Download Digital Sheet Music of String Orchestra for Flute and Piano

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String Orchestra
Not classified 266

Piano & keyboards
Piano solo 11
Piano Trio: piano, violin, cello 5
2 Pianos, 4 hands 4
Piano, Voice 3
Organ 2

Accordion and Orchestra 1
Organ, Piano (duet) 1
Piano, Vocal and Guitar 1
1 Piano, 4 hands 1

+ 4 instrumentations

- Retract

Guitars
Lute 1
Guitar 1
Piano, Guitar (duet) 1
Guitar notes and tablatures 1

Voice
Choral SATB 18
Choral TTBB 3
Voice solo 1
Choral 3-part 1

Woodwind
Saxophone Quintet: 5 Saxophones 8
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 6
Clarinet Ensemble 3
Alto Saxophone 2
English horn, Piano 2

Flute Quintet : 5 flutes 2
Flute and Piano 2

Clarinet, Orchestra 2
Clarinet Quintet: 5 clarinets 1
Saxophone Quartet: 4 saxophones 1
Clarinet Quartet: 4 clarinets 1
2 Oboes (duet) 1
Clarinet and Piano 1
Flute, Orchestra 1
Alto Saxophone and Piano 1
Recorder Ensemble 1
Flute, Oboe, Clarinet, Bassoon 1
3 Clarinets (trio) 1

+ 13 instrumentations

- Retract

Woodbrass
Trombone and Piano 4
Trumpet, violin (duet) 3
Trumpet ensemble 2
English horn, Piano 2
Brass Quintet: 2 trumpets, horn, trombone, tuba 2

Brass quartet : 2 trumpets, trombone, tuba 2
Euphonium, Piano (duet) 2
Trombone ensemble 2
Trombone 1
Tuba 1
Trumpet, Piano 1
Trombone and Orchestra 1
2 Trumpets, Keyboard (piano or organ) 1
Tuba and Piano 1
French horn 1
Trombone, Organ 1
French Horn and Piano 1
Bass Trombone and Piano 1

+ 13 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 94
Violin 15
Violin and Piano 13
String Trio: violin, viola, cello 8
Harp, Violin (duet) 6

String Trio: 2 violins, cello 5
Double bass, Piano (duet) 5
String Quintet: 2 violins, viola, cello, bass 5
Double Bass 4
Violin, Viola (duet) 4
Violin, Cello (duet) 4
Cello (band part) 3
2 Violins (duet) 3
Cello, Orchestra 3
Violin, Guitar (duet) 3
Harp, String quartet 3
Cello, String Bass (duet) 3
Violin (band part) 3
Viola ensemble 2
Viola, Piano 2
Harp, Orchestra 2
Harp 2
Cello, Piano 1
Cello 1
2 Cellos (duet) 1
Cello, Organ 1
4 Harps 1
Violin ensemble 1
Viola 1
Viola and orchestra 1

+ 25 instrumentations

- Retract

Percussion & orchestra
String Orchestra 517
Orchestra 215
Chamber Orchestra 142
Jazz Ensemble 8
Concert band 7

Piano and Orchestra 4
Jazz combo 3
Brass ensemble 3
Orchestra, Violin 3
Big band 2
Percussion Ensemble 2

+ 6 instrumentations

- Retract

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String Orchestra

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Flute and Piano

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2 sheet music found

Tempest-Concerto for Flute and Orchestra (Piano Reduction)

Tempest-Concerto for Flute and Orchestra (Piano Reduction) #Flute and Piano #ADVANCED #Contemporary #Douglas Knehans #Tempest-Concerto for Flute and #Armadillo Edition #SheetMusicPlus

Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081....(+)

Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society

$35.00 ≈ 32.44€

Flûte en suite

Flûte en suite #Flute and Piano #ADVANCED #Joerg Widmann #Flûte en suite #Schott Music - Digital #SheetMusicPlus

Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano ...(+)

Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This â€šSuiteâ€™ is not one of my â€˜epicâ€™ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights â€“ acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my FlÃ»te en suite. JÃ¶rg WidmannThis â€šSuiteâ€™ is not one of my â€˜epicâ€™ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my FlÃ»te en suite. JÃ¶rg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) Â· 3 (2. auch Ob. dâ€™am., 3. auch Engl. Hr.) Â· 0 Â· 3 (3. auch Kfg.) - 4 Â· 4 Â· 3 Â· 1 - S. (Glsp. Â· Vibr. Â· 3 hg. Beck. [h./m./t.] Â· chin. Beck. Â· 4 Gongs Â· 4 Buckelgongs Â· 2 Tamt. [m./t.] Â· Wassertamt. Â· gr. Tr. Â· Metal Chimes Â· Peitsche) (2 Spieler) - Hfe. Â· Cel. (auch Cemb.) - Str. (10 Â· 8 Â· 6 Â· 4 Â· 3).

$55.99 ≈ 51.90€