Digital Sheet Music at Sheetmusicplus Digital Print

All site ▾

My account (log-in)

€

EUR €USD $GBP £CAD $CNY ¥

Français

Free Sheet Music ▾
Digital Sheet Music
Music Sheet Library ▾
Musical Equipment ▾

We Don Voice solo
Sheetmusicplus
Not classified 79

Piano & keyboards
Piano, Voice 38
Piano, Vocal and Guitar 14
Piano solo 5
Easy Piano 2
C Instruments 1

Organ 1

+ 1 instrumentations

- Retract

Guitars
Guitar notes and tablatures 1
Guitar 1

Voice
Choral SATB 19
Soprano voice, Piano 3
Choral 3-part 3
Vocal duet, Piano 2
Choral TTBB 1

Alto voice, Piano 1
Choral Unison 1
Voice solo 1

+ 3 instrumentations

- Retract

Woodwind
Flute, Oboe, Clarinet, Bassoon 1
Alto Saxophone and Piano 1
Flute and Guitar 1

Woodbrass
Tuba 1

Strings
Cello, Piano 3
Viola, Piano 2

Violin, Viola (duet) 2
String Quartet: 2 violins, viola, cello 1
Violin and Piano 1

Percussion & orchestra
Concert band 6
Brass ensemble 3
Orchestra 1

Others

Home Best Sellers

New releases Methods Studies

Sellers

AmericansAt Musicnotes At Sheetmusicplus At Virtualsheetmusic
EuropeansAt Tomplay At Prof-Editions At Note4piano At Noviscore At Quickpartitions

International artists list

French artists list

Top artists

POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener

FREE SHEET MUSIC
185,000+ free sheet music

SHEET MUSIC LIBRARY
1,500,000+ buy and delivery

DIGITAL SHEET MUSIC
2,000,000+ buy and print

MUSICAL INSTRUMENTS
200,000+ buy and delivery

Sheet Music Membership ($37.75/year)

Digital sheet music, access after purchasing

Post mailing Digital sheet music

Sorting and filtering :

with audio

with video

with play-along

You've selected:

We Don Voice solo

SheetMusicPlus

Sheetmusic to print

2 sheet music found

We Don't Talk About Bruno

We Don't Talk About Bruno #Viola, Piano #INTERMEDIATE #Walt Disney #Carolina Gaitan, Mauro Castill #Martin Lass #We Don't Talk About Bruno #MA Lass & I Lass #SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.586459 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Martin Las...(+)

Piano,Viola - Level 3 - Digital Download SKU: A0.586459 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Martin Lass. Broadway,Hip-Hop,Latin,Musical/Show,Pop,R & B. Score and part. 9 pages. MA Lass & I Lass #195752. Published by MA Lass & I Lass (A0.586459). In this Level 2.5 (Intermediate) arrangement, Martin Lass has arranged the hit song, We Don't Talk About Bruno, for solo viola and piano accompaniment. Guitar chords and chord boxes are included. We Don't Talk About Bruno is a song from Disney's 2021 animated feature film, Encanto, with music and lyrics written by Lin-Manuel Miranda. It was released by Walt Disney Records as part of the film's soundtrack in November, 2021. It has achieved many accolades and charted No. 1 or Top Ten across the world, including No. 1 on US Billboard Hot 100. Wikipedia notes that, musically, We Don't Talk About Bruno eschews Disney's traditional formula of a sentimental ballad performed by a solo character, opting for a subdued, mid-tempo tune blending Latin music styles such as salsa and guajira with pop, hip hop, dance and Broadway elements, sung by an ensemble and climaxing in a polyphonic outro. This arrangement has been specifically tailored for intermediate-level cello while retaining all of the original elements of the song, as well as some original interpretative elements. The lead line combines some of the different voices in the original song. The key have been changed from the original C minor to the more viola-friendly D minor.

$7.99 ≈ 7.36€

The Water is Wide for Viola & Piano

The Water is Wide for Viola & Piano #Viola, Piano #EASY #Contemporary #Traditional Scottish #James M #The Water is Wide for Viola & #jmsgu3 #SheetMusicPlus

Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...(+)

Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.

A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.

Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.

Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.

Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.

For better insight into the performance of this music: express the emotion indicated by the lyrics:

The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me

The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).

O Waly, waly (a lament – "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.

O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).

Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.

'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).

But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)

For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications

$32.95 ≈ 30.34€