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French Horn and Piano
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5 sheet music found
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1
It Came Upon a Midnight Clear--horn solo
It Came Upon a Midnight Clear--horn solo
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French Horn and Piano
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ADVANCED
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Richard Storrs Willis
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Beka Wilson
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It Came Upon a Midnight Clear-
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Beka Wilson
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SheetMusicPlus
French Horn,Piano - Level 5 - Digital Download SKU: A0.786841 Composed by Richard Storrs Willis. Arranged by Beka Wilson. Christian,Christmas,Sacred. Sco...
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French Horn,Piano - Level 5 - Digital Download SKU: A0.786841 Composed by Richard Storrs Willis. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 5 pages. Beka Wilson #6616589. Published by Beka Wilson (A0.786841). This lullaby-like arrangement of It Came Upon a Midnight Clear for instrumental solo will make this piece an excellent addition to a holiday concert, recital, or church service.Length: around 4 minutes (suggested 100 bpm)Level: advanced for most instruments due to range and a brief clef change for some bass/alto clef instruments5 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99 ≈
¥50.67
Sonata No. 3 for Horn and Piano
Sonata No. 3 for Horn and Piano
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French Horn and Piano
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ADVANCED
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Mike Lyons
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Sonata No. 3 for Horn and Pian
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Lyons Music Services
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SheetMusicPlus
French Horn,Piano - Level 5 - Digital Download SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pag...
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French Horn,Piano - Level 5 - Digital Download SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music Services #6457097. Published by Lyons Music Services (A0.767581). This is my third new sonata for French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$25.00 ≈
¥181.21
Ravel - Pavane pour une infante défunte, arranged for French Horn (in F) and Piano
Ravel - Pavane pour une infante défunte, - French Horn (in F) and Piano
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French Horn and Piano
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ADVANCED
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Contemporary
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Len Rhodes
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Len Rhodes
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Ravel - Pavane pour une infant
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Len Rhodes Music
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SheetMusicPlus
French Horn,Piano - Level 5 - Digital Download SKU: A0.1301342 By Len Rhodes. By Maurice Ravel. Arranged by Len Rhodes. 20th Century. Score and part. 10 ...
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French Horn,Piano - Level 5 - Digital Download SKU: A0.1301342 By Len Rhodes. By Maurice Ravel. Arranged by Len Rhodes. 20th Century. Score and part. 10 pages. Len Rhodes Music #890971. Published by Len Rhodes Music (A0.1301342). Ravel's original work for solo piano has been newly transcribed by Len Rhodes for French horn and piano. As in the case in the original, this transcription is not easy, but truly well worth the study and practice! Apparently, this was not one of Ravel's favorite compositions, however, it has become one of his best known works. Ravel made it clear that he did not want it to be played too slowly!Download includes part and score.
$5.95 ≈
¥43.13
Sonata Eb major
Sonata Eb major
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French Horn and Piano
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ADVANCED
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Joseph Gabriel Rheinberger
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Sonata Eb major
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Schott Music - Digital
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SheetMusicPlus
Horn and piano - advanced - Digital Download SKU: S9.Q1170 Composed by Joseph Gabriel Rheinberger. This edition: Sheet music. French horn - il corno - pi...
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Horn and piano - advanced - Digital Download SKU: S9.Q1170 Composed by Joseph Gabriel Rheinberger. This edition: Sheet music. French horn - il corno - piano. Il Corno. Downloadable. Op. 178. Schott Music - Digital #Q1170. Published by Schott Music - Digital (S9.Q1170). Key: E flat major.Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
$18.99 ≈
¥137.65
Dichterliebe
Dichterliebe
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French Horn and Piano
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ADVANCED
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Classical
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Robert Schumann
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Layne Anspach
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Dichterliebe
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 page...
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French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99 ≈
¥398.59
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