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String Play for All
Not classified 259

Piano & keyboards
Piano Trio: piano, violin, cello 3
Organ 3
2 Pianos, 4 hands 2
Accordion and Orchestra 1
Piano solo 1

Piano Quintet: piano, 2 violins, viola, cello 1
Piano Quartet: piano, violin, viola, cello 1

+ 2 instrumentations

- Retract

Guitars
Guitar notes and tablatures 5
Guitar 5
Bass guitar 2
Banjo 2

Voice
Choral SATB 1
Baritone voice, Piano 1

Woodwind
Clarinet Quartet: 4 clarinets 7
Saxophone Quintet: 5 Saxophones 6
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 5
Flute, Oboe, Clarinet, Bassoon 4
Flute and Piano 3

Saxophone Quartet: 4 saxophones 3
Flute Quintet : 5 flutes 2
Clarinet 2
Clarinet Ensemble 2
Oboe (band part) 2
Flute ensemble 2
Flute 2
English horn, Piano 1
3 Clarinets (trio) 1
Saxophone ensemble 1
Treble (Alto) Recorder, Piano 1
2 Oboes (duet) 1
Recorder Quartet 1

+ 13 instrumentations

- Retract

Woodbrass
Trombone and Piano 7
Trumpet, Piano 3
Trumpet ensemble 2
Brass quartet : 2 trumpets, trombone, tuba 2
Trumpet 2

Trombone ensemble 2
English horn, Piano 1
French horn 1

+ 3 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 142
String Trio: violin, viola, cello 40
Violin 31
Viola 16
Cello 15

Violin, Viola (duet) 12
Violin and Piano 9
Double bass, Piano (duet) 8
Double Bass 6
Violin, Cello (duet) 6
String Trio: 2 violins, cello 5
Harp 4
Harp, Violin (duet) 3
Viola ensemble 2
Violin (band part) 2
String Quartet : 4 violas 2
Cello, Piano 2
2 Cellos (duet) 2
String Trio: 3 violins 2
Viola, Piano 1
2 Violins (duet) 1
4 Double Basses 1
4 Harps 1
String Quintet: 2 violins, viola, cello, bass 1
String quartet: 4 violins 1
Violin ensemble 1
Viola, Guitar (duet) 1
Cello, String Bass (duet) 1
String Trio: 2 violins, viola 1
4 Cellos 1

+ 25 instrumentations

- Retract

Percussion & orchestra
String Orchestra 51
Orchestra 38
Chamber Orchestra 33
Concert band 4
Jazz Ensemble 2

Piano and Orchestra 1
Orchestra, Violin 1

+ 2 instrumentations

- Retract

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String Play for All

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Flute and Piano

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3 sheet music found

Tempest-Concerto for Flute and Orchestra (Piano Reduction)

Tempest-Concerto for Flute and Orchestra (Piano Reduction) #Flute and Piano #ADVANCED #Contemporary #Douglas Knehans #Tempest-Concerto for Flute and #Armadillo Edition #SheetMusicPlus

Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081....(+)

Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society

$35.00

Flûte en suite

Flûte en suite #Flute and Piano #ADVANCED #Joerg Widmann #Flûte en suite #Schott Music - Digital #SheetMusicPlus

Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano ...(+)

Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This â€šSuiteâ€™ is not one of my â€˜epicâ€™ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights â€“ acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my FlÃ»te en suite. JÃ¶rg WidmannThis â€šSuiteâ€™ is not one of my â€˜epicâ€™ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my FlÃ»te en suite. JÃ¶rg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) Â· 3 (2. auch Ob. dâ€™am., 3. auch Engl. Hr.) Â· 0 Â· 3 (3. auch Kfg.) - 4 Â· 4 Â· 3 Â· 1 - S. (Glsp. Â· Vibr. Â· 3 hg. Beck. [h./m./t.] Â· chin. Beck. Â· 4 Gongs Â· 4 Buckelgongs Â· 2 Tamt. [m./t.] Â· Wassertamt. Â· gr. Tr. Â· Metal Chimes Â· Peitsche) (2 Spieler) - Hfe. Â· Cel. (auch Cemb.) - Str. (10 Â· 8 Â· 6 Â· 4 Â· 3).

$55.99

Cadenza

Cadenza #Flute and Piano #ADVANCED #Contemporary #Peter Le Tissier #Cadenza #Peter Le Tissier #SheetMusicPlus

Cello,Flute,Piano - Level 5 - Digital Download SKU: A0.1216424 Composed by Peter Le Tissier. Classical,Contemporary. 4 pages. Peter Le Tissier #813031. P...(+)

Cello,Flute,Piano - Level 5 - Digital Download SKU: A0.1216424 Composed by Peter Le Tissier. Classical,Contemporary. 4 pages. Peter Le Tissier #813031. Published by Peter Le Tissier (A0.1216424). The 'Cadenza' for Flute, Cello, and Piano, was written in late 2018 and updated in the Spring of 2019 for its first performance in London of that year with the Epoch Ensemble. The work is written for highly skilled players, and utilises three sections where the Flute and Cello begin far apart, merge together and then distance onesful from one another again. The piano part is based on the note 'A', and this pitch locks the whole structure together.The piece should be performed with all players using the full score, as the simultaneous use of free-time and very strict coordination requires all players to be aware of what is going on around them. The cello will need to detune their lowest C-string so that its fundamental pitch is now A, and the part has been written such that the fourth string is a transposing line, so that the player can read as if it were in C for the purposes of fingerings, with the sounding pitch a minor third lower.Any performances, particularly those that are local or national premiÃ¨res, must be made aware of by the composer, who appreciates all opportunities for performances.

$16.99