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Let Music Fill the Air
Not classified 5

Piano & keyboards
Piano solo 2
C Instruments 2
Organ 1

Guitars
Guitar 19
Guitar notes and tablatures 6

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Choral SATB 3

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Clarinet Ensemble 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1

Woodbrass
Brass Quartet: 2 trumpets, horn, trombone 2
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
Brass quartet : 2 trumpets, trombone, tuba 1

Strings
String Quartet: 2 violins, viola, cello 4
String Quintet: 2 violins, viola, cello, bass 2
Violin and Piano 2

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Concert band 2

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Let Music Fill the Air

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3 sheet music found

Three Latin Elegies to Lesbia

Three Latin Elegies to Lesbia #Choral SATB #INTERMEDIATE #Contemporary #Mark D #Three Latin Elegies to Lesbia #Mark Templeton Choral Music #SheetMusicPlus

Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music...(+)

Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.

Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.

Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:

Lesbia keeps insulting me in front of her husband:

thisfills the fatuous idiot with delight.

Mule, doyou perceive nothing? If she shut up and ignored me

that’dshow healthy indifference;…

In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.

Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.

$4.99

Love Lifted Me

Love Lifted Me #Choral SATB #INTERMEDIATE #Sacred music #Robert Myers #Love Lifted Me #WheatMyer Music #SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976723 Composed by Robert Myers. Christian,Sacred. Octavo. 13 pages. WheatMyer Music #5191473. P...(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976723 Composed by Robert Myers. Christian,Sacred. Octavo. 13 pages. WheatMyer Music #5191473. Published by WheatMyer Music (A0.976723). My worship professor often cited the revival era hymn, Love Lifted Me, with its cheerful, lilting melody beneath doleful lines of sin-speckled poetry, as the epitome of poor tune and text pairing. I countered that the point of the hymn is the sinnerâ€™s joy in redemption and the happy nature of the music is appropriate to its ultimate message. Yet, my professorâ€™s words lingered over the years to the point that I endeavored to revisit the hymn in consideration of a more functional melding of tune and text. The result is this choral anthem, Love Lifted Me, setting a slightly adapted version of James Roweâ€™s poetry. Even though the music is completely new, albeit quoting snippets of the original hymn tune, it has an air of familiarity that melds with the text to paint its message in a fresh light. For example, the passages remembering sin and despair are aimless and brooding, while the lines rejoicing over redemption are flowing, energetic, and ebullient. Listen to Love Lifted Me and let your ears be the judge whether this setting expresses the story of personal redemption fittingly.Arranged for SATB chorus and piano, this anthem fills the role of personal testimony and witness with an evangelistic call to respond to the Gospel. It is suitable for most experienced student and adult mixed choirs. Robert MyersS.D.G.

$2.25

Rorate Coeli

Rorate Coeli #Choral SATB #INTERMEDIATE #Sacred music #Traditional plainchant #Philip Le Bas #Rorate Coeli #Philip Le Bas #SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.818159 Composed by Traditional plainchant. Arranged by Philip Le Bas. Christian,Sacred. Octavo. ...(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.818159 Composed by Traditional plainchant. Arranged by Philip Le Bas. Christian,Sacred. Octavo. 3 pages. Philip Le Bas #3491311. Published by Philip Le Bas (A0.818159). This setting of the traditional Advent plainchant is based around a harmonized refrain using the original Latin words: Rorate coeli de super et nubes pluant justum (Drop down, O heavens, from above and let the skies pour down *justice.) The music and the words express the Advent theme of a cry for justice and salvation in the midst of despair. The traditional verses making up the Advent Prose, based on various parts of scripture, are sung in English unison plainchant, and they express the feelings of one living through a disaster (specifically the fall of Jerusalem in the sixth century BC.) The third and fourth stanzas become more hopeful in their words, especially the famous words (from Isaiah 40) Comfort, O comfort my people, Here the setting introduces some gentle harmonization, leading to a final return of the Rorate chorus in unison and a harmonized hope-filled coda.

$1.99