Download Digital Sheet Music of L Gounod for Clarinet and Piano

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L Gounod
Not classified 12

Piano & keyboards
Piano, Voice 166
Piano solo 66
Easy Piano 2

Guitars
Guitar 7

Voice
Voice solo 18
Choral SATB 6
Choral 3-part 2
Tenor voice, Piano 2
Choral 2-part 1

Low voice, Piano 1
Baritone voice, Piano 1

+ 2 instrumentations

- Retract

Woodwind
Clarinet 21
Recorder 18
Saxophone 17
Flute 17
Flute and Piano 5

Oboe 4
2 Saxophones (duet) 4
Clarinet and Piano 2

Oboe, Piano (duet) 2
Alto Saxophone and Piano 2
2 Clarinets (duet) 1
Recorder, Harp 1
2 Flutes (duet) 1
Flute, Oboe, Clarinet, Bassoon 1
Baritone Saxophone, Piano 1
Tenor Saxophone 1
Alto Saxophone 1
Tenor Saxophone and Piano 1

+ 13 instrumentations

- Retract

Woodbrass
French horn 11
Trumpet 9
Trombone 5
Euphonium 4
Tuba 2

Trumpet, Piano 2
2 French horns (duet) 1
2 Trombones (duet) 1
2 Euphoniums (duet) 1
2 Trumpets (duet) 1
2 Euphoniums and 2 Tubas 1
Euphonium, Piano (duet) 1
Trombone and Piano 1

+ 8 instrumentations

- Retract

Strings
Violin 22
Cello 11
Viola 10
String Quartet: 2 violins, viola, cello 6
Violin and Piano 2

2 Cellos (duet) 1
Cello, Piano 1
2 Violins (duet) 1
2 Violas (duet) 1

+ 4 instrumentations

- Retract

Percussion & orchestra
Concert band 2
Brass ensemble 1

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L Gounod

Clarinet and Piano

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2 sheet music found

Charles Gounod: L'Air Des Bijoux for Clarinet in A and Piano

Charles Gounod: L'Air Des Bijoux for Clarinet in A and Piano #Clarinet and Piano #ADVANCED #Classical #Charles Francois Gounod #Charles Gounod: L'Air Des Bijo #Musica Solis #SheetMusicPlus

Piano Accompaniment, Clarinet - Advanced - Digital Download Composed by Charles Francois Gounod (1818-1893). Arranged by Seunghee Lee. Romantic Period,...(+)

Piano Accompaniment, Clarinet - Advanced - Digital Download Composed by Charles Francois Gounod (1818-1893). Arranged by Seunghee Lee. Romantic Period, Opera, Anniversary, Wedding, Recital. Piano Reduction, Score, Solo Part. 13 pages. Published by Musica Solis
Composed by Charles Gounod (1818-1893). Transcribed for clarinet in A and piano by Seunghee Lee. Romantic Period. Alternative Bb clarinet part included. Piano (9 pages) Clarinet (4 pages) Published by Music Solis.

$9.99

Bach-Gounod: Ave Maria for Clarinet and Piano

Bach-Gounod: Ave Maria for Clarinet and Piano #Clarinet and Piano #EASY #Classical #J #Colin Kirkpatrick #Bach-Gounod: Ave Maria for Cla #Colin Kirkpatrick Publications #SheetMusicPlus

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction...(+)

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.

$7.95