Trombone 2
Trumpet, Trombone (duet) 2
Euphonium, Piano (duet) 2
Brass Quintet: 2 trumpets, horn, 2 trombones 2
Tuba and Piano 2
French horn 2
Trombone ensemble 1
4 Tubas 1
Tuba 1
2 Trombones (duet) 1
2 Tubas (duet) 1
Trumpet (band part) 1

+ 16 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 22
Violin 17
Violin, Cello (duet) 8
Harp 8
Violin and Piano 6

2 Cellos (duet) 6
2 Violins (duet) 5
2 Violas (duet) 5
Cello (band part) 5
Viola (band part) 4
String Trio: 2 violins, cello 4
Cello, Piano 4
String Trio: violin, viola, cello 4
Viola, Piano 3

Double bass, Piano (duet) 2
4 Cellos 2
Violin, Viola (duet) 2
Viola 2
Double Bass 1
String Trio: 3 violins 1
Harp, Voice 1
String Quintet: 2 violins, viola, cello, bass 1
Cello 1
Cello Ensemble 1
4 Double Basses 1

+ 20 instrumentations

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Percussion & orchestra
String Orchestra 25
Jazz Ensemble 21
Concert band 21
Orchestra 21
Brass ensemble 20

Marching band 17
Chamber Orchestra 8
Handbells 2
Percussion Ensemble 1
Jazz combo 1
Xylophone, Piano 1
Percussion 1

+ 7 instrumentations

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Viola, Piano

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Bach: Bist du bei mir BWV 508 for Viola & Piano

Bach: Bist du bei mir BWV 508 for Viola & Piano #Viola, Piano #EASY #Classical #Johann Sebastian Bach #James M #Bach: Bist du bei mir BWV 508 #jmsgu3 #SheetMusicPlus

Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards...(+)

Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost StÃ¶lzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. Â He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2. Â Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time. Â Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair handsÂ Â Â Â Â Â Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio. Â History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Â Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Â Â Â Â Â Â Â Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â

$32.95 ≈ ¥237.43

8 Swinging Xmas Carols for Viola & Piano

8 Swinging Xmas Carols for Viola & Piano #Viola, Piano #INTERMEDIATE #Christmas #Keith Terrett #Keith Terrett #Piano #8 Swinging Xmas Carols for Vio #Keith Terrett #SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.1315127 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Multic...(+)

Piano,Viola - Level 3 - Digital Download SKU: A0.1315127 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Multicultural,Praise & Worship,World. Score and part. 30 pages. Keith Terrett #903870. Published by Keith Terrett (A0.1315127). Eight jazzy xmas carols arranged for Viola & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you wonâ€™t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.

$15.99 ≈ ¥115.22

The Water is Wide for Viola & Piano

The Water is Wide for Viola & Piano #Viola, Piano #EASY #Contemporary #Traditional Scottish #James M #The Water is Wide for Viola & #jmsgu3 #SheetMusicPlus

Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...(+)

Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.

A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.

Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.

Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.

Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.

For better insight into the performance of this music: express the emotion indicated by the lyrics:

The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me

The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).

O Waly, waly (a lament – "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.

O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).

Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.

'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).

But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)

For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications

$32.95 ≈ ¥237.43