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You've selected:
New York Minute
intermediate
Choral SATB
Sheetmusic to print
5 sheet music found
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1
New York State Of Mind
New York State Of Mind
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Choral SATB
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INTERMEDIATE
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Billy Joel
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Eric Hagmann
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Phony Ppl.
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New York State Of Mind
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Eric Hagmann
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.796833 By Billy Joel. By Billy Joel. Arranged by Eric Hagmann. A Cappella,Pop,Rock. Octav...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.796833 By Billy Joel. By Billy Joel. Arranged by Eric Hagmann. A Cappella,Pop,Rock. Octavo. 11 pages. Eric Hagmann #5207907. Published by Eric Hagmann (A0.796833). This SATBarB w/ divis + solo contemporary a cappella arrangement of New York State of Mind by Billy Joel is based on the cover by MAX & Phony Ppl. The original 1976 tune is freshly reimagined with a funk shuffle groove while lush backing harmonies support a flexible soloist that has the freedom to showcase their extensive range. Additionally, the style lends itself well to vocal percussionists, and the tune could even act as a creative way to feature your beatboxer. With a performance time of about two minutes and thirty seconds, this arrangement would fit well in an ICCHSA or ICCA competition set where ensembles must keep a watchful eye on the clock! Ranges:Solo = G3 - E5 Soprano = G3 - F5Alto = G3 - D5Tenor = C3 - F#4Baritone = C3 - D4Bass = (opt. D2) F2 - A3Performance Time = approx. 2:30
$2.25 ≈
$3.06
Two Views of Scott Joplin
Two Views of Scott Joplin
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Choral SATB
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INTERMEDIATE
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James Siddons
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#
Two Views of Scott Joplin
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James Siddons Music and Writings
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Mu...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings #4898807. Published by James Siddons Music and Writings (A0.972650). Two Views of Scott Joplin is an exploration of a personal and artistic crisis that Scott Joplin, the King of Ragtime, went through between 1904 and 1906. This crisis was precipitated by the untimely death of Freddie Alexander in September 1904, to whom Joplin had been married only ten weeks. Knowledge of this marriage was lost to history for almost a century until the Joplin scholar Edward A. Berlin discovered the newspaper obituary, which is quoted in the bass solo in Part II, The Obituary of Freddie Alexander. Apparently, Scott Joplin, already inspired by the progressive ideals of Booker T. Washington, saw a path to social and artistic betterment through his love of Freddie, a daughter of a refined family. During this period, Joplin used the title rag less often in his piano-solo works, and nurtured an interest in opera (he had long been active in vaudeville as well as ragtime piano). He seems to have lost his sense of direction in 1905 and 1906, until led by his publisher John Stark to move to New York City in 1907. Once there, apparently growing out of his grief, Joplin studied with an Italian opera singer and composer, composed his folk opera Treemonisha, and composed Wall Street Rag and his other late masterpieces for piano. Joplin died in April 1917 following two years of debilitating illness. Joplin left almost no personal writings, such as letters or diaries. To create an impression of autobiography, Two Views of Scott Joplin consists mostly of words and music written by Scott Joplin, and piano music composed by two close associates, the composer-pianists Louis Chauvin and Scott Hayden. These words come from Treemonisha, from Joplin’s little-remembered vaudeville and parlor songs, and also from text in his sheet-music---copyright notices, publishers’ addresses, titles and subtitles of rags, performance directions. In most cases, selected lyrics are extracted from songs and paired with piano-solo themes. These ingredients are combined in creative ways to express the biographical narrative. Instrumental themes are re-cast as necessary to express their newly-attached lyrics. But in no place can any of the music in Two Views of Scott Joplin be considered an arrangement of a given, intact composition, nor a medley of tunes, nor a theatrical revue. The character development and dialogue found in Scott Joplin’s Struggle with Destiny (Part II, No. 3) is my own biographical interpretation of Joplin, based on known evidence and on his music.The score contains extensive Performance Notes for performing this 16-minute work as a choral work or as a short opera scene.
$9.99 ≈
$13.58
Song of the Mountains
Song of the Mountains
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Choral SATB
#
INTERMEDIATE
#
Greg Bartholomew
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Song of the Mountains
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.787250 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Patriotic,Standards. Octavo. 16 p...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.787250 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Patriotic,Standards. Octavo. 16 pages. Burke & Bagley #49747. Published by Burke & Bagley (A0.787250). SONG OF THE MOUNTAINS is a setting for mixed (SSAATB) choir with piano accompaniment of text adapted from prose by American naturalist John Muir (1838-1914). Commissioned for the Combined Choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered the piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 2004, in the second annual New Works New Hope concert for the benefit of Gilda's Club Seattle. The piece was revised in 2007 and the premiere of the revised score was given on November 16, 2007, by the Queens College Chorus, Cindy Bell conducting, at the Aaron Copland School of Music in New York. It was selected by the Portland Vocal Consort for their 2013 Best of the Northwest program. Duration ca. 6 minutes. Conductor Cindy Bell says, Driven by a refreshing text of American naturalist John Muir, Bartholomew has created an accessible work that flows easily through both key and meter changes, and features expressive, lyric melodies contrasted by exciting rhythmic drive. Song of the Mountains is almost cantata-like, or through-composed, in that each line of Muir's text receives equal and interesting interpretation. Occasional use of the triplet rhythm creates both a relaxing effect (grasses cease waving) and driving sense of forward motion (Vibrating!). Effective use of dynamics and interweaving of choral parts make for each section having a musical life of its own. Follow along in the score as you listen to a performance in this video: https://www.youtube.com/watch?v=5VVW1Ah6kqE SONG OF THE MOUNTAINS Climb the mountains and get their good tidings. Nature's peace will flow into you as sunshine flows into trees. The winds will blow their freshness into you, and the storms their energy, while cares drop off like autumn leaves. Here is calm so deep, grasses cease waving. Everything in wild nature fits into us, as if truly part and parent of us. The sun shines not on us but in us. The rivers flow not past, but through us, thrilling, tingling, vibrating every fiber and cell of the substance of our bodies, Making them glide and sing. The trees wave and the flowers bloom in our bodies as in our souls, and every bird song, wind song, and tremendous storm song of the rocks in the heart of the mountain, is our song, our very own, and sings our love.
$2.50 ≈
$3.40
Why the Caged Bird Sings (Downloadable)
Why the Caged Bird Sings (Downloadable)
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Choral SATB
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INTERMEDIATE
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Gospel/Spiritual
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Judith Shatin
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Why the Caged Bird Sings
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) and piano - Medium - Digital Download SKU: MQ.7149-E Composed by Judith Shatin. African American Heritage. 17 pages. Duration 4...
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SATB choir (choir divisi) and piano - Medium - Digital Download SKU: MQ.7149-E Composed by Judith Shatin. African American Heritage. 17 pages. Duration 4 minutes, 45 seconds. E. C. Schirmer Music Company - Digital #7149-E. Published by E. C. Schirmer Music Company - Digital (MQ.7149-E). English.Why the Caged Bird Sings for SATB chorus and piano, is a setting of Paul Laurence Dunbar’s poem, Sympathy. His poem speaks through poetic metaphor of the suffering of repression. It inspires us to lift up our voices and to speak out in sympathy. Author Maya Angelou used the line, “I know why the caged bird sings†as the title of her autobiographical novel, and also of her own poem of the same name.Commissioned by the Young People’s Chorus of New York City, this setting is energetic and colorful, with skillful painting of the text and a deft piano accompaniment which moves things along without obscuring the vocal writing. Duration: 4:45.
$2.85 ≈
$3.87
Return to Me: A Choral Service based on the Stations of the Cross (Choral Score)
Return to Me: A Choral Service based on the Stations of the Cross (Choral Score)
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Choral SATB
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INTERMEDIATE
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Taylor Scott Davis
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John 19:1-3
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Return to Me: A Choral Service
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, piano, cello - Medium - Digital Download SKU: MQ.70-300-E Composed by Taylor Scott Davis. Lent, Triduum/Three Days. 72 pages. MorningStar Mus...
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SATB choir, piano, cello - Medium - Digital Download SKU: MQ.70-300-E Composed by Taylor Scott Davis. Lent, Triduum/Three Days. 72 pages. MorningStar Music Publishers - Digital Sheet Music #70-300-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.70-300-E). English. Luke 23:32-38; John 19:1-3; John 19:15-17; Luke 23:26; Matthew 11:28-30; Luke 23:27-28; Isaiah 53:10-12; Luke 23:44-46; Luke 23:50-56.A major choral work with original texts by Terry York and original music by Taylor Davis, Return to Me, takes us on a journey through the traditional Stations of the Cross. The combination of familiar scripture texts set with powerful new images creates a deeply spiritual experience for Holy Week. Duration: Approximately 40 minutesAs a companion to this work, an optional daily devotion guide for the season of Lent will enhance the congregational experience by coordinating with the texts sung by the choir in the Holy Week worship service. Preview Pak includes a choral score and CD recording.The Choral score (70-300) does not include the Lenten Devotional Guide. The Lenten Devotional Guide must be purchased separately and is available in a hardcopy booklet (70-300B) or as a digital download/PDF file for your e-reader (file_70-300B-E). If the Lenten Devotional Guide is to be used as pew booklets, you only need to purchase the number of Lenten Devotional Guides you wish to have available to your congregation.If your church intends to reproduce the Lenten Devotional Guide in your church bulletin, church websites, social media (e.g., Facebook), or email, you may report usage as follows:• If your church is a member of CCLI or OneLicense.net, you can report there.• If you church is not a member of CCLI or OneLicense.net, you may purchase one of our Congregation Edition Digital Reproduction Licenses, which cover emailing and printing the edition. A PDF of the Congregation Edition is included with the license. The fee for organizations with 0-200 average church attendance is $50.00 and for more than 200 average attendance the fee is $75.00.
$8.50 ≈
$11.55
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