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Chris Alan
Sheetmusicplus
Not classified 320

Piano & keyboards
Piano solo 120
Easy Piano 105
Piano, Vocal and Guitar 34
Organ 20
Piano, Voice 20

C Instruments 14
Big Note Piano 10
2 Pianos, 4 hands 8
1 Piano, 4 hands 7
Organ, Trumpet (duet) 4
Piano (band part) 4
Harpsichord 3
Organ, Piano (duet) 2
Piano Trio: piano, violin, cello 1
Accordion 1
Piano Accompaniment 1
Piano Quartet: piano, 2 violins, cello 1

+ 12 instrumentations

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Guitars
Guitar notes and tablatures 17
Bass guitar 12
Guitar 12
Melody line, (Lyrics) and Chords 8
4 Guitars (Quartet) 6

2 Guitars (duet) 5
Ukulele 3
Guitar (band part) 3
Dulcimer 3
Banjo 1
Guitar Ensemble 1
Mandolin 1

+ 7 instrumentations

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Voice
Choral SATB 188
Choral 3-part 63
Choral 2-part 53
Choral TTBB 33
Choral SSAA 17

Choral Unison 14
Vocal duet, Piano 10
Choral 3
High voice 2

Soprano voice, Piano 1

+ 5 instrumentations

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Woodwind
Saxophone (band part) 32
Flute and Piano 29
Clarinet and Piano 27
Clarinet (band part) 23
Oboe, Piano (duet) 22

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 19
Alto Saxophone and Piano 18
Flute, Oboe, Clarinet, Bassoon 18
Clarinet Quartet: 4 clarinets 16
Saxophone Quartet: 4 saxophones 16
Tenor Saxophone and Piano 14
2 Flutes (duet) 13
2 Clarinets (duet) 11
3 Saxophones (trio) 10
Flute 10
2 Saxophones (duet) 10
Soprano Saxophone and Piano 9
Clarinet 9
Saxophone Quintet: 5 Saxophones 9
Baritone Saxophone, Piano 9
Bass Clarinet, Piano 9
Flute (band part) 9
Oboe (band part) 8
English horn, Piano 6
Alto Saxophone 6
Tenor Saxophone 5
Clarinet Ensemble 5
Flute, Oboe, Clarinet (trio) 4
Flute, Clarinet (duet) 4
Oboe, Clarinet, Bassoon (trio) 4
Flute Quartet: 4 flutes 4
3 Clarinets (trio) 4
Flute Trio: 3 flutes 4
Flute ensemble 4
2 Oboes (duet) 3
Flute and Guitar 3
Oboe 2
Bass Clarinet 2
Clarinet, Bassoon (duet) 2
Flute, Violin 2
Flute, Violin and Violoncello 2
Flute Quintet : 5 flutes 2
English Horn 2
Saxophone ensemble 2
Baritone Saxophone 2
Clarinet Quintet: 5 clarinets 2
Oboe, Guitar (duet) 1
Clarinet, Double bass (duet) 1
Flute and Strings Trio 1
Flute, Viola (duet) 1
Flute, Clarinet, Piano (trio) 1
Oboe, Violin (duet) 1
Flute, Oboe, Bassoon 1
5 Recorders 1
Oboe and viola (duet) 1
Flute, Violoncello 1
Oboe, Bassoon (duet) 1
Oboe, Clarinet (duet) 1
Clarinet and Viola 1
Oboe, Cello 1
Piccolo 1
Piccolo, Piano 1
Clarinet, Guitar (duet) 1
Recorder Quartet 1
Clarinet, Violin (duet) 1
Clarinet, Cello (duet) 1
Flute, Bassoon, and Piano 1
Soprano Saxophone 1

+ 63 instrumentations

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Woodbrass
Trumpet (band part) 31
French Horn and Piano 31
Trombone (band part) 25
Trumpet, Piano 22
Brass Quintet: 2 trumpets, horn, trombone, tuba 18

2 Trombones (duet) 15
Trombone and Piano 13
French horn (band part) 12
Trumpet 11
Brass quartet : 2 trumpets, trombone, tuba 9
Brass Quartet: 2 trumpets, horn, trombone 8
Tuba (band part) 7
French horn 7
Euphonium, Piano (duet) 7
English horn, Piano 6
2 Euphoniums (duet) 5
Brass Quartet: 4 trombones 3
Trombone ensemble 3
Trumpet, Trombone (duet) 3
Trombone 3
2 Trumpets (duet) 3
Brass Quartet 2
Euphonium, Tuba (duet) 2
2 Trumpets, Keyboard (piano or organ) 2
Trumpet, Horn (duert) 2
2 French horns (duet) 2
English Horn 2
Trumpet ensemble 2
2 Euphoniums and 2 Tubas 1
3 Trumpets (trio) 1
Brass Quartet: 4 horns 1
Horn Ensemble 1
Tuba and Piano 1
Horn, Cello (duet) 1
Euphonium 1
Tuba 1

+ 31 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 81
Cello, Piano 30
Viola, Piano 26
Violin and Piano 21
Cello 13

2 Violins (duet) 12
String Trio: violin, viola, cello 11
Harp 10
Doublebass (band part) 8
Violin 8
Violin, Viola (duet) 8
Viola 8
Violin (band part) 7
Violin, Cello (duet) 7
2 Cellos (duet) 6
String Quintet: 2 violins, viola, cello, bass 5
2 Harps (duet) 4
String Trio: 2 violins, cello 3
2 Violas (duet) 3
Viola (band part) 3
Cello, Guitar (duet) 2
Viola, Cello (duet) 2
Cello (band part) 2
Double bass, Piano (duet) 2
String quartet: 4 violins 2
Cello, String Bass (duet) 2
Double Bass 2
String Trio: 2 violins, viola 1
Violin, Guitar (duet) 1
Viola, Guitar (duet) 1
Violin, Bassoon (duet) 1
String Trio: 3 cellos 1
Flute, Doublebass (duet) 1
String Trio: 3 violins 1
Piano Trio: Violin, Viola, Piano 1

+ 30 instrumentations

- Retract

Percussion & orchestra
Concert band 115
Handbells 28
Orchestra 27
String Orchestra 26
Percussion (band part) 23

Brass ensemble 17
Jazz Ensemble 14
Chamber Orchestra 7
Drums 3
Percussion 3
Drum (band part) 3
Vibraphone 2
Percussion Ensemble 2
Marimba 2
Timpani (band part) 2
Timpani 2
Xylophone, Piano 1
Jazz combo 1

+ 13 instrumentations

- Retract

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Chris Alan

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2 sheet music found

Love came down at Christmas

Love came down at Christmas #High voice #Christmas #Alan Bullard #Love came down at Christmas #Oxford University Press Digital #SheetMusicPlus

Composed by Alan Bullard (1947-). Vocal score. 4 pages. Oxford University Press Digital #9780193550179. Published by Oxford University Press Digital ...(+)

Composed by Alan Bullard (1947-). Vocal score. 4 pages. Oxford University Press Digital #9780193550179. Published by Oxford University Press Digital

$4.00

The Unquiet Grave from American Death Ballads (Downloadable)

The Unquiet Grave from American Death Ballads (Downloadable) #High voice #David Conte #The Unquiet Grave from America #E. C. Schirmer Music Company - Digital #SheetMusicPlus

High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...(+)

High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Coplandâ€™s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susaâ€™s Two Murder Ballads. The ingenuity of Susaâ€™s accompaniments for his ballads in imagining anew the original source material owes a great deal to Coplandâ€™s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englanderâ€™s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executionerâ€™s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.

$3.50