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You've selected:
Mountains
intermediate
Flute and Piano
Sheetmusic to print
10 sheet music found
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1
Knight of the Far Mountains - Flute & Piano
Knight of the Far Mountains - Flute & Piano
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Flute and Piano
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INTERMEDIATE
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James Michael Stevens
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James Michael Stevens
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Knight of the Far Mountains -
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James M Stevens Music ASCAP
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.573881 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Sacred...
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Flute,Piano - Level 3 - Digital Download SKU: A0.573881 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Sacred,World. Score and part. 7 pages. James M Stevens Music ASCAP #6132641. Published by James M Stevens Music ASCAP (A0.573881). Written November 18, 2020, this is an original flute & piano composition in a minimalist style in the key of E minor. There is a separate flute part in the score and the piano as seen can serve as a stand alone solo. The YouTube recording and MP3 contains added ambient orchestration. However there are two tracks are available under Knight of the Far Mountains PIANO ONLY Track or Knight of the Far Mountains Accompaniment Track which contains the ambient YT orchestration.
$6.99 ≈
£5.41
Run, Run to the Mountains - Flute & Piano
Run, Run to the Mountains - Flute & Piano
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Flute and Piano
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INTERMEDIATE
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James Michael Stevens
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James Michael Stevens
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Run, Run to the Mountains - Fl
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James M Stevens Music ASCAP
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.572789 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,E...
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Flute,Piano - Level 3 - Digital Download SKU: A0.572789 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Folk,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #4285369. Published by James M Stevens Music ASCAP (A0.572789). This is an original composition for Flute and Piano in a distant, folk like style in the key of D minor at the intermediate level. There is a separate flute part in the score and the track as heard is available under Run, Run to the Mountains Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://www.youtube.com/watch?v=gf6M5edD6Us
$5.50 ≈
£4.25
Smoke on the Mountains - Flute & Piano
Smoke on the Mountains - Flute & Piano
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Flute and Piano
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INTERMEDIATE
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Contemporary
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James Michael Stevens
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James Michael Stevens
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Smoke on the Mountains - Flute
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James M Stevens Music ASCAP
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.573164 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Concert,Easter...
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Flute,Piano - Level 3 - Digital Download SKU: A0.573164 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Concert,Easter,New Age. Score and part. 8 pages. James M Stevens Music ASCAP #4896835. Published by James M Stevens Music ASCAP (A0.573164). Written Nov. 9, 2019, this is an original flute and piano composition in the key of D minor. Begins simply with a minimalist feel, gradually crescendos with some powerful low chords below with a soaring melody above, and then falls off in the distance. There is a separate flute part in the score. The piano part as seen can serve as a stand alone solo. The track as heard can be found under Smoke on the Mountains Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99 ≈
£5.41
Reflections of Water for Flute and Piano
Reflections of Water for Flute and Piano
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Flute and Piano
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INTERMEDIATE
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Phyllis Avidan Louke
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Reflections of Water for Flute
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Louke Publishing
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.736263 Composed by Phyllis Avidan Louke. Contest,Festival,Folk,Holiday. Score and part. 15 pages. Louke ...
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Flute,Piano - Level 3 - Digital Download SKU: A0.736263 Composed by Phyllis Avidan Louke. Contest,Festival,Folk,Holiday. Score and part. 15 pages. Louke Publishing #3479837. Published by Louke Publishing (A0.736263). PROGRAM NOTESReflections of Water for Flute & Pianoby Phyllis Avidan Louke 1. A Cool Mountain Streamhttp://www.phyllislouke.com/wp-content/uploads/2015/08/1.-Reflections-of-Water-mvmt-1.mp3 2. A Quiet Morning on the Lakehttp://www.phyllislouke.com/wp-content/uploads/2015/08/2.-Reflections-of-Water-mvmt-2.mp3 3. Frolic in the Surfhttp://www.phyllislouke.com/wp-content/uploads/2015/08/3.-Reflections-of-Water-mvmt-3.mp3 This piece was written in memory of my father. So many childhood memories of Dad revolved around water-summer vacations spent with my family camping by a mountain stream, fishing in a lake and outings to ocean beaches near my childhood home in Southern California. This programmatic work is in three movements. A Cool Mountain Stream utilizes the pentatonic scale to depict a stream as it meanders along, frequently bouncing over rocks and sometimes heading down a slope, eventually ending in a small waterfall that empties into a deep pool. During a summer vacation, my family camped by a stream that was a natural waterslide. We spent many happy hours sliding down the waterslide into the pool below.A Quiet Morning on the Lake uses the repetitive rocking motion of the piano to represent the soothing motion of the rowboat as I spent summer vacations fishing for trout with my dad on a quiet lake in the San Bernardino Mountains.Frolic in the Surf brings out the playfulness felt at the ocean beach, while getting used to the water temperature and trying to predict when the waves will hit the shore. Many summer days were spent on Southern California beaches with family and friends, body surfing, tanning and simply playing in the waves. Scored for flute and piano. 5:00 Level 3 Phyllis Avidan Louke (b. 1954), a flutist, teacher, and award-winning composer, living in Portland, Oregon, has been arranging and composing since 1990, with over 70 pieces published. Many of her works have received recognition in the annual National Flute Association Newly Published Music Competition and other composition competitions. Ms. Louke has also been the recipient of annual ASCAP awards since 2004. Her compositions and arrangements have been much-performed nationally and internationally and many have been recorded. She is also the co-author of an award-winning series of pedagogical publications for the flute published by Theodore Presser Company. Her music is published by Theodore Presser Company, ALRY Publications, Falls House Publications, Fabulous Flute Music Company, Nourse Wind Publications, and SMP Publications. For more information on compositions by Phyllis Avidan Louke, go to http://www.phyllislouke.com/compositions/
$15.00 ≈
£11.60
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flute and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romant...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
£15.43
Iceland
Iceland
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Flute and Piano
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INTERMEDIATE
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New Age
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Contemporary
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Beth West
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Iceland
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Beth West
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.1082089 Composed by Beth West. Contemporary,New Age. Score and part. 12 pages. Beth West #686224. Publis...
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Flute,Piano - Level 3 - Digital Download SKU: A0.1082089 Composed by Beth West. Contemporary,New Age. Score and part. 12 pages. Beth West #686224. Published by Beth West (A0.1082089). The beautiful, mysterious country of Iceland with its snow-capped mountains, wild horses, and black beaches inspired this piece, and the seagulls flying through the Canyon of Glymur almost wrote the flute part themselves! Piano and flute are each highlighted with solo parts and then weave together for a stunning climax. This is a perfect showcase piece for a performance that takes the listener on a journey to a magical place.
$8.00 ≈
£6.19
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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Flute and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romant...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
£15.43
Picos da Europa for flute, piano and cello
Picos da Europa for flute, piano and cello
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Flute and Piano
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INTERMEDIATE
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Mário Chan
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Picos da Europa for flute, pia
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Mário Chan
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SheetMusicPlus
Cello,Flute,Piano - Level 3 - Digital Download SKU: A0.1010014 Composed by Mário Chan. Classical,Film/TV,Romantic Period. 3 pages. Mário Chan #3055...
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Cello,Flute,Piano - Level 3 - Digital Download SKU: A0.1010014 Composed by Mário Chan. Classical,Film/TV,Romantic Period. 3 pages. Mário Chan #30559. Published by Mário Chan (A0.1010014). A music about the trip in the mountains. intermediate with a mix of classical and romantique style.
$4.99 ≈
£3.86
Walking In March
Walking In March
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Flute and Piano
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INTERMEDIATE
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Kevin Goode
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Walking In March
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KMG77Music
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SheetMusicPlus
Small Ensemble Cello,Flute,Piano - Level 3 - Digital Download SKU: A0.1003261 Composed by Kevin Goode. 20th Century,Contemporary,Romantic Period. Score a...
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Small Ensemble Cello,Flute,Piano - Level 3 - Digital Download SKU: A0.1003261 Composed by Kevin Goode. 20th Century,Contemporary,Romantic Period. Score and parts. 7 pages. KMG77Music #43541. Published by KMG77Music (A0.1003261). Walking in March, thoughts, cars, mountains and towns. There is something special about March.
$4.99 ≈
£3.86
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