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Flute and Piano
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7 sheet music found
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1
Joy to the World/How Great Our Joy--flute solo
Joy to the World/How Great Our Joy--flute solo
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Flute and Piano
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ADVANCED
#
Classical
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George Frideric Handel, Hugo J
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Beka Wilson
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Joy to the World/How Great Our
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Beka Wilson
#
SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.786742 Composed by George Frideric Handel, Hugo Jungst. Arranged by Beka Wilson. Christian,Christmas,Sac...
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Flute,Piano - Level 5 - Digital Download SKU: A0.786742 Composed by George Frideric Handel, Hugo Jungst. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 6 pages. Beka Wilson #6423071. Published by Beka Wilson (A0.786742). This is a fresh, exciting arrangement of two classic Christmas hymns. This would be a perfect Christmas concert piece or church special around the holidays.Length: around 2.5 minutesLevel: advanced for most instruments6 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. A flex flute choir/ensemble version is also available. Want this piece for a different instrument? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99 ≈
6.40€
Christ the Lord is Risen Today--flute solo
Christ the Lord is Risen Today--flute solo
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Flute and Piano
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ADVANCED
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Charles Wesley, Robert William
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Beka Wilson
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Christ the Lord is Risen Today
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Beka Wilson
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.786610 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sac...
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Flute,Piano - Level 5 - Digital Download SKU: A0.786610 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. Score and part. 7 pages. Beka Wilson #6322531. Published by Beka Wilson (A0.786610). Christ the Lord is Risen Today by Charles Wesley is one of the classic favorites for celebrating the Resurrection. It would be a perfect special music piece for Easter, communion, or any other church service.This arrangement is also available as a solo for voice, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.Length: approximately 3 minutes Level: advanced (for instrumental)7 pages (includes score and separate solo part)Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99 ≈
6.40€
This Is My Father's World--flute solo
This Is My Father's World--flute solo
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Flute and Piano
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ADVANCED
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Sacred music
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Gospel/Spiritual
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Maltbie D
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Beka Wilson
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This Is My Father's World--flu
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Beka Wilson
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.786560 Composed by Maltbie D. Babcock, Franklin L. Sheppard. Arranged by Beka Wilson. Celtic,Christian,G...
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Flute,Piano - Level 5 - Digital Download SKU: A0.786560 Composed by Maltbie D. Babcock, Franklin L. Sheppard. Arranged by Beka Wilson. Celtic,Christian,Gospel,Sacred. Score and part. 8 pages. Beka Wilson #6257183. Published by Beka Wilson (A0.786560). This Celtic-style advanced instrumental solo of This Is My Father’s World is perfect for a prelude, offertory, or other special music piece for church. This arrangement is also available as a solo for oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. A vocal version of this arrangement will be made available soon. Length: approximately 3 minutes Key: Concert D (E for B flat instruments, B for E flat instruments, A for F instruments)8 pages (includes score and separate solo part)Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99 ≈
6.40€
Ding Dong Merrily On High--flute solo
Ding Dong Merrily On High--flute solo
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Flute and Piano
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ADVANCED
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Christmas
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George Ratcliffe Woodward, Tho
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Beka Wilson
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Ding Dong Merrily On High--flu
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Beka Wilson
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.786778 Composed by George Ratcliffe Woodward, Thoinot Arbeau. Arranged by Beka Wilson. Christian,Christm...
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Flute,Piano - Level 5 - Digital Download SKU: A0.786778 Composed by George Ratcliffe Woodward, Thoinot Arbeau. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 7 pages. Beka Wilson #6439595. Published by Beka Wilson (A0.786778). This new arrangement of Ding Dong Merrily On High for instrumental solo will make this piece an excellent addition to a holiday concert, recital, or church service.Length: around 3 minutesLevel: advanced for most instruments7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99 ≈
6.40€
Flûte en suite
Flûte en suite
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Flute and Piano
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ADVANCED
#
Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano ...
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Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99 ≈
51.25€
Friction
Friction
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Flute and Piano
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ADVANCED
#
Contemporary
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Panayiotis Kokoras
#
Friction
#
Panayiotis Kokoras
#
SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. Wit...
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments couple. 37 pages. Panayiotis Kokoras #431113. Published by Panayiotis Kokoras (A0.1002844). Friction was composed at the beginning for the 8th International Academy for New Composition and Audio Art Avantgarde Schwaz 2000 (Tirol/ Austria), during the Summer 2000. The initial line up adjusted to the Academie’s ensemble in residence Het trio (Flute, Bass Clarinet, Piano) plus Alto Saxophone. Almost One year later I revised the piece and slightly changed the instrumentation, using Violoncello instead of Alto Sax. That gave to the piece more timbral variety with better balance as well as expressed better the work’s musical idea. The starting point of the work is the characteristics of Friction a real world sounding event, which then is abstracted and applied to form the idea for the compositional process. The work has three main sections. The first section is quite homophonic and harmonic; the middle one is inharmonic and energetic and works as crossfade to the last section, which is characterized as a more linear with repeated patterns. The transformation from one section to another is the most important and long part of the composition. It is a kind of transformation of the sound itself, a timbral exploration of the characteristics of the initial idea. Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments coupled with the use of unconventional objects treated as musical instruments or extensions of them (boxes, plastic or metal cards etc). That allows a better development, control and transformation of the sound. Friction was awarded the Second Prize at The Second Seoul International Competition for Composers in Seoul/ Korea and was Finalist at The Ensemble Eleven Young Composers Competition 2002 in Manchester/ United Kingdom. - Panayiotis Kokoras, York 2001-.
$20.00 ≈
18.31€
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