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S Liszt
Not classified 26

Piano & keyboards
Piano, Voice 172
Piano solo 55
2 Pianos, 4 hands 1
Organ, Piano (duet) 1
Easy Piano 1

Piano Quintet: piano, 2 violins, viola, cello 1
Organ 1
Piano Trio: piano, violin, cello 1
1 Piano, 4 hands 1

+ 4 instrumentations

- Retract

Guitars
Guitar 4
Guitar notes and tablatures 2
2 Guitars (duet) 1

Voice
Choral SATB 2
Choral TTBB 1
Choral 3-part 1
Choral SSAA 1
Choral 2-part 1

Woodwind
Flute and Piano 8
Alto Saxophone and Piano 7
Oboe, Piano (duet) 7
2 Saxophones (duet) 4
Tenor Saxophone and Piano 4

Soprano Saxophone and Piano 4
Baritone Saxophone, Piano 4
Clarinet and Piano 4
Bass Clarinet, Piano 3
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3
English horn, Piano 3
2 Clarinets (duet) 2
Clarinet 2
Clarinet, Trombone (duet) 1
Clarinet, Bassoon (duet) 1
Flute, Clarinet (duet) 1
2 Flutes (duet) 1
Oboe, Bassoon (duet) 1

+ 13 instrumentations

- Retract

Woodbrass
Euphonium, Piano (duet) 6
Trombone and Piano 5
English horn, Piano 3
Trumpet, Piano 2

Trumpet 2

Brass quartet : 2 trumpets, trombone, tuba 1
Trumpet, Trombone (duet) 1
Trombone (band part) 1
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
Tuba and Piano 1
2 Trumpets (duet) 1

+ 6 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 8
Violin and Piano 6
Cello, Piano 5
Viola, Piano 4
Violin, Cello (duet) 3

String Trio: 2 violins, cello 3
2 Violins (duet) 2
2 Violas (duet) 1
Violin, Bassoon (duet) 1

+ 4 instrumentations

- Retract

Percussion & orchestra
Orchestra 4

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S Liszt

intermediate

Trumpet, Piano

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2 sheet music found

Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano

Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano #Trumpet, Piano #INTERMEDIATE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...(+)

B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ £15.53

The Wedding Album, for Solo Trumpet and Piano

The Wedding Album, for Solo Trumpet and Piano #Trumpet, Piano #INTERMEDIATE #Wedding/Ballad #Wedding/Ballad #Various #The Wedding Album, for Solo Tr #David McKeown #SheetMusicPlus

Piano Accompaniment, Trumpet - Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Romantic Period, Baroque Period, Reper...(+)

Piano Accompaniment, Trumpet - Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Romantic Period, Baroque Period, Repertoire, Wedding, Recital. Score, Solo Part. 24 pages. Published by David McKeown
The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Trumpet with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end.

Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy.

The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as “Here Comes the Bride”. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.

The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the“trumpet stop”. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard.

Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.

$9.99 ≈ £7.78