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Two by Two Express
Not classified 414

Piano & keyboards
Piano solo 164
C Instruments 49
Piano, Vocal and Guitar 48
Easy Piano 20
Piano, Voice 19

Organ 13
1 Piano, 4 hands 8
Piano Quintet: piano, 2 violins, viola, cello 3
2 Pianos, 4 hands 3
Piano Trio: piano, violin, cello 3
Piano Quartet: piano, violin, viola, cello 1

+ 6 instrumentations

- Retract

Guitars
Melody line, (Lyrics) and Chords 10
Guitar 9
Guitar notes and tablatures 5
2 Guitars (duet) 2
Dulcimer 1

Voice
Choral SATB 86
Choral 2-part 46
Choral Unison 37
Choral 3-part 25
Vocal duet, Piano 6

Choral SSAA 5
Soprano voice, Piano 4
Choral TTBB 4
Vocal duet 3
High voice 2

Tenor voice, Piano 1

+ 6 instrumentations

- Retract

Woodwind
2 Saxophones (duet) 160
2 Flutes (duet) 67
2 Clarinets (duet) 65
Saxophone, Clarinet (duet) 42
2 Oboes (duet) 37

Flute and Piano 32
Clarinet, Violin (duet) 29
Oboe, Bassoon (duet) 27
Oboe, Piano (duet) 27
Clarinet and Piano 26
Clarinet 24
Flute, Clarinet (duet) 20
Alto Saxophone and Piano 20
Clarinet and Viola 19
Saxophone Quartet: 4 saxophones 17
Oboe, Clarinet (duet) 16
Oboe, Cello 15
Oboe, Flute 15
Clarinet, Trumpet (duet) 14
Flute, Violin 14
Tenor Saxophone and Piano 13
English horn, Piano 13
Clarinet, Cello (duet) 12
Flute, Viola (duet) 12
Soprano Saxophone and Piano 12
Flute, Saxophone (duet) 12
Oboe (band part) 11
Flute, Trumpet (duet) 8
Flute 8
Flute, Violoncello 8
Clarinet, Bassoon (duet) 8
Baritone Saxophone, Piano 6
Descant (Soprano) Recorder 6
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 6
Saxophone (band part) 5
Flute Quartet: 4 flutes 5
Bass Clarinet, Piano 4
Descent (Soprano) Recorder, Piano 4
3 Clarinets (trio) 4
English Horn 4
Flute, Oboe, Clarinet, Bassoon 4
Oboe and viola (duet) 3
2 Recorders (duet) 3
Recorder 3
Alto Saxophone 2
Recorder Quartet 2
Tenor Recorder 2
Clarinet Quartet: 4 clarinets 2
2 Flutes, Piano 2
Saxophone Quintet: 5 Saxophones 2
Flute, Oboe (duet) 2
Oboe, Violin, Viola and Violoncello (Quartet) 1
Oboe, Trombone (duet) 1
Flute ensemble 1
Flute, Trombone (duet) 1
Oboe 1
English horn, Harp (duet) 1
Bass Clarinet 1
Clarinet, Double bass (duet) 1
Flute, Violin, Piano 1
Clarinet Ensemble 1
Oboe, Violin (duet) 1
2 English horns and Pianoforte 1
Flute and Strings Trio 1
Saxophone and Organ 1
Clarinet (band part) 1
2 Saxophones, Piano 1
3 Recorders (trio) 1

+ 63 instrumentations

- Retract

Woodbrass
2 Trombones (duet) 39
2 Trumpets (duet) 31
Trumpet, Saxophone (duet) 31
Trombone and Piano 19
Trumpet, Trombone (duet) 19

Trumpet, Piano 16
Brass Quintet: 2 trumpets, horn, trombone, tuba 15
English horn, Piano 13
French Horn and Piano 11
2 French horns (duet) 11
Tuba and Piano 10
Euphonium, Piano (duet) 7
Trumpet 5
Trumpet, Cello (duet) 5
2 Tubas (duet) 4
Horn, Cello (duet) 4
English Horn 4
Trumpet (band part) 4
Brass quartet : 2 trumpets, trombone, tuba 3
Tuba 3
Trumpet, Bassoon (duet) 3
Euphonium 2
2 Euphoniums (duet) 2
Trombone 2
Brass Quartet: 4 trombones 2
Brass Quartet 2
French horn 2
Tuba (band part) 2
Trumpet ensemble 1
Tuba and Organ 1
English horn, Harp (duet) 1
French horn (band part) 1
Trumpet, Horn (duert) 1
Trombone (band part) 1
2 English horns and Pianoforte 1
Trumpet and Guitar 1
Brass Quartet: 2 trumpets, horn, trombone 1
3 Trombones (trio) 1

+ 33 instrumentations

- Retract

Strings
2 Violins (duet) 50
String Quartet: 2 violins, viola, cello 48
Violin and Piano 45
2 Cellos (duet) 41
2 Violas (duet) 38

Viola, Piano 30
Violin, Cello (duet) 28
Cello, Piano 27
Violin, Viola (duet) 18
String Trio: violin, viola, cello 12
Violin 12
Viola, Cello (duet) 12
String Trio: 2 violins, cello 9
Viola and Bassoon 7
Violin, Bassoon (duet) 7
Cello (band part) 7
Double bass, Piano (duet) 6
Violin, Guitar (duet) 5
Cello 4
2 Double basses (duet) 4
Viola 4
Cello, Guitar (duet) 4
2 Harps (duet) 3
Harp 3
4 Cellos 3
Harp, Flute (duet) 2
Violin (band part) 2
Viola (band part) 2
Cello, String Bass (duet) 2
Violin, Clarinet, Piano (trio) 1
Doublebass (band part) 1
String quartet: 4 violins 1
String Quartet : 4 violas 1
String Trio: 3 cellos 1
String Quintet: 2 violins, viola, cello, bass 1
2 Cellos, Piano 1
Violoncello, Basso continuo 1
Flute, Doublebass (duet) 1

+ 33 instrumentations

- Retract

Percussion & orchestra
Concert band 78
Handbells 15
Orchestra 12
String Orchestra 10
Chamber Orchestra 7

Jazz combo 5
Brass ensemble 5
Jazz Ensemble 5
Percussion Ensemble 5
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard 4
Percussion 3
Xylophone, Piano 2
Marimba 2
Xylophone 1
2 Xylophones 1

+ 10 instrumentations

- Retract

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Two by Two Express

High voice

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2 sheet music found

The Unquiet Grave from American Death Ballads (Downloadable)

The Unquiet Grave from American Death Ballads (Downloadable) #High voice #David Conte #The Unquiet Grave from America #E. C. Schirmer Music Company - Digital #SheetMusicPlus

High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...(+)

High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Coplandâ€™s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susaâ€™s Two Murder Ballads. The ingenuity of Susaâ€™s accompaniments for his ballads in imagining anew the original source material owes a great deal to Coplandâ€™s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englanderâ€™s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executionerâ€™s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.

$3.50 ≈ 3.24€

[Pleskow] Due Frammenti

[Pleskow] Due Frammenti #High voice #Contemporary #Raoul Pleskow #[Pleskow] Due Frammenti #American Composers Alliance Inc. #SheetMusicPlus

High Voice,Vocal Solo - Digital Download SKU: A0.952574 Composed by Raoul Pleskow. Contemporary. 9 pages. American Composers Alliance Inc. #4608939. Publ...(+)

High Voice,Vocal Solo - Digital Download SKU: A0.952574 Composed by Raoul Pleskow. Contemporary. 9 pages. American Composers Alliance Inc. #4608939. Published by American Composers Alliance Inc. (A0.952574). Two songs for high voice and piano. Includes: Classical Quatrain (Anon.), Expressionistic Quatrain (Giacomo Leopardi).

$6.95 ≈ 6.43€