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All Is Well Violin 2
Not classified 611

Piano & keyboards
Piano, Vocal and Guitar 34
Piano Trio: piano, violin, cello 18
Piano solo 11
C Instruments 6
Piano Quartet: piano, 2 violins, cello 5

Piano Quartet: piano, violin, viola, cello 4
Piano Quintet: piano, 2 violins, viola, cello 3
Piano Accompaniment 3
Big Note Piano 1
2 Pianos, 8 hands 1
2 Accordions 1
Easy Piano 1
Organ 1
Piano (band part) 1

+ 9 instrumentations

- Retract

Guitars
Mandolin 2
Guitar (band part) 2
Guitar 1

Voice
Choral SATB 33
Choral 3-part 7
Vocal duet 5
Choral 2-part 3
Choral Unison 1

Choral TTBB 1

+ 1 instrumentations

- Retract

Woodwind
Flute, Violin and Violoncello 9
Flute and Piano 9
Saxophone Quintet: 5 Saxophones 9
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 8
Clarinet, Violin (duet) 7

Soprano Saxophone and Piano 6
Saxophone Quartet: 4 saxophones 5
Alto Saxophone and Piano 5
Flute, Violin 5
Saxophone (band part) 5
2 Flutes (duet) 5
2 Saxophones (duet) 5
Oboe, Piano (duet) 4
3 Saxophones (trio) 4
Clarinet Quartet: 4 clarinets 4
Clarinet and Piano 4
Flute, Oboe, Clarinet, Bassoon 4
Flute, harp and violin 3
Clarinet 3
Flute, Violin, Piano 3
2 Clarinets (duet) 3
Baritone Saxophone, Piano 2
English horn, Piano 2
Flute Quintet : 5 flutes 2
Tenor Saxophone and Piano 2
Piccolo 1
Clarinet Quintet: 5 clarinets 1
Flute Quartet: 4 flutes 1
English horn, Harp (duet) 1
Flute, Oboe, Clarinet (trio) 1
3 Clarinets (trio) 1
Bass Clarinet 1
Clarinet (band part) 1
2 Oboes (duet) 1
Flute Trio: 3 flutes 1
Flute, Violin, Violoncello and Piano 1
Flute and Guitar 1
Oboe ensemble 1
Clarinet, Guitar (duet) 1
Flute 1
Flute (band part) 1
2 Clarinets, Piano 1
Oboe (band part) 1
Recorder Quartet 1
Bass Clarinet, Piano 1
English Horn, Guitar (duet) 1

+ 41 instrumentations

- Retract

Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 13
Brass Quintet: 2 trumpets, horn, trombone, tuba 11
Trombone (band part) 5
Euphonium, Piano (duet) 4
Trumpet (band part) 3

Trumpet 3
English horn, Piano 2
Trombone 2
2 French horns (duet) 2
Trombone and Piano 2
French Horn and Piano 2

2 Trumpets (duet) 2
English horn, Harp (duet) 1
Brass Quartet: 2 trumpets, horn, trombone 1
Tuba (band part) 1
French horn 1
French horn (band part) 1
Trumpet, Piano 1
2 Trombones (duet) 1
2 Euphoniums and 2 Tubas 1
English Horn, Guitar (duet) 1

+ 16 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 759
Violin 183
Violin, Cello (duet) 176
String Trio: violin, viola, cello 159
Violin and Piano 108

2 Violins (duet) 95
String Quintet: 2 violins, viola, cello, bass 56
String Trio: 2 violins, cello 46
Violin (band part) 33
Violin, Viola (duet) 33
String quartet: 4 violins 11
String Trio: 3 violins 9
Cello, Piano 9
String Quintet: 2 violins, 2 violas, cello 9
2 Cellos (duet) 9
2 Violas (duet) 8
4 Cellos 6
Viola, Piano 5
String Trio: 2 violins, viola 5
2 Violins, Piano 4
Piano Trio: Violin, Viola, Piano 3
Viola 3
String Quintet: 2 violins, viola, 2 cellos 3
Harp, Flute (duet) 2
Viola, Cello (duet) 2
Harp, Violin (duet) 2
String Trio: 3 cellos 2
Violin ensemble 2
Cello, Orchestra 1
Double Bass 1
Viola (band part) 1
Violin, Guitar (duet) 1
2 Cellos, Piano 1
Violin, Bassoon (duet) 1
Cello (band part) 1
Cello 1
Doublebass (band part) 1

+ 32 instrumentations

- Retract

Percussion & orchestra
String Orchestra 180
Jazz Ensemble 62
Concert band 49
Orchestra 28
Chamber Orchestra 14

School Ensemble 5
Brass ensemble 3
Handbells 2
Drum (band part) 2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard 1
Piano and Orchestra 1

+ 6 instrumentations

- Retract

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All Is Well Violin 2

French Horn and Piano

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2 sheet music found

Bach: Wachet auf for French Horn & Piano

Bach: Wachet auf for French Horn & Piano #French Horn and Piano #EASY #Classical #Johann Sebastian Bach #James M # #Bach: Wachet auf for French Ho #jmsgu3 #SheetMusicPlus

French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Eas...(+)

French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives â€“ in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hÃ¶rt die WÃ¤chter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six SchÃ¼bler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.

$24.95 ≈ 22.61€

Saint-Saëns: The Swan for French Horn & Piano

Saint-Saëns: The Swan for French Horn & Piano #French Horn and Piano #INTERMEDIATE #Classical #Camille Saint-Saens #James M #Saint-Saëns: The Swan for Fre #jmsgu3 #SheetMusicPlus

French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contes...(+)

French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 ≈ 29.86€