Download Digital Sheet Music of They Can for Flute and Piano

All site ▾

My account (log-in)

EUR €USD $GBP £CAD $CNY ¥

Français

Free Sheet Music ▾
Digital Sheet Music
Music Sheet Library ▾
Musical Equipment ▾

They Can
Not classified 113

Piano & keyboards
Piano solo 59
Piano, Voice 10
Organ 6
2 Pianos, 4 hands 2
Piano Quartet: piano, 2 violins, cello 1

Piano Quartet: piano, violin, viola, cello 1
Piano, Vocal and Guitar 1

+ 2 instrumentations

- Retract

Guitars
Guitar 6
Bass guitar 2
Guitar Ensemble 1

Voice
Choral SATB 13
Soprano voice, Piano 6
Choral SSAA 4
Choral TTBB 2
Choral 3-part 1

Vocal duet, Piano 1
High voice 1
Medium voice, Piano 1
Choral 2-part 1

+ 4 instrumentations

- Retract

Woodwind
Oboe (band part) 14
Clarinet 14
2 Flutes (duet) 13
Saxophone Quartet: 4 saxophones 10
Clarinet Quartet: 4 clarinets 5

Flute 5
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 4
2 Saxophones (duet) 4
Clarinet Ensemble 3
Flute and Piano 3

2 Clarinets (duet) 2
Clarinet, Cello, Piano (trio) 1
Alto Saxophone and Piano 1
Clarinet Quintet: 5 clarinets 1
Flute, Oboe, Piano (trio) 1
Alto Saxophone 1
Clarinet and Piano 1
English Horn 1
Baritone Saxophone, Piano 1
Oboe, Bassoon and Piano 1
Flute, Oboe (duet) 1
Saxophone ensemble 1
Piccolo 1
Saxophone Quintet: 5 Saxophones 1
Flute Quintet : 5 flutes 1
Bass Clarinet, Piano 1
Tenor Saxophone and Piano 1
Flute, Oboe, Clarinet, Bassoon 1
Recorder Quartet 1
Soprano Saxophone and Piano 1
Oboe, Piano (duet) 1

+ 26 instrumentations

- Retract

Woodbrass
French horn 8
Trumpet 8
Brass quartet : 2 trumpets, trombone, tuba 7
Trombone and Piano 5
French Horn and Piano 3

Euphonium, Piano (duet) 3
Tuba and Piano 3
Brass Quintet: 2 trumpets, horn, trombone, tuba 2
Tuba 2
Trumpet, Piano 2
Trumpet (band part) 1
English Horn 1
Bass Trombone and Piano 1
Trombone (band part) 1
Trombone 1
Trombone ensemble 1
Bass Trombone 1

+ 12 instrumentations

- Retract

Strings
Violin 10
String Quartet: 2 violins, viola, cello 9
2 Violins (duet) 6
Violin and Piano 6
Viola 4

Violin, Guitar (duet) 3
Double Bass 2
Cello (band part) 2
2 Cellos (duet) 2
Harp 2
Cello, Piano 1
Cello 1
4 Double Basses 1
Viola, Piano 1
String Quintet: 2 violins, viola, cello, bass 1
Violin, Clarinet, Piano (trio) 1
Harp, Violin (duet) 1
Violin, Cello (duet) 1

+ 13 instrumentations

- Retract

Percussion & orchestra
Orchestra 25
Concert band 17
Chamber Orchestra 8
Jazz Ensemble 3
String Orchestra 3

Brass ensemble 2
Percussion Ensemble 2
Handbells 1
Piano and Orchestra 1
Jazz combo 1

+ 5 instrumentations

- Retract

Others

Home Best Sellers

New releases Methods Studies

Sellers

AmericansAt Musicnotes At Sheetmusicplus At Virtualsheetmusic
EuropeansAt Tomplay At Prof-Editions At Note4piano At Noviscore At Quickpartitions

International artists list

French artists list

Top artists

POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener

FREE SHEET MUSIC
185,000+ free sheet music

SHEET MUSIC LIBRARY
1,500,000+ buy and delivery

DIGITAL SHEET MUSIC
2,000,000+ buy and print

MUSICAL INSTRUMENTS
200,000+ buy and delivery

Sheet Music Membership ($37.75/year)

Digital sheet music, access after purchasing

Post mailing Digital sheet music

Sorting and filtering :

with audio

with video

with play-along

You've selected:

They Can

expert

Flute and Piano

Sheetmusic to print

3 sheet music found

Guthrie: Toccata Agitato for Flute & Piano

Guthrie: Toccata Agitato for Flute & Piano #Flute and Piano #ADVANCED #James M #Guthrie: Toccata Agitato for F #jmsgu3 #SheetMusicPlus

Flute,Piano - Level 5 - Digital Download SKU: A0.1384671 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score ...(+)

Flute,Piano - Level 5 - Digital Download SKU: A0.1384671 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 27 pages. Jmsgu3 #968948. Published by jmsgu3 (A0.1384671). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.

$32.95

Salome Tanz (Dance of the Seven Veils)

Salome Tanz (Dance of the Seven Veils) #Flute and Piano #ADVANCED #James Strauss #James Strauss #Salome Tanz #James Strauss #SheetMusicPlus

Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contempora...(+)

Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer LoÃ¯e Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.

$29.99

Sonata for Flute and Piano, Op. 12

Sonata for Flute and Piano, Op. 12 #Flute and Piano #ADVANCED #Tyler J #Sonata for Flute and Piano, Op #TJHoltMusic #SheetMusicPlus

Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. S...(+)

Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright Â© Tyler J. Holt, Composer.

$20.00