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Not classified 27

Piano & keyboards
Piano solo 35
Easy Piano 7
1 Piano, 4 hands 2
C Instruments 1
Piano, Voice 1

2 Pianos, 4 hands 1

+ 1 instrumentations

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Guitars
Guitar 14
Guitar notes and tablatures 3

Voice
Alto voice, Piano 1
Choral SATB 1
Choral 1
Choral Unison 1

Woodwind
Clarinet 10
Flute 8
Oboe (band part) 5
English Horn 2
Clarinet Quartet: 4 clarinets 2

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Saxophone Quartet: 4 saxophones 1
Saxophone (band part) 1
Alto Saxophone 1
2 Flutes (duet) 1
Piccolo 1
Flute and Piano 1

Flute Quintet : 5 flutes 1
Flute, Oboe, Clarinet, Bassoon 1
2 Saxophones (duet) 1
Flute Quartet: 4 flutes 1

+ 11 instrumentations

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Woodbrass
French horn 7
Trumpet 5
Tuba 4
English Horn 2
2 Trombones (duet) 1

Brass Quintet: 2 trumpets, horn, trombone, tuba 1
Bass Clef Instruments 1
2 Tubas (duet) 1
Trombone (band part) 1
Brass quartet : 2 trumpets, trombone, tuba 1
Trombone 1

+ 6 instrumentations

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Strings
Violin 12
Violin, Cello (duet) 4
String Quartet: 2 violins, viola, cello 4
Cello 4
Viola 3

Violin and Piano 3
Double Bass 2
Harp 2
2 Cellos (duet) 1
2 Violins (duet) 1
Viola (band part) 1
Cello, Piano 1

+ 7 instrumentations

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Percussion & orchestra
Orchestra 7
Jazz combo 4
Concert band 2
Jazz Ensemble 2
Percussion Ensemble 2

String Orchestra 2
Drums 1

+ 2 instrumentations

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Flute and Piano

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Flute Sonata

Flute Sonata #Flute and Piano #ADVANCED #Brian Inglis #Flute Sonata #Forton Music - Digital #SheetMusicPlus

Fl. Pft. - Advanced - Digital Download SKU: F2.FM530 Composed by Brian Inglis. Flute and Piano. Score and Part. 29 pages. Forton Music - Digital #FM530. ...(+)

Fl. Pft. - Advanced - Digital Download SKU: F2.FM530 Composed by Brian Inglis. Flute and Piano. Score and Part. 29 pages. Forton Music - Digital #FM530. Published by Forton Music - Digital (F2.FM530). ISBN 9790570484294.The composition of this sonata spans the period of my undergraduate studies at Durham University. In the first movement, an overall A minor feel is challenged by the near-atonal way in which the main gesture is developed; and by the intermittently chromatic, pentatonic and whole-tone scalic material which emerges in the piano accompaniment. In the coda [from bar 100] obsessive repetition of chords and single notes threatens to take over, until the tension is resolved onto bare E's (the note with which the movement began). Part of this movement was written in Siena on a summer holiday with my parents; the vivid presence of the Tuscan cicadas is echoed in the flute's fluttertonguing. The Passacaglia second movement can also be performed as a standalone piece. Shades of Bartok's 'night music' style are evident in the central section, where after a short flute cadenza the soloist flutters and mutters above limpid piano arpeggios. In the outer sections, a calm flute melody appears above the block chords of the piano's passacaglia cycle. In contrast to the heat of Italy, this movement was inspired by the image of an icy river connecting different wintry landscapes of cold light snow. A scherzo finale rounds off the sonata, dominated by trills emerging from a theme which rhythmically reconfigures the main gesture from the opening movement. In the central Trio [bars 39-49] the melody from the second movement is recalled to bind everything together. As with the first movement, the coda [from bar 99] develops its own repetitive momentum.

$12.95 ≈ ¥90.89