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7 sheet music found
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1
TRITONE Sonata for Trumpet in B-flat and Piano
TRITONE Sonata for Trumpet in B-flat and Piano
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Trumpet, Piano
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ADVANCED
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Contemporary
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John Frith
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TRITONE Sonata for Trumpet in
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by John Frith. 21st Century, Contemporary Classical. Score, Solo Part. 36 pages. Pu...
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Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by John Frith. 21st Century, Contemporary Classical. Score, Solo Part. 36 pages. Published by Cherry Classics Music
Here is a description of the TRITONE Sonata for Trumpet and Piano by the composer, John Frith:
"One of my most enjoyable roles in music was conducting the Herefordshire Young People’s Orchestras (UK) in the late 1980s. Stuart Essenhigh was a very talented young trumpeter who toured Belgium with the orchestra as a soloist in 1989.
Encouraged by this experience Stuart went on to study in London graduating as a fine professional trumpeter working firstly in Hong Kong and then as a freelancer with major U.K. orchestras.
My TRITONE Sonata for Trumpet and Piano of 2016 was written specifically for Stuart. Each of its three movements uses the interval of a tritone in different ways. We hear it initially as a ‘benign’ element of the first movement; ‘ironic’ in the second and even ‘playful’ in the last.
I - Moderato
The use of a ‘straight’ mute to open and close this movement greatly enlarged my palate of sound colours and, together with some unconventional ‘flutter- tonguing’ techniques, it allowed me to emphasize the declamatory and strident possibilities of this powerful instrument…... I call for ‘ffff’ (fortissississimo) at one point! The muted coda creates an otherworldly’ atmosphere - distant and questioning at the close.
II – Andante espressivo – piu mosso – Tempo primo
The opening austere and angular melody (which demands great lip flexibility and control) leads to a relaxed and flowing ‘piu mosso’ with quasi baroque idioms. This builds towards florid, technical passages for the soloist which are matched by more assertive piano lines heralding the return of the opening material and a soulful resolution.
III – Maestoso – rondo
A traditional martial ‘fanfare’ opens the final movement by answering phrases from both instruments. There is something of a power struggle in progress here which is momentarily resolved at the ‘rondo’ where the piano accepts a supportive ‘um-pa-pa’ accompanimental role. The trumpet melody is dominant and confident but the piano gradually asserts itself propelling the music with a powerful ‘boogie-woogie’ style bass line. This encourages both instruments to climb ever higher in, what I trust will be, a thrilling race for the final bar." John Frith 2020
This work is about 12 minutes in length and is appropriate for advanced to virtuoso performers.
$30.00 ≈
$41.49
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro (Trumpet and Continuo reduction)
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro (Trumpet and Continuo reduction)
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Trumpet, Piano
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INTERMEDIATE/ADVANCED
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Georg Friedrich Händel, Ali
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35: Ouv
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Flavio Regis Cunha
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SheetMusicPlus
Piano,Trumpet - Level 4 - Digital Download SKU: A0.1288949 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George...
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.1288949 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and part. 6 pages. Flavio Regis Cunha #879791. Published by Flavio Regis Cunha (A0.1288949). DescriptionDo you want to bring Georg Friedrich Handel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras,'Händel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Handel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.ARRANGEMENT DETAILS Arrangement Format Chamber OrchestraDifficulty Advanced IntermediateGENRE DETAILSGenres Baroque, Classical, Contest / Festival, Instructional, WeddingFULL SCORE AND ORCHESTRAL PARTS AVALIABLE FOR PURCHASE AT:https://www.sheetmusicplus.com/title/handel-atalanta-hwv-35-ouverture-largo-allegro-as-played-by-alisson-balson-and-trevor-pinnock-digital-sheet-music/22581106?aff_id=728965
$5.99 ≈
$8.29
ZATTEN Concerto for Trumpet with Piano accompaniment
ZATTEN Concerto for Trumpet with Piano accompaniment
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Trumpet, Piano
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ADVANCED
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Contemporary
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Petrich, Roger
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ZATTEN Concerto for Trumpet wi
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by Petrich, Roger. 21st Century. Piano Reduction, Solo Part. 24 pages. Published by...
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Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by Petrich, Roger. 21st Century. Piano Reduction, Solo Part. 24 pages. Published by Cherry Classics Music
Zatten was commissioned in 2005 by Trumpeter Paul Neebe during the composer's vacation to do ancestral research in the town of Zatten, currently part of Poland.
Roger Petrich writes the following about his Zatten Concerto for Trumpet:
"The 'DNA' of this compostion tracks back to my great-grandfather and the tiny Plattdeutsch village where he was born. Zatten, [then] located in the eastern part of Berlin/Brandenburg is in an area of forest and small farms dating back to the 1600's. My grandfather R. T. Petrich, whose initials I bear, was six years old when he, along with his parents, sister, and older brother left Prussia to start a new life in the USA.
My own childhood memories include many visits to the family homestead in Dakota Territory, where I used to play in the barn which hosted many summer dances. The Dakota sky was vast by day, and nights could become magical with the addition of the Northern Lights. Though not a professional musician, my father kept up his trumpet playing all his life. In a special way it was his "voice" - a sound that deeply imprinted all my growing up years. All of this is mixed together in my Zatten Concerto"
The Zatten Concerto is in three movements, the two outer movements faster and the middle is a Largo. This work is written for Trumpet in C and is appropriate for advanced performers.
The title Zatten (the name of the small village in Germany where his family was located before immigrating to the USA) is spelled out in Morse Code in the very opening eight bars of the work. The Concerto is originally written for Trumpet and String Orchestra, this version using a reduction for Piano.
$30.00 ≈
$41.49
8 Swinging Carols for Xmas for Bb Trumpet, Cornet or Flugelhorn & Piano
8 Swinging Carols for Xmas for Bb Trumpet, Cornet or Flugelhorn & Piano
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Trumpet, Piano
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INTERMEDIATE
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Christmas
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Keith Terrett
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Keith Terrett
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Piano
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8 Swinging Carols for Xmas for
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Keith Terrett
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SheetMusicPlus
Piano,Trumpet - Level 3 - Digital Download SKU: A0.1314621 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Praise & Worsh...
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.1314621 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Praise & Worship,Traditional. Score and part. 41 pages. Keith Terrett #903375. Published by Keith Terrett (A0.1314621). An exciting arrangement of eight popular swinging xmas carols arranged for Bb Trumpet, Cornet or Flugel & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.
$15.99 ≈
$22.12
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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Trumpet, Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
$27.59
Concerto G major
Concerto G major
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Trumpet, Piano
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Leopold Mozart
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Wolfgang Birtel
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Concerto G major
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Schott Music - Digital
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SheetMusicPlus
Trumpet and orchestra - intermediate to advanced - Digital Download SKU: S9.Q6937 Per Tromba ed Orchestra. Composed by Leopold Mozart. Arranged by...
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Trumpet and orchestra - intermediate to advanced - Digital Download SKU: S9.Q6937 Per Tromba ed Orchestra. Composed by Leopold Mozart. Arranged by Wolfgang Birtel. This edition: piano reduction with solo part. La Tromba. Downloadable, Piano reduction with solo part. Schott Music - Digital #Q6937. Published by Schott Music - Digital (S9.Q6937). Key: G major.Leopold Mozart, father of the unequalled genius Wolfgang Amadeus, also composed music, but is understandably eclipsed by his son. His trumpet concerto has even been handed down twice, i.e. also as part of a serenata. In the original version, this Concerto per il Clarino is written in D major. In 1967 Gábor Darvas published a score and orchestral parts in a version that is transposed a fifth lower which makes it easier for trumpet players to play it. This edition is complemented by the current piano reduction. Another solo part in B flat is added to the original solo part in C in order that the concerto can also be played on the more popular B flat trumpet. In addition, the piano reduction has been printed in a retransposed version in F major: This provides maximum flexibility, makes it possible to rehearse the piece at different levels of difficulty, and it is a valuable addition to the concert repertoire for trumpet.
$18.99 ≈
$26.27
Prayer
Prayer
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Trumpet, Piano
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Willard Zirk
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Prayer
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Imagine Music - Digital
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SheetMusicPlus
Trumpet & piano - Digital Download SKU: IZ.IMS1924 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMS1924. Published by Ima...
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Trumpet & piano - Digital Download SKU: IZ.IMS1924 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMS1924. Published by Imagine Music - Digital (IZ.IMS1924). 9 x 12 in inches.Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal flute in the Ann Arbor Symphony Orchestra (and Congressional Gold Medal recipient for her service as a WWII Women's Air Service Pilot - WASP). Since the premiere of Requiem in 2009, several of my friends have asked me to transcribe Prayer for their instruments. It has been used for weddings, funerals, offertories, and preludes. Prayer precedes the final verses of Psalm 19 in the Requiem, and it introduces the Psalmist's poignant text on the human weakness of willful transgression. Cleanse thou me from secret faults.... Let the words of my mouth, and the meditation of my heart, be acceptable in thy sight, O Lord, my strength, and my redeemer (KJV). I think the fact that I had a bad cold while writing this music added to its effectiveness, for I was feeling quite sorry for myself. The melody portrays my prayer rising ever higher, asking forgiveness for my sins. The plagal (Amen) cadence at the end acknowledges God's gracious forgiveness. Difficulty level: College or advanced high school, requiring full control of intonation and long tones in all ranges.Performance Time: 3' 40.
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