Download Digital Sheet Music of Here It Comes Again for Flute and Piano

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Here It Comes Again
Not classified 28

Piano & keyboards
Piano solo 21
Piano, Voice 7
Piano, Vocal and Guitar 3
1 Piano, 4 hands 3
Easy Piano 2

Organ 1

+ 1 instrumentations

- Retract

Guitars
Guitar 8
Melody line, (Lyrics) and Chords 4
Lyrics and Chords 2
Dulcimer 1
4 Guitars (Quartet) 1

Voice
Choral SATB 5
Choral Unison 2
Choral 2-part 2
Choral 3-part 1

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 7
Saxophone Quartet: 4 saxophones 5
Clarinet 4
Saxophone Quintet: 5 Saxophones 4
Alto Saxophone 4

Flute, Oboe, Clarinet, Bassoon 4
Oboe (band part) 4
Saxophone 2
Flute 2
Flute and Piano 2

Oboe, Piano (duet) 1
Oboe, Guitar (duet) 1
Saxophone ensemble 1
Clarinet Quintet: Clarinet, String Quartet 1
Flute and Guitar 1

+ 10 instrumentations

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Woodbrass
Brass Quartet 11
Brass Quintet: 2 trumpets, horn, trombone, tuba 6
Trombone 5
Tuba 5
Trumpet 4

French horn 4
Brass quartet : 2 trumpets, trombone, tuba 3
Horn Ensemble 1
Trombone ensemble 1

+ 4 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 8
Violin 7
String Quintet: 2 violins, viola, cello, bass 4
Double Bass 4
Cello (band part) 4

Viola (band part) 2
Viola 2
Violin and Piano 2
2 Violins (duet) 1
String Trio: 2 violins, cello 1
Cello, Piano 1

+ 6 instrumentations

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Orchestra 4
Concert band 4
Jazz Ensemble 3
String Orchestra 2
Brass ensemble 2

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Here It Comes Again

Flute and Piano

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2 sheet music found

Flat as a Flute - Flute solo w piano accompaniment

Flat as a Flute - Flute solo w piano accompaniment #Flute and Piano #ADVANCED #Mike Lyons #Flat as a Flute - Flute solo w #Lyons Music Services #SheetMusicPlus

Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #347...(+)

Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published by Lyons Music Services (A0.767321). A brand new solo for flute and piano. There's a little bit of horseplay between the flute and piano, the flautist needs to be able to double tongue and to use flutter tongue. There's a bit of a simple cadenza to start, followed by some interplay between the flute and piano pretending to tune. Then follows a march-like section with some deliberate discords in the flute. As this section becomes louder and more animated, the players should act cross with each other!Then follows a dreamy little melodic section in waltz time. There's lots of chromatic work in this section. The piano now dominates for a short while with a melodic idea, based on the flute's waltz melody bot with tremolos which gives the music an almost zither-like feel (expect the Third man to walk on stage. After this, the flute returns to dominance but gets interrupted by the piano who is missing being in the limelight!At the change to a quicker tempo and a major key - still with 'out of tune notes' the two 'play nicely together' for a while before it all goes to pot again when the flute develops hiccups! This leads back to an altered version of the original march tune, but faster.This time the two find common ground on the 8ve leaps and the piece finishes with a short codetta. A great show-off piece for the finale of a concert, allowing both the soloist and accompanist to sparkle.

$5.99 ≈ £4.64

Sonata for Flute and Piano, Op. 12

Sonata for Flute and Piano, Op. 12 #Flute and Piano #ADVANCED #Tyler J #Sonata for Flute and Piano, Op #TJHoltMusic #SheetMusicPlus

Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. S...(+)

Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright Â© Tyler J. Holt, Composer.

$20.00 ≈ £15.48