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All instrument Instrument en Do et Piano
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12 sheet music found
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1
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flute and Piano
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INTERMEDIATE
#
Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romant...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
£15.23
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
#
Flute and Piano
#
INTERMEDIATE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romant...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
£15.23
Pachelbel: Canon for Alto Flute & Piano
Pachelbel: Canon for Alto Flute & Piano
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Flute and Piano
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INTERMEDIATE
#
Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Flut
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pag...
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Flute,Piano - Level 3 - Digital Download SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386271. Published by jmsgu3 (A0.548462). Pachelbel's Canon arranged for alto flute & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$26.95 ≈
£20.57
Another One Bites The Dust
Another One Bites The Dust
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Flute and Piano
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EASY
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Rock
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Queen
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Jeff Tincher
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Another One Bites The Dust
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Jeff Tincher
#
SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.582697 By Queen. By John Deacon. Arranged by Jeff Tincher. Rock. Score and part. 35 pages. Jeff Tincher ...
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Flute,Piano - Level 2 - Digital Download SKU: A0.582697 By Queen. By John Deacon. Arranged by Jeff Tincher. Rock. Score and part. 35 pages. Jeff Tincher #3478009. Published by Jeff Tincher (A0.582697). This is a C instrument and Piano arrangement of one of Queen's biggest hits. In the original key from their The Game and Greatest Hits CDs, great for any live venue. I like to arrange songs that are both great for the listener and fun for the performers. This arrangement allows the instrumentalists to do more than just play their instruments. The arrangement has instrumentalists stomp and handclap to simulate the heavy beat of the song at different points of the performance (the MP3 uses a concert bass drum for the sound of the stomp). Duration=3:31. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music,https://www.facebook.com/jefftincherpublishing
$5.99 ≈
£4.57
Korean Simple Suite No.1 (For Flute and Piano)
Korean Simple Suite No.1 (For Flute and Piano)
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.511807 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic P...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.511807 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,World. Score and parts. 27 pages. Han-Ki Kim #6362069. Published by Han-Ki Kim (A0.511807). Korean Simple Suite No.1 For Flute and Piano is consist of 5 movements.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). Originaly, this piece was composed for Violin and Piano, and Dedicated to Andreas Buschatz, Concertmaster of Leipzig Gewandhaus Orchestra.  All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La).1st movement(Prologue-Greeting) is just for a Greeting. And for 2nd movement(Oriental Flute), there is tried to express oriental flute's feeling, and for 3rd movement(Cheerfulness), adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement(Sorrow) is major key, but it has a deep sorrow. For Finale(Festival), Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music. Attached music file is recorded by Violin and Piano, it's just for a reference.
$14.99 ≈
£11.44
Four Hispanic Children’s Songs for Flute or Oboe and Piano
Four Hispanic Children’s Songs for Flute or Oboe and Piano
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Flute and Piano
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EASY
#
Traditional
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William Pagan-Perez
#
#
Four Hispanic Children’s Son
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William Pagan-Perez
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.933816 Composed by Traditional. Arranged by William Pagan-Perez. Chi...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.933816 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and parts. 22 pages. William Pagan-Perez #3023279. Published by William Pagan-Perez (A0.933816). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serenà About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children. Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class. --------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas lÃneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodÃas expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez. Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases.
$8.95 ≈
£6.83
A Quiet Meditation On Old Hundredth, for Flute and Piano
A Quiet Meditation On Old Hundredth, for Flute and Piano
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Flute and Piano
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INTERMEDIATE
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Traditional
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Nigel Williams
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A Quiet Meditation On Old Hund
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Nigel Williams
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.763653 Composed by Traditional. Arranged by Nigel Williams. Concert,Instructional,Sacred,Standards,World...
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Flute,Piano - Level 3 - Digital Download SKU: A0.763653 Composed by Traditional. Arranged by Nigel Williams. Concert,Instructional,Sacred,Standards,World. Score and part. 8 pages. Nigel Williams #6239693. Published by Nigel Williams (A0.763653). This popular chorale melody is sung to the texts Praise God, from Whom All Blessings Flow, and All People that on Earth do Dwell. This quiet and gentle arrangement is appropriate in a service of worship at any time during the year as a prelude or offertory. It is also excellent High School student recital repertoire. Each instrument has an opportunity to lead and to accompany and the full score has individual parts attached. Enjoy browsing my extensive selection of flute and piano arrangements available on SMP.
$4.99 ≈
£3.81
D'amore Si Muore (Milva Version)
D'amore Si Muore (Milva Version)
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Flute and Piano
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INTERMEDIATE
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Milva
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Eileen Gilligan
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D'amore Si Muore
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The Flautist
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by ...
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Traditional. Score and part. 9 pages. The Flautist #1017083. Published by The Flautist (A0.1437015). D'Amore Si Muore is an excellent way to practice words, expression and phrasing. In this case variations on “love you ” all the way through.Relates brilliantly to Melodious Studies number 11, 13, 14 and also 8.I am a big fan of playing slowly and having absolute control of everything I do down to the last detail and a melody like this is a great tool to practice this. I don’t believe one can play fast before control over slow playing and expression is mastered.Our most natural instrument is our voice . Singing and playing this melody is a terrific way to bridge the gap between the metal flute and one’s voice. The outcome is an amazing resonance ,musical quality in the tone and natural phrasing.Moyse was asked what he thought the French School of flute playing was and he answered” being able to sound like other instruments”. We have to start with the first port of call – our voice.The words you can use for phrasing are ” love you , love you , love you , love you, love you so.” “I really love you so much” ” I really love you so” etc all the way through . You can make up your own.It is worth singing and playing this through. By that I mean play 2 notes, sing 2 and play 2 all the way through without interrupting the musical flow, resonance and tone quality. Great for practising going between singing and playing quickly.Love was a favourite word of Moyse and Wibb. I see why!. It innately has so much expression, warmth, opens up the mouth and in Moyse’s words “scoops the last spoonful of mayonnaise from the jar. ” You definitely can’t say it with “an ugly nasal voice”- Moyse quote.The tone has to have life and expression. I hear so often soft playing as the player blowing softly but that gives such a dull lifeless outcome.
$6.95 ≈
£5.30
"Crocodile Teeth" for Flute and Piano
"Crocodile Teeth" for Flute and Piano
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Flute and Piano
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Kazys Daugela
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"Crocodile Teeth" for Flute an
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Kazys Daugela
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SheetMusicPlus
Flute,Piano - Digital Download SKU: A0.935497 Composed by Kazys Daugela. Children. Score and part. 4 pages. Kazys Daugela #6210087. Published by Kazys Da...
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Flute,Piano - Digital Download SKU: A0.935497 Composed by Kazys Daugela. Children. Score and part. 4 pages. Kazys Daugela #6210087. Published by Kazys Daugela (A0.935497). First Concert Solos for the Young Player. It is easy and more enjoyable to focus on this piece of music that you can play with imagination. What advice would I give young musicians, so they will always love playing music:1.Always try to play with ease;2.Release any and all tension;3.Your music will flow if your body feels free;4.Think about breathing, and use the least amount of effort to execute a phrase;5.Learning a musical instrument enhances these skills and uses your head, as well as your heart;6.Making music will always enrich everything you do in life.
$1.99 ≈
£1.52
Traditional Welsh Lullaby: Suo Gân, arranged for flute and piano by Jean-Thierry Boisseau
Traditional Welsh Lullaby: Suo Gân, - flute and piano by Jean-Thierry Boisseau
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Flute and Piano
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EASY
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Traditional Welch
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Jean-Thierry Boisseau
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Traditional Welsh Lullaby: Suo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.533212 Composed by Traditional Welch. Arranged by Jean-Thierry Boisseau. Folk,Standard...
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Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.533212 Composed by Traditional Welch. Arranged by Jean-Thierry Boisseau. Folk,Standards,World. Score and individual part. 13 pages. Musik Fabrik Music Publishing #2054483. Published by Musik Fabrik Music Publishing (A0.533212). This is an arrangement of the famous Welsh lullaby. This work for flutist and piano is not at all a set of variations on a theme, because the flute always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an intro- duction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the flutist to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
$8.95 ≈
£6.83
Arabesque Piano Quartet
Arabesque Piano Quartet
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Flute and Piano
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ADVANCED
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Contemporary
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James Gardner
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Arabesque Piano Quartet
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James Gardner
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SheetMusicPlus
Small Ensemble Alto Saxophone,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.982068 Composed by James Gardner. Contemporary. Score and parts. ...
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Small Ensemble Alto Saxophone,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.982068 Composed by James Gardner. Contemporary. Score and parts. 32 pages. James Gardner #6047535. Published by James Gardner (A0.982068). Technically, an ornament in Arabic architecture, this word has meaning in dance as well as music, a flourish of motion or sound. That is certainly what I intended to do with this demanding and brilliant piece! A flowing, powerful theme with sections of virtuoso dialogue separating it's appearances gives the instruments a chance to show their acrobatic abilities! Everything drives along, whipping up a storm of sound, until a very surprise ending, fading away in the distance! .
$6.99 ≈
£5.34
Always Remember Us This Way
Always Remember Us This Way
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Flute and Piano
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INTERMEDIATE
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Pop music
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Lady Gaga
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Kevin P Holdgate
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Always Remember Us This Way
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Kevin P Holdgate
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.791182 By Lady Gaga. By Hillary Lindsey, Lori McKenna, Natalie Hemby, Stefani (Lady Gaga) Germanotta, an...
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Flute,Piano - Level 3 - Digital Download SKU: A0.791182 By Lady Gaga. By Hillary Lindsey, Lori McKenna, Natalie Hemby, Stefani (Lady Gaga) Germanotta, and Stefani Germanotta. Arranged by Kevin P Holdgate. Pop. Score and part. 7 pages. Kevin P Holdgate #5349669. Published by Kevin P Holdgate (A0.791182). KPHMS Solo CollectionLady Gaga - for Brass?!! Really??This is a great song and works really well as an instrumental solo for brass instruments. It comes from the 2018 remake of the film 'A Star is Born' and is sung originally by Lady Gaga.I was asked to do an arrangement of the song for a young lady to sing with Boobs & Brass. I was struck by the quality of the words and the music and immediately thought of it as a great addition to the solo repertoire.In terms of standard, I would judge this to be around Grades 5 to 6 ABRSM/Trinity and makes for an interesting challenge away from the grading syllabus.
$4.99 ≈
£3.81
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