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Give It All Up
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You've selected:
Give It All Up
intermediate
Choral SATB
Sheetmusic to print
14 sheet music found
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1
It's My Life
It's My Life
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Choral SATB
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INTERMEDIATE
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Bon Jovi
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Iain Hallam
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It's My Life
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Iain Hallam
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.877194 By Bon Jovi. By Jon Bon Jovi, Martin Sandberg, and Richie Sambora. Arranged by Iai...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.877194 By Bon Jovi. By Jon Bon Jovi, Martin Sandberg, and Richie Sambora. Arranged by Iain Hallam. A Cappella,Rock. Octavo. 11 pages. Iain Hallam #5220231. Published by Iain Hallam (A0.877194). Bon Jovi's driving rock song is given a full a cappella treatment here; it sings really well for a large group, but could also work for a smaller group where everyone is accurate about beats and note lengths. The final choruses have three rising semitone key changes that take a little work to get your ear tuned in (and benefit from a piano to check the chords), but this has been sung in informal venue with up to seven shifts, everyone hanging on for dear life as it heads upwards!Ranges:Soprano 1 = D4 to Db5 (average Bb4)
$3.49
Give Him The Glory ( Choir)
Give Him The Glory ( Choir)
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Choral SATB
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INTERMEDIATE
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Sacred music
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Joseph Pugh
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Give Him The Glory
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Joseph Pugh
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.855394 Composed by Joseph Pugh. Christian,Praise & Worship. Octavo. 8 pages. Joseph Pugh #669178...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.855394 Composed by Joseph Pugh. Christian,Praise & Worship. Octavo. 8 pages. Joseph Pugh #6691783. Published by Joseph Pugh (A0.855394). This song was slated to be released in 2004 as a single on a solo voice album called, I'm Not Going To Give Up The Battle but never made the album. Now Joseph has released it as a Choir arrangement with piano accompaniment. Your Choir will enjoy singing this contemporary styled tune and your audiences will enjoy listening too.
$1.99
Byzantine Hymn: TI IPERMAHO
Byzantine Hymn: TI IPERMAHO
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Choral SATB
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INTERMEDIATE
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Classical
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Romanos o Melodos
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Marilena Zlatanou
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Byzantine Hymn: TI IPERMAHO
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1343535 Composed by Romanos o Melodos. Arranged by Marilena Zlatanou. Classical. 8 pages....
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1343535 Composed by Romanos o Melodos. Arranged by Marilena Zlatanou. Classical. 8 pages. Marilena Zlatanou #929063. Published by Marilena Zlatanou (A0.1343535). BYZANTINE HYMN: TI IPERMAHO (To the defender army leader) arranged for SATB choir and pianoDuring a siege of Constantinople in the 6th cent., and while the regular army was engaged in fighting elsewhere, the city was attacked by Avars. The women, children and seniors left there fought as best they could, but finally realized that they had to give up. As a last resort, they carried the icon of Panayia (St. Mary, always referred to as all-holy in Greek), alongside the city walls, something that produced an unexpected effect: The besiegers left! For three days the citizens participated in liturgies addressed to Her, in a hymn called AKATHISTOS YMNOS (=Non-sitting Hymn), where this tropation is central, as it is most actively still used in the Greek Orthodox Church at many other relevant services. The first part is the original, in unison, or sung by a soloist. The piano part and the following choir arrangement are my contribution.duration: 3'33'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$20.00
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
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Choral SATB
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INTERMEDIATE
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Sacred music
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Michael A
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THE ICON OF THE INVISIBLE GOD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M.A. Morizio (A0.926661). In the first chapter of Paul’s letter to the Colossians, we discover the next known Hymn to Christ right after his introductory passages, beginning at the 15th verse. Paul opens this letter with a blessing, then immediately flows to one of the 1st century hymns, which I have called, The Icon of the Invisible God. The lyrics of this hymn are declarative, bold and illuminating as to whom the Christ figure is-the icon, the very image of the invisible God, the firstborn of all creation. The text makes it abundantly clear that Jesus is the authority; that He was there before all things, that He created all things, and that through Him all things hold together. This anthem is composed for SATB choir with Pipe Organ accompaniment. The meter is set to 6/8 time, with a rhythm tempo of Totally Alive; which is one actual definition of the word Holy. The anthem starts at a good clip (♪=100). The key is G Major, with an incidental and occasional flatted 5th (Dâ™) as a surprise-landing befitting to the text presented, as if to say, This is so amazing, how can it be? The flatted 5th gives the piece it's own identity and causes the listener to stand up and take notice whenever it occurs. When the hymn's lyrics glide into the all-important resolution, having made peace through the blood of the cross, the song retards and lands on a surprising musical cadence, the sixth chord (E Major). In this piece, the pipe organ is boldly featured as it supports and under girds the musical line, occasionally trumpeting its own victorious motifs and adding some contrapuntal elements, such as this duplet motif, in the pedal line. The final lyrics about Christ having reconciled everything to Himself, whether things on the earth or in the heavens, finish the piece with a great, ‘High-Church’ choral ending.
$1.99
Soon We Will Be Done (Downloadable)
Soon We Will Be Done (Downloadable)
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Choral SATB
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INTERMEDIATE
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Gospel/Spiritual
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy...
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SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
Bring His Love
Bring His Love
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Choral SATB
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INTERMEDIATE
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Sacred music
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the first of the year I had th
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Kevin Longley
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Bring His Love
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Kevin Longley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Lo...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6532899. Published by Kevin Longley (A0.1019370). Bring His LoveInspiration (below is a note I sent to my sister) Hi Karen! In the fall of last year I started working on a new church anthem for FUMC. Over the years your choir has sung several pieces of mine; so I felt I should do something in return. I quickly got an idea for the music only (sometimes I will get some lyric ideas also, but didn't this time.) By the first of the year I had the basic structure sketched out on paper but then put it aside for Easter Rehearsals. When the pandemic stopped all church choirs I returned to the music and by early May had the score in the computer, close to completion. At that point I still didn't have any lyrics but began feeling that it should be about God's creation. All I could envision was a singer with his arms stretched out to the sun, the ocean, the moon, etc. while singing this piece. So I started searching for a possible prayer that might fit and came upon Canticle of the Son. As I read it through I liked the structure and began sketching out the lyrics. I couldn't help but wonder what our response should be to God's creation. How should we thank him or praise him or take care of it? I then turned my thoughts to FUMC and considered this - what phrase would sum up this churches mission? I almost immediately got Bring His Love. From there the balance of the lyrics fell into place. So attached is the recording and the music. I have no expectations but hope you and the choir enjoy the music. The Music The piece starts with 16th note broken chords in the upper register of the piano which lead to the opening theme. A tenor soloist begins by singing God's praises for all he has given us; ending with the thought How can we thank such kindness?; The answer Bring His Love the B section. At its conclusion we are returned to the opening theme, this time sung by the choir which again leads us to the same questionHow can we thank such kindness?, The answer Bring His Love the B section. A C section is then introduced with a change to a more beat driven accompaniment with the vocals alternating between the upper and lower voices. A return to the opening theme, with minimal chordal accompaniment, features the original soloist but then adds a second voice leading to a duet and a return to the broken chord accompaniment.. Finally the B section,Bring His Love is repeated and concludes in a rousing fashion.. Program Notes The piece could work very well for Earth Day celebrations.
$1.99
Countless Stars; Endless Roads (Chinese lyrics)
Countless Stars; Endless Roads (Chinese lyrics)
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Choral SATB
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INTERMEDIATE
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Johnson K
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Countless Stars; Endless Roads
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Johnson Gao
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1006999 Composed by Johnson K. Gao. Contemporary,Holiday,World. Octavo. 1 pages. Johnson Gao #3...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1006999 Composed by Johnson K. Gao. Contemporary,Holiday,World. Octavo. 1 pages. Johnson Gao #3467614. Published by Johnson Gao (A0.1006999). 說來奇怪。 有時當我清晨醒來,我的大腦會自動產生æŸç¨®æ—‹å¾‹ã€‚ 這是我在 2018 å¹´ 3 月 1 æ—¥ä¸Šåˆ 5 點 30 分錄製的一段經éŽæ練的五å¥æ—‹å¾‹ã€‚ 第二天更早 3 月 2 日凌晨 2 點,æˆ‘çµ¦éŸ³æ¨‚æ·»åŠ äº†ä¸€äº›ä¸æ–‡æŒè©ž,å½¢æˆäº† 一首完整的æŒæ›²,我想作為一張特殊的生日賀å¡çµ¦æˆ‘çš„é•·å阿爾文, 他的生日是 3 月 3 æ—¥, ä»–ç¾åœ¨çœŸå·§åœ¨æ„› 爾è˜å·¡å³¶æ—…éŠã€‚ 我希望這首æŒçš„æ„義能é©åˆä»–的處境。 It is strange. Sometimes when I wake up in the early morning, my brain will automatically produce certain kind of melody. This is a refined piece of five lines melody that I recorded on the March 1, 2018 at 5:30am. The next day even more early at 2:00 am on March 2, I added some Chinese lyrics to the music to form a complete song, which I would like to give as a special birthday card to my eldest son Alvin, whose birthday is March 3, and he is now just on a tour along the Ireland. I hope that the meaning of the song can fit to his situation. ç‰ˆæ¬Šæ‰€æœ‰ã€‚æœ¬æŒ æ›² å… è¨± éž åˆ© 潤 複 制 。但任何想è¦å°‡æ¤æŒæ›²ç”¨æ–¼ç›ˆåˆ©æˆ–商æ¥ç”¨é€”çš„äººå£«å¿…é ˆäº‹å…ˆèˆ‡æŒæ›²ä½œè€… è¯ç¹«ã€‚ jkxgao@gmail.com All rights reserved. Copying of the song is permitted for none profit purpose. Anyone who wants to use this song for profit or commercial purpose must contact the songwriter in advance at: jkxgao@gmail.com
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Fly Me To The Moon (in Other Words)
Fly Me To The Moon (in Other Words)
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Choral SATB
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INTERMEDIATE
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Jazz
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Tony Bennett
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Alan A Craig
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Fly Me To The Moon
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Earnside Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.820252 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Alan A Craig. J...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.820252 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Alan A Craig. Jazz. 7 pages. Earnside Music #6022385. Published by Earnside Music (A0.820252). A stylish yet accessible arrangement for SATB choir and piano of this much loved standard. This version is not in the syncopated jazz style associated with Sinatra. Instead it is based on the original nocturnal waltz style of the song. It sets an enchanted romantic scene that will transport both singers and audiences to the alluring dream world conjured up by the beautiful lyrics. The arrangement also features a delightful piano solo that gives the choral accompanist an opportunity to shine. This arrangement is an ideal item for choral concerts with themes of love or American standards and is suitable for any SATB choir with a strong accompanist.
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What Happened in Bethlehem
What Happened in Bethlehem
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Choral SATB
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INTERMEDIATE
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Sacred music
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Mary Rose Jensen
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What Happened in Bethlehem
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Garden Rose Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.874151 Composed by Mary Rose Jensen. Christian,Christmas,Contemporary,Sacred,Standards. Octavo. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.874151 Composed by Mary Rose Jensen. Christian,Christmas,Contemporary,Sacred,Standards. Octavo. 12 pages. Garden Rose Music #5991027. Published by Garden Rose Music (A0.874151). Christmas SATB Choral Anthem with Organ Accompaniment. Text follows:What happened in Bethlehem changes the world.A baby born there seemed like millions before.His mother was Mary, a virgin, still pure.His Father was God, the Creator, the Lord.His birthplace, a town unimportant and small.His shelter, a stable for animals there.His bed was a trough where those beasts had been fedAnd plain strips of cloth were what He had to wear. What happened in Bethlehem changes the world.The King of the universe lived here on earth.Though He was far richer than anyone elseHe chose to be humble and poor in His birth.He’d cared for His people for thousands of years,But they had rebelled and rejected His ways.Instead of harsh punishment richly deserved,His promised redemption would soon be in place. What happened in Bethlehem changes the world.God’s Word in the flesh made the prophecies clear.He called for the people to come follow HimAnd preached that the kingdom of heaven was near.This kingdom was nothing like any on earth,Not weapons, but sacrifice caused it to spread.For Jesus the sinless One died for our crimesAnd gave us new life when He rose from the dead. What happened in Bethlehem changes the world.The people of God are still following Christ.And though we forget Him and stumble aroundHe picks us up safely and gives us His light.The woes of our planet, with hunger and warsAre lessened by those who will love as He said.For those who seek heaven bring grace to the earthAnd those who love Jesus will rise from the dead.
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Who Put The Bomp (in The Bomp Ba Bomp Ba Bomp)
Who Put The Bomp (in The Bomp Ba Bomp Ba Bomp)
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Choral SATB
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INTERMEDIATE
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Barry Mann
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Dan Signor
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Who Put The Bomp
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Sig
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1005698 By Barry Mann. By Barry Mann and Gerry Goffin. Arranged by Dan Signor. A Cappella. Octav...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1005698 By Barry Mann. By Barry Mann and Gerry Goffin. Arranged by Dan Signor. A Cappella. Octavo. 8 pages. Sig #6037937. Published by Sig (A0.1005698). I am sure we can all agree that altos are a very special part of any ensemble. Don't they deserve to be featured? You bet they do! Here is a fun song that will give them a chance to let their hair down and let it rip. (Musical note- the alto line is simply written up an octave for notation clarity. The melody can also be sung by a tenor if that is a better fit for your ensemble.).
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Closer Forever
Closer Forever
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Choral SATB
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INTERMEDIATE
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Joseph Pugh
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Closer Forever
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Joseph Pugh
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.854851 Composed by Joseph Pugh. Christian,Jazz,Pop. Octavo. 26 pages. Joseph Pugh #5206495. Pub...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.854851 Composed by Joseph Pugh. Christian,Jazz,Pop. Octavo. 26 pages. Joseph Pugh #5206495. Published by Joseph Pugh (A0.854851). Arranged for small ensemble this song is from Joseph's cd ,I'm Not Going To Give Up The Battle, released in 2004 . It has a trombone solo in the beginning and unison choir on the other verses.
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Lesbia mi dicit semper male
Lesbia mi dicit semper male
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Choral SATB
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INTERMEDIATE
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Contemporary
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Mark D
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Lesbia mi dicit semper male
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Mark Templeton Choral Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeto...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441). Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says: Lesbia keeps insulting me in front of her husband:this fills the fatuous idiot with delight. Mule, do you perceive nothing? If she shut up and ignored me that’d show healthy indifference;… In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.
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How heavy lies the heart
How heavy lies the heart
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Choral SATB
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INTERMEDIATE
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David Rain
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David Rain
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How heavy lies the heart
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David Rain, Choral Composer
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1094371 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Conte...
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1094371 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Contemporary,Renaissance. 6 pages. David Rain, Choral Composer #698441. Published by David Rain, Choral Composer (A0.1094371). “How heavy lies the heart†has drawn inspiration from the traditional French Christmas carol, “Quelle est cette odeur agréableâ€, which John Gay also set as a boisterous drinking song in the Beggar’s Opera, “Fill every glass, for wine inspires us!†The song also draws inspiration from Josquin’s Missa Pange Lingua. I dedicate this piece to my friends in the composer/singer collective, the Ad hoc Chorale, who tested out this piece in one of our informal workshops and offered valuable comments. Optional endings. Note that choirs have been given the option to choose which of the 3 endings they would like to sing, depending on how they feel the “story line†in the song should best reach its conclusion: (1) The “happy†ending appears to indicate that the narrator has been reunited with the friend or lover who departed. (2) The “less happy†ending plants a seed of doubt that no such reunion has happened; it may be in the narrator’s head. (3) The “even less happy†ending leaves listeners in even more doubt. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group them together into a choral suite that I have called The Ottawa Four Seasons Suite. “How heavy lies the heart†seemed to work perfectly as the musical representative of an autumnal spirit.
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Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Choral SATB
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INTERMEDIATE
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Contemporary
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music...
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that’dshow healthy indifference;…
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
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