Download Digital Sheet Music of Come Lie with Me for Trombone and Piano

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Come Lie with Me
Not classified 55

Piano & keyboards
Piano solo 41
Piano, Voice 17
Organ 16
Piano, Vocal and Guitar 14
Easy Piano 9

Piano Trio: piano, violin, cello 2
Piano Accompaniment 1
Piano Quartet: piano, 2 violins, cello 1
Piano Quintet: piano, 2 violins, viola, cello 1
C Instruments 1

+ 5 instrumentations

- Retract

Guitars
Guitar 5
Guitar notes and tablatures 2
Banjo 1
2 Guitars (duet) 1

Voice
Choral SATB 41
Choral TTBB 6
Choral 3-part 5
Voice solo 4
Choral SSAA 4

Choral Unison 3
Choral 2-part 2
Vocal duet 1
Soprano voice, Piano 1
Vocal duet, Piano 1

+ 5 instrumentations

- Retract

Woodwind
Clarinet (band part) 3
2 Saxophones (duet) 2
Oboe (band part) 2
Baritone Saxophone, Piano 1
Flute, Oboe, Clarinet, Bassoon 1

Clarinet and Piano 1
Oboe, Piano (duet) 1
Flute and Piano 1
Soprano Saxophone and Piano 1
Clarinet Quartet: 4 clarinets 1
Clarinet 1
Alto Saxophone and Piano 1
Saxophone Quintet: 5 Saxophones 1
Tenor Saxophone and Piano 1
Flute 1
Flute (band part) 1
Saxophone Quartet: 4 saxophones 1
Clarinet, Guitar (duet) 1
2 Flutes, Piano 1
Flute and Guitar 1
Bass Clarinet, Piano 1

+ 16 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 6
Trumpet (band part) 3
Trombone 2
Trombone and Piano 2

Euphonium, Piano (duet) 2

Tuba (band part) 1
Tuba 1
French Horn and Piano 1
Brass Quartet: 4 horns 1
Trumpet 1
Brass Quartet: 4 trombones 1
Trombone (band part) 1
French horn (band part) 1
Tuba ensemble 1
Tuba and Piano 1
Brass quartet : 2 trumpets, trombone, tuba 1
Brass Quartet 1

+ 12 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 8
Violin and Piano 7
Cello, Piano 4
Violin (band part) 3
Viola, Piano 3

2 Violins (duet) 2
Viola (band part) 2
Harp 2
Violin 2
Doublebass (band part) 1
Harp, Voice 1
2 Cellos (duet) 1
String Trio: 2 violins, cello 1
Viola and Harp 1
Cello (band part) 1
4 Cellos 1
String Trio: violin, viola, cello 1

+ 12 instrumentations

- Retract

Percussion & orchestra
Orchestra 18
Concert band 11
Brass ensemble 6
String Orchestra 5
Handbells 3

Jazz Ensemble 2
Piano and Orchestra 1
Percussion (band part) 1

+ 3 instrumentations

- Retract

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Come Lie with Me

Trombone and Piano

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2 sheet music found

Bohm: Calm as the Night for Trombone & Piano

Bohm: Calm as the Night for Trombone & Piano #Trombone and Piano #INTERMEDIATE #Carl Bohm #James M #Bohm: Calm as the Night for Tr #jmsgu3 #SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.549413 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,W...(+)

Piano,Trombone - Level 3 - Digital Download SKU: A0.549413 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493717. Published by jmsgu3 (A0.549413). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm,Â sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohmâ€™s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. Itâ€™s no wonder they have become so popular. Â His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohmâ€™s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. HeiÃŸ wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be! Â Â Â Â Â

$26.95 ≈ 24.87€

Concerto for Trombone and Piano accompaniment (piano reduction)

Concerto for Trombone and Piano accompaniment (piano reduction) #Trombone and Piano #ADVANCED #Cherry Classics Music #John, W #Concerto for Trombone and Pian #Gordon Cherry #SheetMusicPlus

Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. ...(+)

Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

$35.00 ≈ 32.30€